settima

melodrama

Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)

Jun

27

tuna (fresh)

Stromboli (Terra di Dio) (1950)

Karen (Ingrid Bergman) looking miserable at a small kitchen table. A huge tuna covers most of its surface. DP: Otello Martelli.

Posted while deciding on my film dinner. Eventually I went with Tourneur's La Main du Diable (1943).

“I don't care about your barley. Or, your vines! Or, your new terra!”

– Karen

Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)

Jun

27

Decide To Be Married Day

Stromboli (Terra di Dio) (1950)

Antonio (Mario Vitale) and Karen (Ingrid Bergman). DP: Otello Martelli.

Karen – “Karin” in the opening credits – is a displaced Lithuanian woman in an Italy-based refugee camp. She meets an Italian military man bivouacking on the other side of the barbed wire and decides to say yes when he proposes. When the newly-weds leave for home, she finds to her dismay that he's a poor Sicilian fisherman from #Stromboli; a magnificent active volcanic island home to a small Catholic parish. Again displaced, Karen is confronted with herself more than with the others that share her faith.

“Here we are, poor wretches, in this hell, Condemned to tyranny.”

– Antonio

Roberto #Rossellini's Stromboli (Terra di Dio) is a peculiar melodramatic Italian/American hybrid that seems to strongly dismiss the Italian aspect. The significance of Struògnuli – the Sicilian name for the volcano – and the people's faith connected to the volatile mountain and the surrounding sea is presented as primitive superstition. That the Sicilian dialogue – song, prayer, life – remains untranslated and the locals' broken English is used as comic relief adds insult to injury.

 

Otello Martelli's photography excels when he manages to tear himself away from Bergman's face. Only when we're confronted with the magnificence of Struògnuli, the gifts from the ocean, and the greatness of nature we'll be able to understand why the island is man's home.

Mutya ng Pasig [Muse of Pasig] (Richard Abelardo, 1950)

May

2

National Foster Care Day

Mutya ng Pasig (1950)

A young woman, drowned, held up by several helpless looking people. DP: Ray Lacap.

In this #supernatural Filipino melodrama, it being a Filipino melodrama, the town's muse tragically drowns, taking her newborn child with her. The orphaned baby floats down the river then is picked up by an older, childless couple who gladly raise her as their own. The child has a strange attachment to the #Pasig river where at night, a mysterious spellbinding voice sings the #kundiman [traditional love song] Mutya ng Pasig.

 

While Mutya ng Pasig is a lovely, somewhat predictable mystery by Richard Abelardo, it's well worth your time on a slowly meandering, hot summer night.