settima

melodrama

Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)

May

8

birthdays

Stromboli (Terra di Dio) (1950)

Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.

May 8 is both director Rossellini and Bergman's character Karen's #birthday.

“What mystery, what beauty.”

– Karen

하녀 [Hanyeo / The Housemaid] (Kim Ki-young, 1960)

Nov

13

Hanyeo (1960)

Adding one more ingredient. DP: Deok-jin Kim.

A memorable kitchen or cooking scene*

“Look at us. We're almost totally dependent on our maid. She cooks and washes for us, and is the first person to greet me when I come home from work. She is entirely at our service.”

– Dong-sik Kim

A housemaid works her way into a middle-class household and takes over the wife's tasks – cleaning, cooking, child rearing.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Polyester (John Waters, 1981)

Nov

10

Polyester (1981)

Todd Tomorrow (Tab Hunter) and Francine Fishpaw (Divine) in wild ecstasy. The scene appears to evoke a moment of passion between Chris Flanders (Richard Burton) and Flora Goforth (Elizabeth Taylor) in Boom! (Joseph Losey, 1968). DP: Dave Insley.

“Purr Francine! Purr, purr Francine!”

– Cuddles Kovinsky

하녀 [Hanyeo / The Housemaid] (Kim Ki-young , 1960)

Oct

12

rice

하녀 (1960)

A distraught looking woman appears to be force fed rice by a person just off-screen. DP: Kim Deok-jin.

“I won't cook for a concubine, even if today is the last day of my life.”

– Mrs Kim

ტარიელ მკლავაძის მკვლელობის საქმე [Tariel Mklavadzis mkvlelobis saqme / The Hero of Our Time] (Ivane Perestiani, 1925)

Sep

21

wine

Tariel Mklavadzis mkvlelobis saqme (1925)

A dark eyed woman lurks from behind a white horse, while holding a glass of wine. DP: Aleksandr Digmelov.

 

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

25

1943

Estate violenta (1959)

A large radio on a small pedestal. A perpetual wall calendar next to it reads DOMENICA 25 LUGLIO. DP: Tino Santoni.

 

Estate violenta [Violent Summer] (Valerio Zurlini, 1959)

Jul

19

Estate violenta (1959)

Roberta (Eleonora Rossi Drago) and Carlo (Jean-Louis Trintignant). DP: Tino Santoni.

Characters go on a date, or fall in love*

“It would be thrilling if you were willing, and if it can never be, pity me, for you were born to be kissed, I can’t resist, you are temptation, and I am yours!”

– Nacio Herb Brown & Arthur Freed, Temptation (1933)

On a beautiful summer day in Rimini, Carlo, the handsome son from a bourgeois home, saves a little girl and becomes infatuated with the girl's mother, a young widow years his senior. Set in July 1943, the events in the outer world (poss. spoilers) and the fate of the two uneven lovers slowly come to their logical conclusion.

 

The Naked Kiss (Samuel Fuller, 1964)

Jul

4

1961

The Naked Kiss (1964)

A desk calendar reading July 4, 1961, with dirty, crumpled dollar bills thrown on top of it. DP: Stanley Cortez.

“Nobody shoves dirty money in my mouth.”

– Candy

Lonesome (Pál Fejős, 1928)

Jul

3

Sat

Lonesome (1928)

An alarm clock informs us it's 7:15 while the calendar adds that it's the 3rd on a Saturday. Next to the alarm a crumpled up ladies' magazine. DP: Gilbert Warrenton.

“You've won a doll and a kiss. I'll give you the doll and your girl can give you the kiss!”

– Coney Island barker

鴎よ、きらめく海を見たか めぐり逢い [Kamome-yo, kirameku umi o mitaka/meguri ai / Oh Seagull, Have You Seen the Sparkling Ocean? An Encounter] (Kenji Yoshida, 1975)

May

30

Pokkī

鴎よ、きらめく海を見たか めぐり逢い (1975)

A young woman in a red-and-white striped sweater (Yōko Takahashi) leafs through fashion magazines strewn out before her on a grass-green carpeted floor while chewing a Pokkī. On a small stove close to her a fire truck red coffee pot. DP: Kōshirō Ōtsu.