settima

ChristmasMovie

Santa and the Ice Cream Bunny (Richard Winer + Barry Mahon, 1972)

Dec

20

Santa and the Ice Cream Bunny (1972)

A bunch of screaming children on top of a red firetruck stand right behind the driver, a stoic person in a pink bunny costume. DPs: William Tobin & Richard Winer.

“What is that? What is that I hear? Where's it coming from? I hear a siren, but I don't see any fire, I don't see any smoke. Whenever there's a siren, it means there's a fire, but I don't see any smoke. That siren. Where is it coming from? Where's that sound coming from?”

– Santa Claus

Wśród nocnej ciszy [Quiet Is the Night] (Tadeusz Chmielewski, 1978)

Sep

14

Wśród nocnej ciszy (1978)

A young student sits on the ledge of a barge, looking up at another man. DP: Jerzy Szurowski.

Warum läuft Herr R. Amok [Why Does Herr R. Run Amok] (Michael Fengler, 1970)

Sep

11

National Boss Employee Exchange Day

Warum läuft Herr R. Amok (1970)

Der Chef (Franz Maron) berates Herr R. (Kurt Raab). DP: Dietrich Lohmann.

Mr R. (Kurt Raab), his full name is irrelevant, is a hardworking, almost invisible man. He laughs along when his coworkers make stale jokes to shorten the long days. He neatly completes his draftman's assignments and politely nods when the boss berates him. He smokes too much, 80 a day, and at the yearly checkup is told to cut the habit down. His son fails at school and Mrs R. wishes for nicer furniture and a skiing holiday, when Mr R. is promoted.

“No, no, geh' nicht vorbei, als wär' nichts gescheh'n, Es ist zu spät, um zu lügen, Komm und verzeih, ich werd' mit dir geh'n, Wohin dein Weg auch führt, Und die Welt, sie wird schön.”

– Christian Anders, Geh nicht vorbei (1969)

So why does Herr R run amok?

Dejlig er den himmel blå [Lovely Is the Blue Sky] (Jon Bang Carlsen, 1975)

May

19

Malcolm X Day

Dejlig er den himmel blå (1975)

The Julemandshæren (“Santa Claus Army”) at Magasin, just after their arrest (image credit: Mother Jones, Dec. 1977). The performance was archived for prosperity in the documentary Dejlig er den himmel blå. DPs: Jimmy Andreasen, Morten Bruus, Dirk Brüel, Teit Jørgensen & Freddy Tornberg.

'Twas the week before Christmas. Not too far from Copenhagen a helicopter lands, carrying #SantaClaus and a Christmas angel. A small welcome orchestra plays carols, after which the party makes its way to the Danish capital. There, more Santas join the duo.

“Here Santa opens a factory with 1000 workers”

Over the course of several days they bring cheer, song and hot chocolate to delighted Copenhagen Christmas shoppers. Then they show up at a local bank, demanding low-interest loans. Then, in support of the laid-off workers, they unroll a large banner at the recently shutdown General Motors factory. On the final day, Santa Claus visits Magasin, the Danish version of Macy's. In the true spirit of Christmas the Julemandshæren hands out the store's books to thrilled customers. Magasin staff is not amused. Some of them start pummelling the Santas, ripping off beards to prove that these are crooks, not real #Santa​s. Small children are in tears, their dreams of a just world shattered.

 

The Santas were a gift to the workers from Solvognen, Fristaden Christiania's anarchist theatre troupe. With disruptive, meticulously planned performances they sought to bring attention to social issues such as worker's rights, the massacre of Wounded Knee and – as late as 2006 – Guantanamo Bay.

Multiple SIDosis (Sid Laverents, 1970)

Mar

27

National Acoustic Soul Day

Multiple SIDosis (1970)

Clockwise: Sid playing a ukulele, Sid whistling, Sid playing improvised chimes (metal pipes and one cymbal hanging from an overhead microphone stand), Sid blowing a tune on champagne bottles, one metronome. DP: Sid Laverents.

There's a handful of notable amateur films in the National Film Registry. One of them is the Zapruder film, another Sid Laverents' Multiple SIDosis.

“In terms of sheer entertainment value, I think that it demonstrated that one eccentric genius alone in his garage can rival the best of the Hollywood studios””

– Ross Lipman, UCLA Film & Television Archive restorationist

 

Catch it here.