settima

Bales2025FilmChallenge

颱風圏の女 [Taifuken no onna / The Woman in the Typhoon Area] (Hideo Ōba, 1948)

Aug

23

Taifuken no onna (1948)

Pirate moll Kuriko Sato (Setsuko Hara) (via). DP: Hiroyuki Nagaoka.

Celebrating International Talk like a Pirate Day*: a [favourite] pirate film.

 

* International Talk like a Pirate Day takes place on September 19.

The Black Tower (John Smith, 1985—1987)

Aug

22

black

The Black Tower (1987)

The black tower, visible from behind a brick wall (via)..

Black: a building or structure*

“I first noticed it in Spring last year. […] It was from [my home] that I first saw it—its crest protruding over the roofs on the other side of the road. Surprised that I hadn’t noticed it before, I wondered what it was and then forgot about it for several weeks.”

– narrator

A man becomes aware of a formerly unnoticed black tower. Surely it's nothing, yet as the weeks pass, its looming presence takes over.

 

The black tower was a real structure, first noticed by filmmaker John Smith when he moved to East London. The building, actually the upper part of a hospital's water tower, was painted pitch black, and on sunny days appeared to be a cutout in the sky. By framing the shots in such a way that only part of the surroundings is visible, and editing them in a narrative framework, Smith creates a new context suggesting movement. This style of montage called creative geography, or artificial landscape, was developed by Lev Kuleshov and enables filmmakers to expand existing material and narrative into something that usually is only available to prose poetry.

 

Månen är en grön ost [The Moon Is a Green Cheese] (Mai Zetterling, 1977)

Aug

21

violet

Månen är en grön ost (1977)

A woman in a violet dress and sunhat, plays a harp in the middle of a lake (via). DP: John Bulmer.

Violet in food or fashion. If in doubt, pick a title with ALL the colours of the rainbow!*

 

During their stay in the family summer house, two sisters imagine themselves as adults, once for every colour of the rainbow.

 

Guide [The Guide] (Vijay Anand, 1965)

Aug

20

fasting

Guide (1965)

A scruffy looking Raju (Dev Anand) wearing the orange shawl of a holy man. DP: Fali Mistry.

Ramadan [on the ninth month of the Islamic calendar, not mid-August]: someone atones or fasts*

“These people have faith in me, and I have faith in their faith.”

– Swami Ji

Due to a simple misunderstanding, a farmer mistakes tour guide Raju for a holy man. When drought hits the land, the village fool tells the townspeople that Raju, now known as Swami Ji, will fast for twelve days to bring the rain. During his reluctant fast, Raju undergoes a spiritual transformation.

 

Le Horla [The Horla] (Jean-Daniel Pollet, 1966)

Aug

19

violet

Le Horla (1966)

The narrator enters a violet-blue room via a lavender-purple corridor (via). DP: Jean-Jacques Rochut.

Violet: a building or structure *

“Is it the form of the clouds, or the tints of the sky, or the colours of the surrounding objects which are so changeable, which have troubled my thoughts as they passed before my eyes? Who can tell?”

– Guy de Maupassant, Le Horla, 1887 (via)

Objects and rooms have distinct colours ranging from the deepest blues and violets to a pale lavender, a muted silver and shocks of yellow. The usage of colour in Le Horla is striking throughout and reminds me of how Van Gogh's paintings became increasingly colourful as his madness enveloped him.

 

Nineteen Eighty-Four (Rudolph Cartier, 1954)

Aug

18

indigo

Nineteen Eighty-Four (1954)

Winston Smith (Peter Cushing). We only see his frail looking back with the identifier KZ-6090, and his name SMITH W.

Indigo, in food or fashion*

“He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended. “

– George Orwell, Nineteen Eighty-Four (1949) (via)

Procès de Jeanne d'Arc [The Trial of Joan of Arc] (Robert Bresson, 1962)

Aug

17

forgiveness

Procès de Jeanne d'Arc (1962)

Jeanne (Florence Delay) bound to the stake. DP: Léonce-Henri Burel.

Holi: someone is forgiven (forgiveness being an important aspect of Holi)*

“Pray for me. I forgive the evil done me.”

– Jeanne d'Arc

Jeanne trusts her delusions to forgive the people who brought her to justice.

 

Le camion [The Lorry] (Marguerite Duras, 1977)

Aug

16

indigo

Le camion (1977)

His Saviem, possibly an SM170. DP: Bruno Nuytten.

Indigo: a building or structure*

Him: It’s a film? Her: It would have been a film.

A truck, both the narrative structure and his (Depardieu's character) material representation. She – the director – and he – the lead actor – do a read-though while discussing her script. A communist truck driver picks up a female hitchhiker. They discuss the landscape, the cosmos, pointlessness, communism of course. All the while, the indigo truck plods on.

 

Trois couleurs: Bleu [Three Colors: Blue] (Krzysztof Kieślowski, 1993)

Aug

15

cerulean

Trois couleurs: Bleu (1993)

Julie (Juliette Binoche) in a blue wallpapered room, observes blue beads suspended in front of a window with a cerulean sky and ocean behind it. Throughout the story, her clothing changes from white, to black, to the darkest charcoal blue, to Prussian blue. DP: Slawomir Idziak.

Cerulean, or blue: in food or fashion*

“I'm just fine. I have everything here. I have the TV. You can see the whole world”

– the mother

How could I not pick at least one instalment of Kieślowski's Trois couleurs trilogy. Here's blue, the liberté of the tricolor. Blue occurs as the sky to fall through, the room without life, and the cloth that binds.

 

Lola Montès (Max Ophüls, 1955)

Aug

14

Bavaria

Lola Montès (1955)

The crowned royal mistress on display in glorious Eastmancolor (via). DP: Christian Matras.

Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*

“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”

– circus master

Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.