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Bales2025FilmChallenge

Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)

Jun

7

National Trails Day

Лісова пісня. Мавка (1981)

Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.

A movie that takes place in nature for National Trails Day (USA)

 

Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.

 

The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.

À Meia Noite Levarei Sua Alma [At Midnight I'll Take Your Soul] (José Mojica Marins, 1964)

Jun

6

Robert Englund – 1947

À Meia Noite Levarei Sua Alma (1964)

Josefel Zanatas, aka Coffin Joe, summoning you to your early grave. DP: Giorgio Attili.

[A] favourite horror movie villain for Robert Englund's birthday (1947).

“What is life? It is the beginning of death. What is death? It is the end of life! What is existence? It is the continuity of blood. What is blood? It is the reason to exist!”

– Zé do Caixão (Coffin Joe), opening lines

In 1963, long before Freddy's got his claws, Brazil didn't have any horror films of its own. Then, José Mojica Marins woke up from uneasy dreams. He had seen himself being dragged across a cemetery by a dark figure, towards a grave with his name on it. Now wide awake in a pool of sweat, José became Josefel Zanatas – the true name of the godless undertaker from his dream.

 

Josefel, nicknamed Zé do Caixão, or Coffin Joe as he was rechristened for the English speaking world, would be Marins' alter ego in numerous movies and TV shows. His gnarly nails clawed their way past Brazil's censorship, dug themselves out of the pits of obscurity, and impaled themselves deep into this disciple's heart.

Le chagrin et la pitié [The Sorrow and the Pity] (Marcel Ophüls, 1969)

Jun

5

Sorry I Was on a Boat Day

Le chagrin et la pitié (1969)

Two smiling farmers. The interviewer asks “What did you think about?” One of them replies “Surviving. That's it.” Screenshot via. DPs: André Gazut & Jürgen Thieme.

Someone makes an excuse on Sorry I Was on a Boat Day (USA)

“One thing I find appalling is when people who were [Vichy President] Pétain supporters come up to me and tell me what they did for the Resistance. Sometimes it's unreal. “Oh, Mr. Gaspard, if only you knew what we did, what I did for the Resistance.” Go ahead, pal, tell me all about it. I try to stay calm. I'm a salesman, and I want to sell my product. The company doesn't pay me to do politics and pick fights, so sometimes I find myself obliged to listen to a song and dance of some guy who shows me a drawer and gets his wife to confirm that there was indeed a revolver in that drawer during the war, a revolver which he was supposedly ready to use on the Germans. Only he never actually used it. History doesn't lie.”

Émile Coulaudon aka Colonel Gaspard, former head of the French Resistance in Auvergne

Marcel Ophüls documents the people of Clermont-Ferrand as the microcosm of Vichy France, part of Europe's only country that happily collaborated with its occupier, Nazi Germany. What were their justifications, their excuses, their motivations? Was it survival, habit, greed? Comfort, conformity, obedience, fear?

 

And what is yours?

Point de chute [Falling Point] (Robert Hossein, 1970)

Jun

4

Global Running Day

Point de chute (1970)

Catherine (Pascale Rivault) running. DP: Daniel Diot.

A character who is running on Global Running Day

 

Sombre (Philippe Grandrieux, 1998)

Jun

3

World Bicycle Day

Sombre (1998)

Cycling fans along the route. DPs: Philippe Grandrieux & Sabine Lancelin.

A film scene with a bike for World Bicycle Day

 

Jean (Marc Barbé) follows the route of the Tour de France. He sees women, picks them up, takes them out. Claire, infatuated with him, is taken in by his darkness. At night, the cyclists continue the course.

跑道終點 [Pao dao zhong dian / The End of the Track] (Tun-Fei Mou, 1970)

Jun

2

Dennis Haysbert – 1954

跑道終點 (1970)

Hsiao-Tung and Yung-shen at the track. DP: Chung-Hsin Chen.

A [favourite]* fictional athlete for Dennis Haysbert's birthday (1954).

 

Close friends Hsiao-Tung and Yung-shen spend their time together, wandering about, eating dumplings, and training for athletics. Until one of them pushes too hard, leaving the other alone in his grief.

 

* this month's Bales' Challenge is marred with “favourites”, something I don't believe in. Instead, I stick to great cinema and will squeeze in a few LGBT-themed films for Pride Month.

La maudite galette [Dirty Money] (Denys Arcand, 1972)

Jun

1

Oscar the Grouch Day

La maudite galette (1972)

Rolland (René Caron) and Berthe (Luce Guilbeault). She's had it with these money troubles. DP: Alain Dostie.

A character who's a grouch for Oscar the Grouch Day (USA)

ビリィ★ザ★キッドの新しい夜明け [Birī za kiddo no atarashii yoake / The New Morning of Billy the Kid] (Naoto Yamakawa, 1986)

May

31

National Utah Day

Birī za kiddo no atarashii yoake (1986)

Director Naoto Yamakawa directing Billy the Kid (Hiroshi Mikami) on site in Utah (via) DP: Kenji Takama.

An actor, director or character from Utah – National Utah Day (USA)

 

Billy the Kid steps out of a huge poster of Monument Valley right into a Tokyo bar and becomes its bar keeper. Together with a samurai, a WW2 G.I, Marx-Engels (not a typo), the Japanese weather service number 177 and others, he keeps the tavern safe from various thugs roaming the streets.

吾輩は猫である [Wagahai wa neko de aru / I Am a Cat] (Kon Ichikawa, 1975)

May

30

Hug Your Cat Day

吾輩は猫である (1975)

The cat and his master, teacher Sneaze. DP: Kōzō Okazaki.

A pet for National Hug Your Cat Day (USA) *

“Had I the time to keep a diary, I’d use that time to better effect; sleeping on the veranda”

– The cat

A school teacher's house cat observes and comments his household's going-ons as a microcosm of Japan's paradoxical Meiji period. The second adaptation of Sōseki Natsume's 1900s satirical novel.

 

* The event falls on June 4

Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)

May

29

Ascension Day

Jesus Christus Erlöser (1971/2008)

Kinski speaking to (presumably) journalists as part of promoting his Jesus tour (via)

The birth, life, death or teachings of Jesus on Ascension Day

“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”

– Klaus Kinski

It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.