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À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Confetti for New Year's Day.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”
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Jul
13
lollipops
One of the gang members, immaculately dressed in all-black and small like a child, walks along a seedy street holding an oversized rainbow lollipop. DP: Yoshio Nakajima.
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Françoise Durocher, Waitress (André Brassard, 1972)
May
21
lunch break
Waitress Françoise Durocher, this may be Luce Guilbeault, on her lunch break. DP: Thomas Vámos.
“One grilled cheese, two slices of toast, two coffees. One pepper steak no chili and a plate of spaghetti and meatballs. Two glasses of milk. One plate of spare ribs. A chicken in a basket with three cups of honey. One lean smoked meat sandwich with pickles and mustard. One two-cream coffee and two club sandwiches. Two clubs.”
– Françoise Durocher
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Rain (Lewis Milestone, 1932)
May
13
canned tamales
Sadie Thompson (Joan Crawford) looking for canned tamales in the pantry of the island's only convenience store. DP: Oliver T. Marsh.
“We seem to hear the winds of reform whistling down the chimney. Whereas the low hussy frolics off to buy her supper. Where do you keep your canned tamales, partner?”
– Sadie Thompson
viewColloque de chiens (1977)
Monique (Silke Humel, R) spending Christmas Eve in a bar, looking for a way out. She's speaking to an elderly man in an expensive tuxedo. Is this it? DP: Denis Lenoir; still photographer Patrice Morere.
December 24: the night before Christmas (Christmas Eve)
Colloque de chiens (Raúl Ruiz, 1977)
“Nobody knows why Monique, the cold and dry voiced whore, bears in her eyes the sadness and tiredness of her past.”
Filmed during an actors' strike, Raúl Ruiz's Colloque de chiens consists for the most part of still photographs with mixed in stolen moving footage of unsuspecting bystanders and stray dogs. Told in fotonovela format, we follow the pitiful account of Monique, who as a young girl, learns that her mother is not who she thinks she is. Rejected, she throws herself into a life of vice until she meets Henri, a handsome young television repairman. Together they buy a small café, and are happy for once. But the cyclical nature of life determines her faith.
Raúl Ruiz's work is, like Henri's modus operandi, determined by maps and patterns. Even in the short comically melodramatic breathe of Colloque de chiens, the map has been laid out for Ruiz's later, much more complex narrative.
Colloque opens in a barren landscape. There are the skeletal towers of a nearby city, and the endless barks of abandoned dogs. Obscured by tall reeds, a blown-up photograph of a young man. The face, soft and familiar, a distant memory.
“He wanted to be returned to the world of his childhood and to this woman who was perhaps waiting for him” –Chris Marker, dialogue from La Jetée (1962)
Amongst bare winter bushes a large photo of a friendly, young, familiar looking man. In the background against a grey sky multiple white apartment buildings.
#Bales2023FilmChallenge #RaúlRuiz #SilkeHumel #EvaSimonet #RobertDarmel #JorgeArriagada #DenisLenoir #PatriceMorere #drama #crime #melodrama #ShortFilm #photography #animals #gender #prostitution #France #1970s ★★★★☆
#todo
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Le notti di Cabiria [Nights of Cabiria] (Federico Fellini, 1957)
Jul
18
National Caviar Day
Cabiria (Giulietta Masina) about to experience an unforgettable meal of lobster and caviar. She's holding the lobster up by its antennae with a mix of bewilderment and amusement on her face. Her frumpy outfit looks completely out of place in Lazzari's (Amedeo Nazzari) fancy apartment. DP: Aldo Tonti.
Maria “Cabiria“ Ceccarelli (Giulietta Masina), a prostitute looking for happiness, meets famous movie star Alberto Lazzari (handsomely moustachioed Amedeo Nazzari). In his plush mansion, he treats her to an opulent – if not bewildering to Cabiria – meal of lobster and caviar.
“And what's this? I saw it in a movie once.”
– Cabiria
Co-written by #Pasolini, #Fellini's Le notti di Cabiria is a love letter to hope, life, #Rome, and of course his Giulietta.
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刺青 [Irezumi] (Yasuzō Masumura, 1966)
Jul
17
National Tattoo Day
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薄面佬 [Mee Pok Man] (Eric Khoo, 1995)
May
24
National Caterers Appreciation Day
Bunny (Michelle Goh) leaning on a small table littered with empty beer bottles. Mee Pok (Joe Ng) is to her left, holding a stack of dirty dishes. In the background, a large pile of noodle boxes leans against the restaurant wall. DP: Yoke Weng Ho.
At night, a small group of prostitutes frequent a local 面薄 / mee pok #restaurant. One of them, Bunny (Michelle Goh), caught the hawker's eye, but she's not interested in the “mee pok” (the “fish ball”, as they call the vendor) (Joe Ng) and besides she has a boyfriend. Then, a car crash. Bunny is left for dead in front of the eatery. He takes her in, preparing endless meals
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Vivre sa vie: Film en douze tableaux (Jean-Luc Godard, 1962)
Feb
11
Global Movie Day
Nana (Anna Karina) crying in a dark movie theatre while watching Carl Theodor Dreyer's La passion de Jeanne d'Arc (1928). DP: Raoul Coutard.
A fascinating overlap with The Savage Eye (1959), a film #Godard must have been familiar with in 1962.
“Maybe I'll get into the movies.”
– Nana
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Françoise Durocher, Waitress (André Brassard, 1972)
Feb
9
freebie: Customer Service Day
23 actresses and one person in drag play the part of Québécois waitress Françoise Durocher in seven monologues.
“One grilled cheese, two slices of toast, two coffees. One pepper steak no chili and a plate of spaghetti and meatballs. Two glasses of milk. One plate of spare ribs. A chicken in a basket with three cups of honey. One lean smoked meat sandwich with pickles and mustard. One two-cream coffee and two club sandwiches. Two clubs.”
– Françoise Durocher
Watch the short on the NFB website.
