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Kuhle Wampe oder: Wem gehört die Welt? [Kuhle Wampe or Who Owns the World?] (Slatan Dudow, 1932)
Feb
28
unemployment
The unemployed at Kuhle Wampe, with Hertha Thiele's Anni front and center. People's states vary between still clinging on to better times up to destitute. DP: Günther Krampf.
“[Kuhle Wampe] gives witness to the true face of a struggling, suffering nation. Made by four thousand unemployed people, it never aims to be a work of art but simply aims to portray […] workers whose youthful energy is going to waste.”
– Marcel Carné, via
Kuhle Wampe, Berlin slang that means something like “empty stomach”, is the name of a real-world, improvised encampment for the unemployed at the Müggelsee. Here we find a family who lost everything after the death of one of them.
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Mahagonny [Number 18] (Harry Smith, 1980)
Dec
22
राष्ट्रिय गणित दिवस
A kaleidoscopic New York street scene. Mahagonny was “made to be displayed with four separate 16 mm projectors onto a single screen or onto two billiard tables suspended over a boxing ring” (Kevin Arrow, see link below).
Mahagonny is filmmaker, artist, musicologist, and alchemist Harry Smith's mathematical analysis of Marcel Duchamp's masterpiece La mariée mise à nu par ses célibataires, même [The Bride Stripped Bare by Her Bachelors, Even], aka Le Grand Verre [The Large Glass], which was completed in 1923. It is set to Brecht and Weill's opera Aufstieg und Fall der Stadt Mahagonny [Rise and Fall of the City of Mahagonny] from 1930, which was an opera Smith was obsessed with while living in New York's Chelsea Hotel.
“My cinematic excreta is of four varieties:–batiked abstractions made directly on film between 1939 and 1946; optically printed non-objective studies composed around 1950; semi-realistic animated collages made as part of my alchemical labors of 1957 to 1962; and chronologically superimposed photographs of actualities formed since the latter year. All these works have been organized in specific patterns derived from the interlocking beats of the respiration, the heart and the EEG Alpha component and they should be observed together in order, or not at all, for they are valuable works, works that will live forever—they made me gray.”
– Harry Smith, via