settima

Utah

ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)

May

31

National Utah Day

Birī za kiddo no atarashii yoake (1986)

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.

An actor, director or character from Utah – National Utah Day (USA)

 

Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.

Sure Fire (Jon Jost, 1990)

May

31

National Utah Day

Sure Fire (1990)

The Utah landscape with part of the text from “Doctrine and Covenants 3, The Lord’s course is one eternal round” superimposed over it. It reads: …y come to naught, for God doth not walk in crook…. DP: Jon Jost.

Wes has it all laid out. His business partner just needs to see it. And his wife. And the people from the West Coast, California, where there's smog and people and no space. They surely want a home, or a second home, in Utah. It's close to Vegas, sure they'll love it. The people.

“One cannot even be sure, whether it is a sect, a mystery cult, a new religion, a church, a people, a nation, or an American subculture; indeed, at different times and places it is all of these.”

– Sydney E. Ahlstrom, historian (1982)

With Sure Fire, director Jon Jost accomplishes that what Lynch tries. A mundane gem with an ominous undertow, but all without the need for mystery or eccentric characters.

 

Just Utah, and its people.