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Le tombeau d'Alexandre [The Last Bolshevik] (Chris Marker, 1993)
Feb
25
Warsaw Pact
Still from a Medvedkin film. Silhouettes in light of Lenin and Stalin facing each other are projected above a crowd of people. DP of Le tombeau d'Alexandre: Chris Marker.
“Alexandre Ivanovitch Medvedkine est le seul cinéaste russe né en 1900. (…) Son énergie, son courage, ses illusions, ses désillusions, ses compromissions, ses bagarres avec les bureaucrates, ses illuminations prophétiques, ses aveuglements, volontaires ou non, son humour indestructible et la lumière déchirante que l’effondrement de l’URSS jette rétrospectivement sur toute sa vie, ce sont ceux de toute une génération, et c’est le portrait de cette génération que j’entends tracer à travers le portrait d’un ami.”
– press kit (via)
A film essay using the life and work of filmmaker Aleksandr Medvedkin to tell the story of communism. Medvedkin traveled the Soviet Union with his Kinopoezd or Cinetrain (also Agit-train), a moving film production train with the sole purpose to create Agitprop while documenting the Five Year Plan.
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Laukaus tehtaalla [A Shot in the Factory] (Erkko Kivikoski, 1973)
Feb
21
Nixon goes to China
Workers and bosses negotiate the situation. DP: Esko Nevalainen.
The killing of the factory's boss by one of the workers leads to endless negotiations between the two parties.
Shot in cinéma vérité style, with a mostly amateur cast, Laukaus tehtaalla mirrors the working classes' insecurity caused by the 1973 energy crisis in more ways than one.
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Valkoinen peura [The White Reindeer] (Erik Blomberg, 1952)
Dec
21
Yule
Pirita (Mirjami Kuosmanen) in Gákti in front of a prism-like structure with a reindeer skull on top. Antlers stick out in the snow around her. DP: Erik Blomberg.
Pagans for Yule. The reindeer plays an important part in Sámi #animism (1/2).
