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悲愁物語 [Hishu monogatari / A Tale of Sorrow and Sadness] (Seijun Suzuki, 1977)
Apr
13
1997 Masters Tournament
Reiko, looking fabulous, dropped down next to a sand-filled bunker. DP: Masaru Mori.
Golf (or a tiger) in honour of Tiger Woods' 1997 Masters Tournament victory.
Reiko (Yoko Shiraki), a professional model – is groomed into playing the circuit by the editor of a golfing fashion magazine. The rookie's unexpected success draws in all sorts of fans, including the obsessive.
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女篮五号 [Nü lan wu hao / Woman Basketball Player No. 5] (Jin Xie, 1957)
Apr
7
March Madness
Tense moments during the match. DPs: Shaofen Huang & Xilin Shen.
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Klincz [Clinch] (Piotr Andrejew, 1979)
Apr
5
Chicago
A Polish factory worker hopes to find a better life when he picks up boxing. Initially unsuccessful. he finds himself in Chicago, facing an amateur boxer below his ranking.
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
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Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Jan
25
Chamonix 1924 Winter Olympics
Winter sports in celebration of the Chamonix 1924 Winter Olympics.
“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”
– Walter Steiner
In a film that is as much about Herzog as it is about Steiner, we follow the soft-spoken woodcarver in preparation of his definitive ski flight in Planica, Yugoslavia.
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Strangers on a Train (Alfred Hitchcock, 1951)
May
16
doubles
Guy Haines (Farley Granger) and Bruno Anthony (Robert Walker), two strangers on a train. DP: Robert Burks.
“I still think it would be wonderful to have a man love you so much he'd kill for you.”
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
– So what is your goal in life then?
– Satisfaction of the present. The sword, and nothing else.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
6
rice
Young people eating. An older woman in kimono scoops rice from an electric rice cooker. When read from right to left, this scene – as are numerous others in Chikashi Makiura's photographed 剣 (小説) – are split into tradition and modernity. DP: Chikashi Makiura.
“We come to life, we die… It's a perpetual renewal. How boring.”
– Mibu
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Goshogaoka [御所ケ丘] (Sharon Lockhart, 1998)
Nov
6
Play Basketball Day
Within the boundaries of Sharon Lockhart's static camera, girls from Goshogaoka junior high school practice basketball. In six uninterrupted 10 minute scenes, we see them warm up and train several typical moves, shots, and blocks. With the camera set in one position, some of the action happens off-screen, resulting in unrehearsed synchronised choreography.
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O něčem jiném [Something Different] (Věra Chytilová, 1963)
Nov
3
Housewife Day
Věra (Věra Chytilová) looks out of a window. Everything is grey. DP: Jan Čuřík.
In Věra Chytilová's O něčem jiném, parallel storylines, one filmed as a documentary the other as a fictional drama, of two women are shown.
“So where do we go from here?”
– Eva
Olympic gymnast Eva (Eva Bosáková) undergoes a gruelling training regime. Housewife Věra (Věra Uzelacová) feels neglected by her husband. Both ruminate on a different life.