A [favourite] soldier in film for Army Day (USA). I can not in all seriousness link to any official website in fear of throwing up, so please follow along here

“That’s how I will probably die, left like a poor old rag on the battlefield. When you know this is going to happen to you, your body suddenly becomes something terribly precious to you. This flesh, soft and warm is yours; a personal belonging not to be discarded like an awful piece of meat. You find yourself thinking about this, realizing what a wonderful thing your body is, and what an awful and wrong thing it is to maltreat it.”

Watkins takes the anonymous slaughter of the masses on the battlefield inside, into the body and mind of a young soldier.

A [favourite] movie couple for Loving Day (USA)

“Sometimes everything seems just like a dream. It's not my dream, it's somebody else's. But I have to participate in it. How do you think someone who dreams about us would feel when he wakes up. Feeling ashamed?”

– Eva

After Vargtimmen (1968), the second of Bergman's Ullmann/Von Sydow cycle. It was followed by En passion (1969).

 

Against the backdrop of war, a violinist couple tends a garden – and marriage – on the island of Fårö.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

– Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

A computer mouse: the first personal computer mouse debuted on this day in 1981.

“To those who think that all this sounds like science fiction, we point out that yesterday's science fiction is today's fact. The Industrial Revolution has radically altered man's environment and way of life, and it is only to be expected that as technology is increasingly applied to the human body and mind, man himself will be altered as radically as his environment and way of life have been.”

– Theodore J. Kaczynski

A Gedankenspiel.

 

Similar to the way moveable print has accelerated the spread of ideas, the personal computer mouse accelerated the speed of which individualist's ideas can spread. However, like the printing press and unlike the spoken word, the mouse can only point and enhance pre-existing notions, thus neutering any prospect of revolutionary change on an individual level.

 

In a grotesque snub to nature, the pointing finger has transcended the mouse, detaching our minds from our bodies in one infinite scroll.

And November 9, January 14, and January 21.

A World War I film: a day in recognition of the forced deportations and genocide in Armenia, 1915 — 1923.

“Parfois ils disent que nos images sont esthétiques, mais nous disons que les images esthétiques sont des images hautement étiques. Pour nous éthique et esthétique marchent ensemble. Re-filmer signifie re-signifier.”

– Yervant Gianikian and Angela Ricci Lucchi in conversation with Daniele Dottorini, 2007 (via)

Re-purposed propaganda reels show citizens – displaced, dehumanised – turned into prisoners of war, and finally into corpses.

“Sir Thomas Sheridan, Jacobite military secretary. Suffering advanced debility and loss of memory. Former military engagement, 56 years ago. Sir John MacDonald, Jacobite captain of cavalry. Aged, frequently intoxicated, described as 'a man of the most limited capacities.' John William O'Sullivan, Jacobite quartermaster general. Described as 'an Irishman whose vanity is superseded only by his lack of wisdom.' Prince Charles Edward Stuart, Jacobite commander in chief. Former military experience: 10 days at a siege at the age of 13.”

– narrator