Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943
A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
25
1943
A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.
“It would be thrilling if you were willing,
and if it can never be, pity me,
for you were born to be kissed,
I can’t resist, you are temptation,
and I am yours!” Estate violenta [Violent Summer] (Valerio Zurlini, 1959)
Jul
19
Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.
Characters go on a date, or fall in love*
– Nacio Herb Brown & Arthur Freed, Temptation (1933)
On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the faith of the two uneven lovers slowly come to their logical conclusion.
* the Bales 2025 Film Challenge for July is, for unknown reasons, mostly not date-related and follows some sort of vacation narrative.
– Why do you always wear those dark glasses? – A souvenir of unrequited love for my homeland.Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)
Jun
27
National Sunglasses Day
Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.
[The best] sunglasses in film for National Sunglasses Day (USA)
According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.
“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”The Diary of an Unknown Soldier (Peter Watkins, 1959)
Jun
14
Army Day
That glance. Any soldier at any time. DP: Peter Watkins.
A [favourite] soldier in film for Army Day (USA). I can not in all seriousness link to any official website in fear of throwing up, so please follow along here
Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.
“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?” Skammen [Shame] (Ingmar Bergman, 1968)
Jun
12
Loving Day
Eva (Liv Ullmann) and Jan Rosenberg (Max von Sydow) (via). DP: Sven Nykvist.
A [favourite] movie couple for Loving Day (USA)
– Eva
After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).
Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.
“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.” Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)
Jun
5
Sorry I Was on a Boat Day
Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.
Someone makes an excuse on Sorry I Was on a Boat Day (USA)
– Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne
Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?
And what is yours?
“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.” Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)
May
8
VE Day
A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.
A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.
– Stepan
When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite
The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.
Maratón [The Marathon] (Ivo Novák, 1968)
May
5
1945
Karla (Jana Brejchová) and Ruda (Jaromír Hanzlík). DP: Václav Hanuš.
Goya 3 de mayo [Goya, May 3rd] (Carlos Saura, 2021)
May
3
1808
Saura's reconstruction of Goya's anti-war painting El tres de mayo de 1808 en Madrid (1814). DP: Sergio De Uña.
“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.” Das Netz – Unabomber / LSD / Internet [The Net] (Lutz Dammbeck, 2003)
Apr
27
personal computer mouse – 1981
A mouse in action. Note the stress ball. DPs: James Carman, István Imre & Thomas Plenert.
A computer mouse: the first personal computer mouse debuted on this day in 1981.
– Theodore J. Kaczynski
A Gedankenspiel.
Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.
In a grotesque snub to nature, the pointing finger has transcended the mouse, detaching our minds from our bodies in one infinite scroll.