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Daïnah la métisse [Dainah the Mixed] (Jean Grémillon, 1932)
Apr
15
Titanic
Mechanic Michaux (Charles Vanel) and Daïnah (Laurence Clavius) on the Art Deco liner. DPs: Louis Page & Georges Périnal.
A cruise ship in remembrance of the sinking of the Titanic on April 14–15, 1912.
Mestiza Daïnah, who accompanies her illusionist husband on the luxury cruise ship he works on, loves to flirt and tease the other sex, including the ship's engineer Michaux. When she disappears, suspicion falls not only on Michaux, but also on her Black husband.
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December 7th (John Ford + Gregg Toland, 1943)
Dec
7
1941
A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.
“If that's Americanism, it's very hyphenated.”
– narrator
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In the Heat of the Night (Norman Jewison, 1967)
Sep
13
“They call me MISTER TIBBS.”
– Det. Virgil Tibbs
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Crisis: Behind a Presidential Commitment (Robert Drew, 1963)
Jun
10
1963
An energetic Bobby arrives at the White House in his limousine. DP: Gregory Shuker.
“This nation, for all its hopes and all its boasts, will not be fully free until all its citizens are free.”
– JFK
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Crisis: Behind a Presidential Commitment (Robert Drew, 1963)
Dec
14
Alabama Day
Bobby on the phone, seen from the back. DP: Gregory Shuker.
In what he dubbed “Stand in the Schoolhouse Door”, George Wallace, Alabama governor, blocked Black students from walking into the University so he could uphold his inaugural promise of “segregation now, segregation tomorrow, segregation forever”. This prompted a national crisis, resulting in the President issuing Executive Order 11111, making the #NationalGuard step in.
“Come Senators, Congressmen,
Please heed the call,
Don't stand in the doorway,
Don't block up the hall”
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Dutchman (Anthony Harvey, 1966)
Oct
3
Mean Girls Day
Clay (Al Freeman Jr.) reading a newspaper and minding his business on a subway train home. Just arrived on his car is Lula (Shirley Knight) and her endless supply of apples. DP: Gerry Turpin.
“Bet you can't eat just one.”
– advertising slogan
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Paris Is Burning (Jennie Livingston, 1990)
Mar
6
National Dress Day
Paris Is Burning is probably best known for its fabulous #ballroom and #vogueㅤing scenes but in its heart, it tells the story of #family, of people who found their new ménage where they can live and love without fear and prejudice.
“In the ballroom circuit, it is so obvious that if you have captured the great white way of living, or looking, or dressing, or speaking – you is a marvel.”
– Pepper LaBeija
While you may expect a fierce documentary about #TransRights, or maybe merely a glamorous parade, you will be confronted with the flagrant #racism that made the #BallroomScene so essential for the Black and #Latinx LGBT+ community who founded it. And the tragedy of its demise in the name of pop culture even more heartbreaking.