settima

Bales2025FilmChallenge

Procès de Jeanne d'Arc [The Trial of Joan of Arc] (Robert Bresson, 1962)

Aug

17

forgiveness

Procès de Jeanne d'Arc (1962)

Jeanne (Florence Delay) bound to the stake. DP: Léonce-Henri Burel.

Holi: someone is forgiven (forgiveness being an important aspect of Holi)*

“Pray for me. I forgive the evil done me.”

– Jeanne d'Arc

Jeanne trusts her delusions to forgive the people who brought her to justice.

 

Le camion [The Lorry] (Marguerite Duras, 1977)

Aug

16

indigo

Le camion (1977)

His Saviem, possibly an SM170. DP: Bruno Nuytten.

Indigo: a building or structure*

Him: It’s a film? Her: It would have been a film.

A truck, both the narrative structure and his (Depardieu's character) material representation. She – the director – and he – the lead actor – do a read-though while discussing her script. A communist truck driver picks up a female hitchhiker. They discuss the landscape, the cosmos, pointlessness, communism of course. All the while, the indigo truck plods on.

 

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

Lola Montès (Max Ophüls, 1955)

Aug

14

Bavaria

Lola Montès (1955)

The crowned royal mistress on display in glorious Eastmancolor (via). DP: Christian Matras.

Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*

“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”

– circus master

Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.

 

Il fiore delle mille e una notte [Arabian Nights] (Pier Paolo Pasolini, 1974)

Aug

13

cerulean

Il fiore delle mille e una notte (1974)

The entrance of the Shah Mosque as seen in the film. The seven colours of the tile work are reflected in the extras' costumes. DP: Giuseppe Ruzzolini.

Cerulean, or blue: a building or structure*

“Eh, i sogni a volte insegnano male, Dùnya, perché la verità intera non è mai in un solo sogno, la verità intera è in molti sogni.”

One of the many exotic locations is the مسجد شاه, [Masjed-e Shah, or Shah Mosque] in Iran with its otherworldly blue and blue-adjacent tiles.

 

Il deserto rosso [Red Desert] (Michelangelo Antonioni, 1964)

Aug

12

green

Il deserto rosso (1964)

Valerio (Valerio Bartoleschi) and his mother Giuliana (Monica Vitti) in an arid industrial landscape. Giuliana wears a brilliant green coat, its shade between pea green and moss green, depending on the drabness of the surroundings. DP: Carlo Di Palma.

Green, in food or fashion*

“She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.”

– Giuliana

Antonioni's first film in colour beautifully utilises Vitti's brilliance – of her auburn hair, her porcelain teint, her vivid costumes (by Paola Carloni) – against the drab landscape.

 

آداب بهاری [Adab-e Bahari / Rites of Spring] (Ali Asghar Agahbanaei, 1982)

Aug

11

spring

Adab-e Bahari (1982)

In a dewdrop hanging from a rose, the face of a smiling woman appears.

Dita e Verës, a pagan spring celebration from Albania, celebrated in March: a spring scene*

 

The restless anticipation of spring. Iran as it was before and after the 1979 toppling of the Shah. While the snow melts away, the Revolution takes place, and fresh buds appear on the rose bushes. A poem.

 

Хлебный день [Khlebnyy den / Bread Day] (Sergei Dvortsevoy, 1998)

Aug

10

green

Хлебный день (1998)

The old folks pushing the cart past the hamlet's name sign. With thick brush strokes, almost too much for the small rectangle, it reads TOWNSHIP NR. 3. DP: Alisher Khamidkhodzhaev.

Green: a building or structure*

“That's all the people we've got now. We'll get there somehow.”

Where the old folks' hands push the cart, the green's worn off. That doesn't change anything about its importance. A lifeline, bread, is delivered once a week and with delivered, it means that the carriage is left on the rails, several kilometers away from Zhikharevo, or Township Nr. 3, which in its turn is about 80 km away from Saint Petersburg. It takes the seniors about two hours to get the wagon to their hamlet. We get to witness ten minutes or so. It lasts a lifetime.

 

As of 2002, only three people lived in Zhikharevo. I wonder how the wain comes home now.

 

Du côté de la côte [Along the Coast] (Agnès Varda, 1958)

Aug

9

yellow

Du côté de la côte (1958)

Two people, one big one small, in identical canary yellow robes and straw sun hats on the beach (more here). DPs: Quinto Albicocco & Raymond Castel.

Yellow, in food or fashion*

“Tourists prefer the trendy colors, yellow and blue. Pacing fancies, hotels are painted yellow and blue. Blue wins. All women want to be fashionable. All women wear blue, except the English, those learning to swim, and the Germans, who are dedicated to green.”

– narrator

墮落天使 [Do lok tin si / Fallen Angels] (Wong Kar-Wai, 1995)

Aug

7

yellow

Do lok tin si (1995)

The killer's agent (Michelle Reis) rides an escalator in a yellow and black underground station. She wears an all-black outfit and yellow nail polish (via). DP: Christopher Doyle.

Yellow: a building or structure*

“Just when I really needed a raincoat, he returned to my side. It would be so great if it could rain forever.”

– Punkie