settima

Rome

Ladri di biciclette [The Bicycle Thieves] (Vittorio De Sica, 1948)

Apr

11

National Cheese Fondue Day

Ladri di biciclette (1948)

Bruno (Enzo Staiola) eating mozzarella. DP: Carlo Montuori.

Cheese or fondue for National Cheese Fondue Day (USA)

“Do you fancy a pizza? Come on, then! Come on, let's go! What the hell. We might as well go out in style. What's the point in worrying about it all?”

– Antonio Ricci

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Mar

20

natural phenomena

L'eclisse (1962)

Vitti's blond hair shifts in front of Delon's dark coupe, quietly mimicking the eclipse. DP: Gianni Di Venanzo.

A natural phenomenon for this year's March equinox, three supermoons, and the March 25 solar eclipse.

“There was a silence different from all other silences, an ashen light, and then darkness – total stillness. I thought that during an eclipse even our feelings stop. Out of this came part of the idea for L'eclisse.”

During several moments in the film, the main characters' mannerisms foreshadow the looming solar eclipse.

Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)

Mar

5

Crispus Attucks – 1770

Io la conoscevo bene (1965)

Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.

A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.

“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”

– The Writer

An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.

 

Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.

Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)

Aug

7

1949

Domenica d'agosto (1950)

A little boy runs down a Roman street. Superimposed it reads SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. S. GAETANO refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)

Apr

29

spaghetti di mamma

Domenica d'agosto (1950)

Marcella (Anna Baldini) enjoying mamma's spaghetti on the beach of Ostia. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.

Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)

Apr

2

cocktails

Io la conoscevo bene (1965)

A lone Roberto (Enrico Maria Salerno) at a lively cocktail party in Rome's hypermodern EUR district. DP: Armando Nannuzzi.

“Trouble is, she likes everything. She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”

– the writer

L'udienza [The Audience] (Marco Ferreri, 1972)

Nov

14

L'udienza (1972)

Amedeo (Enzo Jannacci), a young man with heavy rimmed glasses wrapped in heavy, flowery drapes as if it's a toga, eating late at night. There's an opened can on one of his plates. A sad looking stuffed toy dog hangs out. DP: Mario Vulpiani.

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

19

fruit

L'eclisse (1962)

Vitti as Vittoria in front of a fruit stand next to La Borsa, the Rome stock exchange located in the remnants of the Hadrianeum. The fruit in the middle is a Melone Mantovano, a type of cantaloupe. DP: Gianni Di Venanzo.

“I still can't figure out if it's an office, a market place, or a boxing ring. And maybe I don't even need to.”

– Vittoria