settima

war

Amerikai anzix [American Torso] (Gábor Bódy, 1975)

Feb

12

Lincoln born

Amerikai anzix (1975)

A soldier on a swing set, high up a tree. Other soldiers and civilians look on. Screenshot (and more information) via. DP: István Lugossy.

Yet another [American] Civil War, for Abraham Lincoln's birthday (1809).

 

Shot as fainted fragments* based on an Ambrose Bierce story, and outtakes from Karl Marx's diary, Amerikai anzix (litt. American Postcards) follows Hungarian-American cartographer Fiala, one of many of his countrymen fighting in the American Civil War.

 

*Using a technique described by Bódy as “light editing”, the footage looks worn and grimy.

Οι παράνομοι [Oi paranomoi / The Outlaws] (Nikos Koundouros, 1958)

Jan

26

Survival Day

Οι παράνομοι (1958)

One of the convicts and the woman. DP: Giovanni Varriano.

Convicts: a convict settlement in Sydney Cove on January 26, 1788 marks what is considered the founding of Australia.

War Machine (Duvet Brothers, 1984)

Jan

21

the passing of Orwell

War Machine (1984)

A repurposed TV still of a battle ship billowing thick black smoke with the text WAR MACHINE superimposed over it.

A scratch video from 1984 on the date Orwell died (1950). Date of production is either 84 or 85.

Баллада о солдате [Ballada o soldate / Ballad of a Soldier] (Grigoriy Chukhray, 1959)

Dec

19

Heroes' Day

Баллада о солдате (1959)

Hero Alyosha Skvortsov (Vladimir Ivashov). DPs: Vladimir Nikolayev & Era Savelyeva.

A heroic act for (National) Heroes' Day.

“You were so scared that you knocked out two tanks? Out of fright? Everybody hear? I wish everybody were so scared.”

– The General

Hanoi, martes 13 [Hanoi, Tuesday 13th] (Santiago Álvarez, 1968)

Dec

13

Tue

Hanoi, martes 13 (1968)

A collage image of President Lyndon B. Johnson. His face is a hole and footage of a military burial service can be seen. DP: Iván Nápoles.

December 7th (John Ford + Gregg Toland, 1943)

Dec

7

1941

December 7th (1943)

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.

“If that's Americanism, it's very hyphenated.”

– narrator

Touche pas à la femme blanche [Don't Touch the White Woman!] (Marco Ferreri, 1974)

Nov

23

potato chips

Touche pas à la femme blanche (1974)

Two white Frenchmen – in a University of Columbia and a CIA sweatshirt respectively – comment on the “period piece” they're in. CIA man (Paolo Villaggio) stuffs his face with potato chips. DP: Étienne Becker.

“Whoever dies for the country hasn't lived in vain. I, on the contrary, will live for the country because I'm not that stupid.”

– George A. Custer

Peace, little girl [Daisy / Daisy Girl] (Sidney Myers, 1964)

Nov

3

1964

Peace, little girl (1964)

Monique Corzilius aka Monique Cozy as the Daisy Girl. DP: Drummond Drury.

“One… two… three… four… five… seven… six… six… eight… nine… nine…”

– Daisy Girl

La sixième face du pentagone [The Sixth Face of the Pentagon] (Chris Marker + François Reichenbach, 1968)

Oct

21

1967

La sixième face du pentagone (1968)

Armed police seen from the back. In front of him someone holds up a sign that reads WHY WAR. DPs: Tony Daval, Chris Marker & Christian Odasso.

Pensione paura [Hotel Fear] (Francesco Barilli, 1978)

Oct

18

wartime soup

Pensione paura (1978)

Rosa (Leonora Fani) prepares soup for two of the hotel guests. DP: Gualtiero Manozzi.