A film about outer space for Nicolaus Copernicus' birthday (1473).

 

In a galaxy far far away, the opening scroll informs us, a civil war rages between governments, greedy conglomerates, and rebels. Only a few scrap-dealing space pirates can save the day!

A film about finance because “the Commonwealth of Massachusetts issues the first paper money on February 3, 1690”. The oldest surviving paper bill in what is now the United States bears the date February 3, 1690. The first documented paper money was issued during the Tang and Song dynasties in China, starting in the vulgar year 618. Who would have thought those new colonies were not the center of world history… sigh…

 

In the fourth instalment of the Homunculus saga, the artificial man callously heads the nation's financial powerhouse while secretly goading the workers in revolt against the ruling class. Soulless and unable to love, he aims for the annihilation of mankind.

 

Some claim that Die Rache des Homunculus, “The Wrath of the Homunculus”, foreshadows Hitler. I say, beware of businessmen enthralling the working classes.

A techno music scene for Techno Day (Juan Atkins' birthday).

“We wanted the money but we wanted to burn it more.”

– Bill Drummond

“What year is it now? I forgot.”

– Jamie

Watched on Good Friday.

In the soul crushing future of 1999, one heroic nuclear family bravely fulfils their gender-specific duties. While Father Mike works in his computer-aided office, Son Jamie fails at computer homeschool and Mother Karen slavishly shops, cooks, and cleans as if the 70s never happened.

 

Thankfully, the future turned out to be even bleaker.

A little boy takes in the magic of pre-Christmas, while the adults rush and worry about all that must to be bought.

'Twas the week before Christmas. Not too far from Copenhagen a helicopter lands, carrying #SantaClaus and a Christmas angel. A small welcome orchestra plays carols, after which the party makes its way to the Danish capital. There, more Santas join the duo.

“Here Santa opens a factory with 1000 workers”

– banner next to a Julemandshæren-occupied factory

Over the course of several days they bring cheer, song and hot chocolate to delighted Copenhagen Christmas shoppers. Then they show up at a local bank, demanding low-interest loans. Then, in support of the laid-off workers, they unroll a large banner at the recently shutdown General Motors factory. On the final day, Santa Claus visits Magasin, the Danish version of Macy's. In the true spirit of Christmas the Julemandshæren hands out the store's books to thrilled customers. Magasin staff is not amused. Some of them start pummelling the Santas, ripping off beards to prove that these are crooks, not real #Santa​s. Small children are in tears, their dreams of a just world shattered.

 

The Santas were a gift to the workers from Solvognen, Fristaden Christiania's anarchist theatre troupe. With disruptive, meticulously planned performances they sought to bring attention to social issues such as worker's rights, the massacre of Wounded Knee and – as late as 2006 – Guantanamo Bay.

“The Kola Loka is the law!”

– Limonádový Joe

#Herzog travels to New Holland, Pennsylvania to witness the 1976 World Livestock Auctioneer Championship. Cattle is weighed and paraded in front of the buyers, and the 53 contestants have a few minutes to auction the animals off to the highest bidder.

 

We see glimpses of the audience. New Holland is the land of the money-eschewing #Amish, descendants of German-speaking Swiss, whose dress, ways and speech found an ideal state in an increasingly convoluted world. While money rolls, the Amish hand out their home-baked pies free of charge to the Championship onlookers.

 

To German-as-Apfeltorte Herzog, the auction is bewildering, the “last #poetry possible, the poetry of #capitalism”. In keeping with Herzog's poetic, ecstatic truth, Bruno S. too travels to America and encounters the auctioneers in Stroszek (1977).