settima

UK

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, all dressed in white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up all in white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

A Canterbury Tale (Michael Powell + Emeric Pressburger, 1944)

Aug

27

A Canterbury Tale (1944)

Alison (Sheila Sim) looking out over the rolling hills of Kent with the Canterbury Cathedral somewhere out there. DP: Erwin Hillier.

“Well, there are more ways than one of getting close to your ancestors. Follow the old road, and as you walk, think of them and of the old England. They climbed Chillingbourne Hill, just as you. They sweated and paused for breath just as you did today. And when you see the bluebells in the spring and the wild thyme, and the broom and the heather, you're only seeing what their eyes saw. You ford the same rivers. The same birds are singing. When you lie flat on your back and rest, and watch the clouds sailing, as I often do, you're so close to those other people, that you can hear the thrumming of the hoofs of their horses, and the sound of the wheels on the road, and their laughter and talk, and the music of the instruments they carried. And when I turn the bend in the road, where they too saw the towers of Canterbury, I feel I've only to turn my head, to see them on the road behind me.”

– Thomas Colpeper, JP

Watch the K Foundation Burn a Million Quid (Gimpo, 1995)

Aug

23

1994

Watch the K Foundation Burn a Million Quid (1995)

British banknotes ablaze. DP: Gimpo.

“We wanted the money but we wanted to burn it more.”

– Bill Drummond

The Black Tower (John Smith, 1985—1987)

Aug

22

black

The Black Tower (1987)

The black tower, visible from behind a brick wall (via)..

Black: a building or structure*

“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”

– narrator

A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.

 

The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.

 

The Plague of the Zombies (John Gilling, 1966)

Aug

20

The Plague of the Zombies (1966)

A rather disgusting looking zombie carrying a young brunette in a flower dress. DP: Arthur Grant.

“I, I find all kinds of witchcraft slightly nauseating and this I find absolutely disgusting.”

– Sir James Forbes

Nineteen Eighty-Four (Rudolph Cartier, 1954)

Aug

18

indigo

Nineteen Eighty-Four (1954)

Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.

Indigo, in food or fashion*

“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “

– George Orwell, Nineteen Eighty-Four (1949) (via)

Der Stand der Dinge [The State of Things] (Wim Wenders, 1982)

Aug

13

1942

Der Stand der Dinge (1982)

Friedrich Munro's (Patrick Bauchau) Hollywood, Ca address and date of birth: August 13, 1942. DPs: Henri Alekan, Fred Murphy & Martin Schäfer.

– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.   – Life is in colour, but black and white is more realistic.

The Red Shoes (Michael Powell + Emeric Pressburger, 1948)

Aug

3

red

The Red Shoes (1948)

A ballerina's lower body in focus. She wears a long tulle off-white dress, slightly sheer, with her white stockings showing through slightly. Part of her right lower arm is visible, the hand clutched, a turquoise bracelet on the wrist. What stands out most are her ruby red ballet shoes that appear to move away from her. The backdrop is a dull, washed out carpet. DP: Jack Cardiff.

Red: best use of red in food or fashion*

“She looked at the red shoes, for she thought there was no harm in looking. She put them on, for she thought there was no harm in that either. But then she went to the ball and began dancing. When she tried to turn to the right, the shoes turned to the left. When she wanted to dance up the ballroom, her shoes danced down. They danced down the stairs, into the street, and out through the gate of the town. Dance she did, and dance she must, straight into the dark woods.”

– Hans Christian Andersen, De røde Skoe (1845, tranl. Jean Hersholt, 1949), via

Another one of The Archers' #Technicolor extravaganzas. This time, not to wow the worn-down post-war black-and-white audience, but as an an active storytelling instrument.

 

Built around Hans Christian Andersen's haunting tale De røde Skoe (1845).

 

The Tempest (Derek Jarman, 1979)

Jul

28

The Tempest (1979)

Sailors dancing in a room wildly decorated with guirlandes and flowers (via). DP: Peter Middleton.

Local nightlife: people dancing or at a show*

“Don't know why There's no sun up in the sky Stormy weather Since my man and I ain't together Keeps raining all of the time

Oh, yeah Life is bad Gloom and misery everywhere Stormy weather, stormy weather And I just can get my poor self together Oh, I'm weary all of the time The time, so weary all of the time

When he went away The blues walked in and met me Oh, yeah if he stays away Old rocking chair's gonna get me All I do is pray The Lord will let me Walk in the sun once more

Oh, I can't go on, can't go on, can't go on Everything I have is gone Stormy weather, stormy weather Since my man and I, me and my daddy ain't together Keeps raining all of the time Oh, oh, keeps raining all of the time Oh, yeah, yeah, yeah raining all of the time Stormy stormy Stormy weather Yeah”

– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)

A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.

 

Среда [Sreda / Wednesday / Wednesday 19.7.1961] (Viktor Kosakovskiy, 1979)

Jul

19

Wed

Среда (1979)

Adult twins who, like director Kosakovskiy, were born on Wednesday 19, 1961. DP: Victor Kossakovsky.