settima

sports

Combat de boxe (Charles Dekeukeleire, 1927)

Jun

30

Mike Tyson – 1966

Combat de boxe (1927)

One of the fighters receives a direct hit. The camera is so close that we see abstract shapes, texture and contrast before recognising the scene. DP: Antoine Castille.

A [favourite] athlete in a film role for Mike Tyson's birthday

“But this art of total synthesis that is Cinema, this fabulous newborn of Machine and Sentiment, is beginning to cease its moans and is entering its infancy. Its adolescence will soon arrive, seize its intelligence, and multiply its dreams; we ask that we hasten its development, precipitate the advent of its youth. We need Cinema to create the total art toward which the other arts have always tended.

– Ricciotto Canudo, Gazette des sept arts, 1923 (via)

The match you see is real, between two actual fighters. Paul Werrie's rhythmic poem served as the basis. Everything else is illusion made flesh with what was available. An empty painter's studio, a few friends, footage of a crowd, a deep comprehension of the Kuleshov effect and rapid Soviet-style editing. Dekeukeleire places us from the safe world of the spectator right in the line of fire. But there's no release like in James Williamson's The Big Swallow (1901). Without that gimmick, cinema enters Canudo's realm, as the seventh art.

Sombre (Philippe Grandrieux, 1998)

Jun

3

World Bicycle Day

Sombre (1998)

Cycling fans along the route. DPs: Philippe Grandrieux & Sabine Lancelin.

A film scene with a bike for World Bicycle Day

 

Jean (Marc Barbé) follows the route of the Tour de France. He sees women, picks them up, takes them out. Claire, infatuated with him, is taken in by his darkness. At night, the cyclists continue the course.

跑道終點 [Pao dao zhong dian / The End of the Track] (Tun-Fei Mou, 1970)

Jun

2

Dennis Haysbert – 1954

跑道終點 (1970)

Hsiao-Tung and Yung-shen at the track. DP: Chung-Hsin Chen.

A [favourite]* fictional athlete for Dennis Haysbert's birthday (1954).

 

Close friends Hsiao-Tung and Yung-shen spend their time together, wandering about, eating dumplings, and training for athletics. Until one of them pushes too hard, leaving the other alone in his grief.

 

* this month's Bales' Challenge is marred with “favourites”, something I don't believe in. Instead, I stick to great cinema and will squeeze in a few LGBT-themed films for Pride Month.

Két félidő a pokolban [Two Half-Times in Hell] (Zoltán Fábri, 1961)

Apr

20

Két félidő a pokolban (1961)

A sour looking player with a flood of Nazis coming towards him. DP: Ferenc Szécsényi.

悲愁物語 [Hishu monogatari / A Tale of Sorrow and Sadness] (Seijun Suzuki, 1977)

Apr

13

1997 Masters Tournament

悲愁物語 (1977)

Reiko, looking fabulous, dropped down next to a sand-filled bunker. DP: Masaru Mori.

Golf (or a tiger) in honour of Tiger Woods' 1997 Masters Tournament victory.

 

Reiko (Yoko Shiraki), a professional model – is groomed into playing the circuit by the editor of a golfing fashion magazine. The rookie's unexpected success draws in all sorts of fans, including the obsessive.

女篮五号 [Nü lan wu hao / Woman Basketball Player No. 5] (Jin Xie, 1957)

Apr

7

March Madness

女篮五号 (1957)

Tense moments during the match. DPs: Shaofen Huang & Xilin Shen.

Basketball: the final day of March Madness

 

Klincz [Clinch] (Piotr Andrejew, 1979)

Apr

5

Chicago

Klincz (1979)

One of the boxers goes down (via). DPs: Jacek Mierosławski & Zbigniew Wichłacz.

Set in Chicago (or pizza) for National Deep Dish Pizza Day, USA.

 

A Polish factory worker hopes to find a better life when he picks up boxing. Initially unsuccessful. he finds himself in Chicago, facing an amateur boxer below his ranking.

Die große Ekstase des Bildschnitzers Steiner [The Great Ecstasy of Woodcarver Steiner] (Werner Herzog, 1974)

Jan

25

Chamonix 1924 Winter Olympics

Die große Ekstase des Bildschnitzers Steiner (1974)

Live footage of Steiner preparing for his flight. DP: Jörg Schmidt-Reitwein.

Winter sports in celebration of the Chamonix 1924 Winter Olympics.

“Ich sollte eigentlich ganz allein auf der Welt sein, ich, Steiner, und sonst kein anderes lebendes Wesen. Keine Sonne, keine Kultur, ich nackt auf einem hohen Fels, kein Sturm, kein Schnee, keine Straßen, keine Banken, kein Geld, keine Zeit und kein Atem. Ich würde dann jedenfalls keine Angst mehr haben.”

– Walter Steiner

In a film that is as much about Herzog as it is about Steiner, we follow the soft-spoken woodcarver in preparation of his definitive ski flight in Planica, Yugoslavia.

Strangers on a Train (Alfred Hitchcock, 1951)

May

16

doubles

Strangers on a Train (1951)

Guy Haines (Farley Granger) and Bruno Anthony (Robert Walker), two strangers on a train. DP: Robert Burks.

“I still think it would be wonderful to have a man love you so much he'd kill for you.”