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Könnyű testi sértés [Tight Quarters] (György Szomjas, 1983)
Oct
16
Csaba (Károly Eperjes) and Miklós (Péter Andorai) in their reluctantly shared apartment. Every frame is claustrophobically filled with people, including the television. DP: Ferenc Grunwalsky.
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Äppelkriget [The Apple War] (Tage Danielsson, 1971)
Sep
17
National Apple Dumpling Day
Locals and a centaur – half man, half papier-mâché – enjoy a drink. DP: Lars Swanberg.
– What are you gonna do with tons of apples? They can't be sold! Ask any apple farmer! They just pile up and rot!
– The apple farmers?
– No. The apples!
A beautiful, picturesque part of Sweden will become… Deutschneyland! At least, that's the brilliant business plan Herr Volkswagner has. But the local apple farmers – a large family that's half human, half mythological creatures – have no need for an amusement park on their grounds.
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血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)
Sep
11
The September 11 copy of a scandal magazine. It costs 30 yen. DP: Tōichirō Narushima.
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Petit à petit [Little by Little] (Jean Rouch, 1970)
Sep
3
Skyscraper Day
Damouré (Damouré Zika) measures a Parisian with craniology callipers. No skyscraper in this still, but there's scaffolding. DP: Jean Rouch.
In the sequel to Rouch's Jaguar (1967), Damouré wants a high rise for his Niger business with “as many floors as he has wives”. He decides to travel to Paris to learn about the construction of such building, and what made Paris to the Paris of today. While there, he gets distracted by the peculiarities of the French natives. Worried about Damouré's increasingly puzzling postcards, his company sends out Lam (Lam Ibrahim Dia) to bring him home.
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Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)
Aug
29
grey
A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.
[A favourite] colour: grey*
Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).
– A house like yours must be such a job!
– Oh, a leaf! Ah, yes it's a chore.
– Admit it, you love it.
In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.
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Czułe miejsca [Tender Spots] (Piotr Andrejew, 1981)
Aug
28
1998
Janek (Michał Juszczakiewicz) and Ewa (Hanna Dunowska) in embrace on a bed. DPs: Jerzy Zieliński & Ryszard Lenczewski.
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Seksmisja [Sexmission] (Juliusz Machulski, 1984)
Aug
9
Two poor captured extinct men enjoying breakfast and cigarettes. DP: Jerzy Łukaszewicz.
– Men are extinct.
– They were not mammoths!
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Sedmikrásky [Daisies] (Věra Chytilová, 1966)
Jul
25
a girls' night out
Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.
A girls' night out: women having fun on their own[???]*
Marie II: “But I'm happy.”
Marie I: “I'm so happy, too.”
Two young women called Marie pull destructive, anarchist pranks.
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Dillinger è morto [Dillinger Is Dead] (Marco Ferreri, 1969)
Jul
25
1934
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血は渇いてる [Chi wa kawaiteru / Blood Is Dry] (Yoshishige Yoshida, 1960)
Jul
17
beer
A man and woman share a meal in a top-floor restaurant. The view is numerous identical modern buildings. She's smoking and they both clutch large beer mugs. Two dishes hold small bits of food with toothpicks stuck into them. DP: Tōichirō Narushima.
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