Két félidő a pokolban [Two Half-Times in Hell] (Zoltán Fábri, 1961)
Apr
20
A sour looking player with a flood of Nazis coming towards him. DP: Ferenc Szécsényi.
悲愁物語 [Hishu monogatari / A Tale of Sorrow and Sadness] (Seijun Suzuki, 1977)
Apr
13
1997 Masters Tournament
Reiko, looking fabulous, dropped down next to a sand-filled bunker. DP: Masaru Mori.
Golf (or a tiger) in honour of Tiger Woods' 1997 Masters Tournament victory.
Reiko (Yoko Shiraki), a professional model – is groomed into playing the circuit by the editor of a golfing fashion magazine. The rookie's unexpected success draws in all sorts of fans, including the obsessive.
女篮五号 [Nü lan wu hao / Woman Basketball Player No. 5] (Jin Xie, 1957)
Apr
7
March Madness
Tense moments during the match. DPs: Shaofen Huang & Xilin Shen.
Basketball: the final day of March Madness
The first full-colour Chinese sports film and an example of how “state feminism” was promoted through popular media, often in opera but also in more humanist form.
Klincz [Clinch] (Piotr Andrejew, 1979)
Apr
5
Chicago
One of the boxers goes down (via). DPs: Jacek Mierosławski & Zbigniew Wichłacz.
Set in Chicago (or pizza) for National Deep Dish Pizza Day, USA.
A Polish factory worker hopes to find a better life when he picks up boxing. Initially unsuccessful. he finds himself in Chicago, facing an amateur boxer below his ranking.
Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Mar
13
Walter Steiner, flying. DP: Jörg Schmidt-Reitwein.
Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)
Jan
25
Chamonix 1924 Winter Olympics
Live footage of Steiner preparing for his flight. DP: Jörg Schmidt-Reitwein.
Winter sports in celebration of the Chamonix 1924 Winter Olympics.
– Walter Steiner
In a film that is as much about Herzog as it is about Steiner, we follow the soft-spoken woodcarver in preparation of his definitive ski flight in Planica, Yugoslavia.
“I still think it would be wonderful to have a man love you so much he'd kill for you.”
Strangers on a Train (Alfred Hitchcock, 1951)
May
16
doubles
Guy Haines (Farley Granger) and Bruno Anthony (Robert Walker), two strangers on a train. DP: Robert Burks.
– So what is your goal in life then? – Satisfaction of the present. The sword, and nothing else.
剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
A clock face for Tick Tock Day, USA.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).
“We come to life, we die… It's a perpetual renewal. How boring.”
剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
6
rice
Young people eating. An older woman in kimono scoops rice from an electric rice cooker. When read from right to left, this scene – as are numerous others in Chikashi Makiura's photographed 剣 (小説) – are split into tradition and modernity. DP: Chikashi Makiura.
– Mibu
Goshogaoka [御所ケ丘] (Sharon Lockhart, 1998)
Nov
6
Play Basketball Day
Girls from the Moriya City Goshogaoka junior high school girl basketball team practising their blocking technique. Cibachrome print © Sharon Lockhart, 1997 (via).
Within the boundaries of Sharon Lockhart's static camera, girls from Goshogaoka junior high school practice basketball. In six uninterrupted 10 minute scenes, we see them warm up and train several typical moves, shots, and blocks. With the camera set in one position, some of the action happens off-screen, resulting in unrehearsed synchronised choreography.