settima

blue

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)

Aug

13

cerulean

Il fiore delle mille e una notte (1974)

The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras' costumes. DP: Giuseppe Ruzzolini.

Cerulean, or blue: a building or structure*

“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”

One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.

 

Blue (Derek Jarman, 1993)

Jul

13

Oxymoron Day

Blue (1993)

Not a screenshot from the film, but a pure representation of International Klein Blue.

Synchronous to the screening of a film that wasn't, Derek Jarman's Blue was broadcast on radio and television. Those who tuned into the radio could request a special card printed in that most spectral of colours, International Klein Blue, a blue that according to its creator Yves Klein, has “a quality close to pure space” and “immaterial values beyond what can be seen or touched”.

“You say to the boy 'Open your eyes'. When he opens his eyes and sees the light, you make him cry out, saying 'Oh, Blue, come forth! Oh, Blue, arise! Oh, Blue, ascend! Oh, Blue, come in!'.”

– Nigel Terry

Submerged in #blue, seeing through what was left of Jarman's eyes, we live through the artist's life, and love, and loss. When you leave the theatre, put down that card, you're temporarily blinded by the physiological afterimage of a devastating disease. What remains is the voice of a filmmaker who lost his sight.

Malá morská víla [The Little Mermaid] (Karel Kachyňa, 1976)

Mar

3

National Dress In Blue Day

Malá morská víla (1976)

The little mermaid (Miroslava Safránková) in her wonderful sea-blue dress, puts a coral-red rose in her blue hair. DP: Jaroslav Kučera.

Miroslava Safránková plays Hans Christian Andersen's doomed little mermaid – Malá morská víla in Czech – who falls in love with a mortal and gives up her beautiful voice to be with him. Sadly, the mortal, a prince, doesn't recognize his mute saviour and doesn't return his love.

“The other day I got caught in some fishermen's net. Of course, I had to drown them. I couldn't allow them to touch me, could I?”

– the little mermaid

The wonderful soundtrack is by Zdeněk Liška who also composed music for Ikarie XB 1 (Jindřich Polák, 1963) and Spalovač mrtvol (Juraj Herz, 1969).