settima

Bales2025FilmChallenge

The Year of the Sex Olympics (Michael Elliott, 1968)

Sep

7

ESPN – 1979

The Year of the Sex Olympics (1968)

The people of a suspiciously 60s looking future critically watch the audience of a reality TV show called The Hungry Angry Show.

Sports watching on TV for ESPN's debut.

“Sex is not to do. Sex is to watch.”

– Nat Mender

All that's on TV is pornography and violence. Welcome to the Year of the Sex Olympics.

Nostos: Il ritorno [Nostos: The Return] (Franco Piavoli, 1989)

Sep

6

Magellan expedition – 1522

Nostos: Il ritorno (1989)

Odysseus (Luigi Mezzanotte) and Poseidon's kingdom, the sea (via). DP: Franco Piavoli.

A seafaring explorer in commemoration of Ferdinand Magellan's (almost) completed circumnavigation in 1522. The Portuguese Magellan was enlisted by Spain to gain access to the Moluccas' spices and other trading goods by sailing west instead of east, thus avoiding the heavily armed Portuguese and Dutch traders who were plundering Southeast Asia, its peoples and cultures.

“Calypso the lustrous goddess tried to hold me back, deep in her arching caverns, craving me for a husband. So did Circe, holding me just as warmly in her halls, the bewitching queen of Aeaea keen to have me too. But they never won the heart inside me, never. So nothing is as sweet as a man's own country.”

– Homer, Odyssey, ca. 8th century CE (via)

 

With the war over, Odysseus returns home by sea, a ten year voyage known as the Odyssey

Jaider, der einsame Jäger [Jaider, the Lonely Hunter] (Volker Vogeler, 1971)

Sep

5

Mother Teresa

Jaider, der einsame Jäger (1971)

Gottfried John as Jaider (via). DP: Gérard Vandenberg.

Mother Teresa's death day: someone assists the poor. A Heimatfilm in reverse and Italowestern in disguise.

“Denn auf den Bergen, ja da ist die Freiheit, denn auf den Bergen ist es doch so schön, dort wo auf grauenhafte Weise der Jennerwein zugrund mußt gehn.”

Jennerwein-Lied, 19th c.

Jaider, just returned home from the Franco-Prussian War and incapable to find work, turns to poaching to feed himself and his impoverished town. Soon he leads a gang of poachers, who in their turn are hunted by Bavarian soldiers and state-sanctioned hunters. Loosely based on legendary “Jaider” (“hunter”) and poacher Georg Jennerwein.

海底から来た女 [Kaitei kara kita onna / Woman from the Sea] (Koreyoshi Kurahara, 1959)

Sep

4

Kaitei kara kita onna (1959)

The mysterious sea woman (Hisako Tsukuba, who under the name Chako van Leeuwen went on to produce the Jawsploitation franchise Piranha) and a bewitched Toshio (Tamio Kawachi). Note how the boat's sail resembles a shark's dorsal fin. DP: Yoshihiro Yamazaki.

It's this month's Bales Challenges' dad's VaderJaws' birthday! Celebrating with Vader, or sharks, or churches, or Chvrches. Erm… let's stick to sharks.

 

A strange woman appears in the life of a young man. He falls in love with her, but the fishermen know. She's the wife of a shark killed years ago. And she's out for revenge.

 

Doing Hooptober parallel to Bales. Expect some contamination of the September/October posts.

Petit à petit [Little by Little] (Jean Rouch, 1970)

Sep

3

Skyscraper Day

Petit à petit (1970)

Damouré (Damouré Zika) measures a Parisian with craniology callipers. No skyscraper in this still, but there's scaffolding. DP: Jean Rouch.

A skyscraper for Skyscraper Day (USA)

 

In the sequel to Rouch's Jaguar (1967), Damouré wants a high rise for his Niger business with “as many floors as he has wives”. He decides to travel to Paris to learn about the construction of such building, and what made Paris to the Paris of today. While there, he gets distracted by the peculiarities of the French natives. Worried about Damouré's increasingly puzzling postcards, his company sends out Lam (Lam Ibrahim Dia) to bring him home.

Taxi zum Klo (Frank Ripploh, 1980)

Sep

2

Christa McAuliffe 1948 – 1986

Taxi zum Klo (1980)

Frank (Frank Ripploh) teaching kids about the human body on an anatomy dummy. DP: Horst Schier.

A teacher for what would have been Christa McAuliffe's birthday.

“Ich mag Männer, bin 30 Jahre alt, von Beruf Lehrer.”

– Frank Ripploh

Frank Ripploh is a sexual ethics and biology teacher by day, and hedonistic gay man and aspiring pornographer by night. When Frank Ripploh, the man, publicly came out in 1978 in the tabloid Stern, he lost his teaching job and did become that filmmaker. Taxi zum Klo – litt. taxi to the john/loo – is his story. A frank pre-AIDS pre-Internet pre-victimhood depiction of male gay culture in West Germany. Maybe raw, possibly misogynist, definitely true to life.

Endişe [Anxiety] (Yılmaz Güney + Şerif Gören, 1974)

Sep

1

Labor Day

Endişe (1974)

A Kurdish worker in the cotton fields. She looks straight into the camera while two others continue their work. DP: Kenan Ormanlar.

The Industrial Revolution, or unions, for Labor Day (USA)

 

Kurdish seasonal cotton pickers fear losing their job when mechanisation is preferred by their overseers. While unionising, Cevher, one of the workers – tries to stay out of the hands of his enemies, who want him because of a blood feud.

Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)

Aug

29

grey

Mon oncle (1958)
Koolhaas Houselife (2008)

A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.

[A favourite] colour: grey*

 

Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).

– A house like yours must be such a job! – Oh, a leaf! Ah, yes it's a chore. – Admit it, you love it.

In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.

 

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, all dressed in white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up all in white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

Les Vampires [The Vampires or, The Arch Criminals of Paris] (Louis Feuillade, 1915/1916)

Aug

24

black

Les Vampires (1915)

A signed promotional photograph of Irma Vep (Musidora) in her iconic black catsuit. DPs: Georges Guérin & Manichoux.

Black, in food or fashion*

“It is vital to be photogenic from head to foot. After that you are allowed to display some measure of talent.”

– Musidora

Possibly the first, and definitely the most, iconic catsuit in cinema is worn by Musidora as Irma Vep in Les Vampires. Skintight and scandalous, Musidora's screen presence in the serial further cemented the popularity of the vamp and set the scene for many man-eaters to come.