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JonasMekas

Happy Birthday to John [Happy Birthday John Lennon] (Jonas Mekas, 1995)

Oct

9

1972

Happy Birthday to John (1995)

A rectangular birthday cake with a chocolate acoustic guitar spells out Happy Birthday John From Yoko And The Whole World. Presumed DP: Jonas Mekas.

On October 9th, 1972 an exhibition of John and Yoko's art – designed by the Master of the Fluxus movement, George Maciunas and curated by David Ross – opened at the Syracuse Museum of Art in New York. On the same day, an unusual group of John and Yoko's friends, including Ringo Starr, Allen Ginsberg, and Paul Krasner, gathered to celebrate John's birthday.

 

Bed Peace [John and Yoko: The Bed-In] (John Lennon + Yoko Ono, 1969)

Aug

27

white

Bed Peace (1969)

John and Yoko in their bed, all dressed in white, framed by flowers. DP: Nicholas D. Knowland.

White, in food or fashion*

“Remember love, remember love Love is what it takes to dream”

– Yoko Ono, Remember Love (1969)

While the press expected the newlyweds' “bed-in” to be a scandalous nude affair, the two lovers showed up all in white – like angels, as John put it. Surrounded by journalists and friends, John and Yoko imaged peace.

 

Mahagonny [Number 18] (Harry Smith, 1980)

Dec

22

राष्ट्रिय गणित दिवस

Mahagonny (1980)

A mathematics focused movie for National Mathematics Day (India)

 

Mahagonny is filmmaker, artist, musicologist, and alchemist Harry Smith's mathematical analysis of Marcel Duchamp's masterpiece La mariée mise à nu par ses célibataires, même [The Bride Stripped Bare by Her Bachelors, Even], aka Le Grand Verre [The Large Glass], which was completed in 1923. It is set to Brecht and Weill's opera Aufstieg und Fall der Stadt Mahagonny [Rise and Fall of the City of Mahagonny] from 1930, which was an opera Smith was obsessed with while living in New York's Chelsea Hotel.

“My cinematic excreta is of four varieties:–batiked abstractions made directly on film between 1939 and 1946; optically printed non-objective studies composed around 1950; semi-realistic animated collages made as part of my alchemical labors of 1957 to 1962; and chronologically superimposed photographs of actualities formed since the latter year. All these works have been organized in specific patterns derived from the interlocking beats of the respiration, the heart and the EEG Alpha component and they should be observed together in order, or not at all, for they are valuable works, works that will live forever—they made me gray.”

– Harry Smith, via

Read an interview with Jonas Mekas about Harry Smith and his Mahagonny.