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The Plague of the Zombies (John Gilling, 1966)
Aug
20
A rather disgusting looking zombie carrying a young brunette in a flower dress. DP: Arthur Grant.
“I, I find all kinds of witchcraft slightly nauseating and this I find absolutely disgusting.”
– Sir James Forbes
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Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)
Aug
13
1942
Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.
– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.
– Life is in colour, but black and white is more realistic.
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The Red Shoes (Michael Powell + Emeric Pressburger, 1948)
Aug
3
red
A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.
Red: best use of red in food or fashion*
“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.”
– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via
Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.
Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).
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The Tempest (Derek Jarman, 1979)
Jul
28
Local nightlife: people dancing or at a show*
“Don't know why
There's no sun up in the sky
Stormy weather
Since my man and I ain't together
Keeps raining all of the time
Oh, yeah
Life is bad
Gloom and misery everywhere
Stormy weather, stormy weather
And I just can get my poor self together
Oh, I'm weary all of the time
The time, so weary all of the time
When he went away
The blues walked in and met me
Oh, yeah if he stays away
Old rocking chair's gonna get me
All I do is pray
The Lord will let me
Walk in the sun once more
Oh, I can't go on, can't go on, can't go on
Everything I have is gone
Stormy weather, stormy weather
Since my man and I, me and my daddy ain't together
Keeps raining all of the time
Oh, oh, keeps raining all of the time
Oh, yeah, yeah, yeah raining all of the time
Stormy stormy
Stormy weather
Yeah”
– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)
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Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)
Jul
19
Wed
Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.
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Jul
17
MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.
“I'll tell you what though, Mac. There'll be no more games from now on.”
– Ansell
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Blue Remembered Hills (Brian Gibson, 1979)
Jun
16
Youth Day
The children playing in the Forest of Dean. From left to right: Raymond (John Bird), Angela (Helen Mirren), Willie (Colin Welland), and Audrey (Janine Duvitski). DP: Nat Crosby.
A [favourite] child character for Youth Day (ZA)
“Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?
That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.”
– narrator, after A.E. Housman's A Shropshire Lad
A group of children plays. It's sunny and lovely in the Forest of Dean, a day to remember for as long as one lives. The war, the second one, is one of the adults' plays and far away from the children's much simpler life. It seeps through, though. You may run around, imagining being a fighter bomber, putt-putt-putting while you do so. And your uncle, your uncle!, is a parachutist! And maybe your dad is missing and your mum is doing something that involves bed sheets, and the other kids are mean about that. That too. That too is the cruelty of blue remembered hills.
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The Diary of an Unknown Soldier (Peter Watkins, 1959)
Jun
14
Army Day
That glance. Any soldier at any time. DP: Peter Watkins.
A [favourite] soldier in film for Army Day (USA). I can not in all seriousness link to any official website in fear of throwing up, so please follow along here
“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”
Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.
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Wholly Communion (Peter Whitehead, 1966)
Jun
11
1965
Allen Ginsberg reciting in front of an enraptured audience at the Royal Albert Hall. DP: Peter Whitehead.
“Love! Love!”
– anonymous poet interrupting Harry Fainlight
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Jubilee (Derek Jarman, 1978)
May
24
Tiara Day
Bod (Jenny Runacre), wears a Crown Jewel-ish affair. Amyl Nitrate (Jordan) clutches her pearls. DP: Peter Middleton.
“Rule Britannia, Britannia, Britannia…”
– Amyl Nitrite
Queen Elizabeth I (Jenny Runacre) requests Her court occultist John Dee (Richard O'Brien) to show Her Majesty the future of Her kingdom, baroness Thatcher's rotten England, ruled over by a gang of nihilist women.