settima

Greece

Οι παράνομοι [Oi paranomoi / The Outlaws] (Nikos Koundouros, 1958)

Jan

26

Survival Day

Οι παράνομοι (1958)

One of the convicts and the woman. DP: Giovanni Varriano.

Convicts: a convict settlement in Sydney Cove on January 26, 1788 marks what is considered the founding of Australia.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Jan

2

Martini

Ο Δράκος (1956)

The boss, Hondros (Giannis Argyris), pours out a stiff drink on the floor of his cabaret with Mr Tomas (Dinos Iliopoulos) in the background. DP: Kostas Theodoridis.

The first film dinner of 2024.

Ο Δράκος [O Drakos / The Ogre of Athens / The Ogre / The Vampire] (Nikos Koundouros, 1956)

Dec

31

New Year's Eve

Ο Δράκος (1956)

Men in identical white shirts and dark slacks dancing in the club during after hours. Their upper bodies seem top-heavy, tending to lunge towards the ground. DP: Kostas Theodoridis.

New Year's Eve celebrations.
A mousy bank clerk (Dinos Iliopoulos), who bears an uncanny resemblance to a criminal on the run, finds himself hiding in a shady cabaret on New Year's Eve instead of spending a quiet evening alone. During his forced stay at the nightclub, he comes to enjoy and identify more and more with his newfound persona and assumes the role of the notorious “Drago”.

 

An initial box office dud, it is now considered one of the top ten all-time best Greek films.

 

Happy new year, everyone! On to many more cinematic discoveries!

Οι Τεμπέληδες της Εύφορης Κοιλάδας [Oi tembelides tis eforis koiladas / The Idlers of the Fertile Valley] (Nikos Panayotopoulos, 1978)

Aug

21

freebie: World Sleep Day

Oi tembelides tis eforis koiladas (1978)

The maid, father, and two of the sons in a drab, dark green corridor. The men wear burgundy red dressing gowns over their pyjamas and lethargically lean instead of actively sit or stand. The maid wears practical everyday wear and has something to discuss. DP: Andreas Bellis.

Slow cinema of a different kind. We spend long hours in the company of a father (Vasilis Diamantopoulos) and his sons Sakis (George Dialegmenos), Nikos (Dimitris Poulikakos), and Giannis (Nikitas Tsakiroglou). The four of them – rich, bourgeois – have inherited a country villa and the plan is to do nothing for the next seven years. No work, no unnecessary movements. There's #sleep, lots of it. And copious amounts of food prepared by maid Sofia (Olga Karlatos) – she comes with the house; chattels personal – in addition of her body to be consumed by the increasingly idle men.

“Do you want to work? What a nightmarish idea”

Οι Τεμπέληδες της Εύφορης Κοιλάδας is a slow satire, quietly addressing Greek #class struggle through the viewer's observation. Who do we follow? The father, who quickly surrenders to sloth; the sons – young, with their whole lives ahead of them; the maid – never questioning her position and slavishly fulfilling her duties of the flesh, in bed and in the kitchen?

 

The similarities are there but unlike #MarcoFerreri's La grande bouffe (1973), there's no culmination in decadence. No euphoria to speak of. No grand release either; while the camera roams the mansion, attuned to #Mahler's tone poem Symphony No. 1 [Titan] – our only clue of the passing of time; even the vegetation succumbs to ennui – the story plods on. One of the men gets dressed, to go to work. It's foolish.

Οι Τεμπέληδες της Εύφορης Κοιλάδας [Oi tembelides tis eforis koiladas / The Idlers of the Fertile Valley] (Nikos Panayotopoulos, 1978)

May

15

Οι Τεμπέληδες της Εύφορης Κοιλάδας (1978)

The maid (Olga Karlatos) patiently feeding the father (Vasilis Diamantopoulos) in bed. DP: Andreas Bellis.