settima

CinémaDirect

Crisis: Behind a Presidential Commitment (Robert Drew, 1963)

Jun

10

1963

Crisis: Behind a Presidential Commitment (1963)

An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.

“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”

– JFK

Grands soirs & petits matins [May Days] (William Klein, 1978)

May

24

1968

Grands soirs & petits matins (1978)

Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.

“Soyez réalistes, demandez l'impossible”

– May 68 slogan

Salesman (Albert + David Maysles, Charlotte Zwerin, 1969)

Mar

29

breakfast

Salesman (1969)

Bible salesmen enjoying breakfast at a soulless motel. DP: Albert Maysles.

Watched on Good Friday.

Crisis: Behind a Presidential Commitment (Robert Drew, 1963)

Dec

14

Alabama Day

Crisis: Behind a Presidential Commitment (1963)

Bobby on the phone, seen from the back. DP: Gregory Shuker.

Filmed in Alabama: Alabama Day. In what he dubbed “Stand in the Schoolhouse Door”, George Wallace, Alabama governor, blocked Black students from walking into the University so he could uphold his inaugural promise of “segregation now, segregation tomorrow, segregation forever”. This prompted a national crisis, resulting in the President issuing Executive Order 11111, making the #NationalGuard step in.

“Come Senators, Congressmen, Please heed the call, Don't stand in the doorway, Don't block up the hall”

– Bob Dylan, The Times They Are a-Changin (1964)

In a then-groundbreaking new documentary format, Robert Drew and associates followed President John F. Kennedy and Attorney General Robert F. Kennedy during the crisis. And they filmed everything; from tense phone calls, private discussions, private moments (one of RFK's daughters on the phone with a bemused “Kerry”, Dept. Nicholas Katzenbach), and many, many shots in which nothing – which is everything – is said.

Festival panafricain d'Alger [The Panafrican Festival in Algiers] (William Klein, 1969)

Jul

26

One Voice Day

Festival panafricain d'Alger (1969)

Black hands holding each other. In translation the caption reads “Down with colonialism! Down with imperialism!”. DP: William Klein et al.

In typical Western fashion the credits for William Klein's Festival panafricain d'Alger focusses on the French and American participants. After Algeria regained its independence in 1962, it became Africa's – and the #AfricanDiaspora's – centre for postcolonial and liberation moments.

“À bas le colonialisme ! À bas l'imperialisme !”

The 12-day Festival panafricain attracted 5000 people from all over the African continent, as well as liberation fighters from the United States.

Grands soirs & petits matins [May Days] (William Klein, 1978)

Jun

6

National Higher Education Day

Grands soirs & petits matins (1978)

Students discussing at the Sorbonne. DPs: William Klein & Bernard Lutic.

A ripple went through France in the early months of 1968. It started when the Communist and socialist party joined forces in an attempt to remove President De Gaulle from office. A month later, students at Nanterre (a Parisian university) teamed up with poets, musicians and small leftist groups to discuss class discrimination and political bureaucracy on campus. The meeting was peacefully disassembled but tensions remained. In May, Sorbonne students stood up for Nanterre, by then shut down. Then, police invaded the university and 20 000 stood up against the police.

“Convert all Parisian universities into reception centres for the revolutionary youth of the whole world.”

– student proposal

Somewhere in that crowd were those whose interest went beyond the main spectacle: the toppling of the new ancien regime. A #JeanRouch​ian anthropologist of sorts, artist, photographer and filmmaker William Klein pushes the eye through the masses. But it's also his eye; each frame is a Klein. However, we see not a documentary. Sound is asynchronous. Suddenly, it's night and flames lick the black sky. When bricks fly, frames follow. And then… the end.