Sadie Thompson (Joan Crawford) looking for canned tamales in the pantry of the island's only convenience store. DP: Oliver T. Marsh.
“We seem to hear the winds of reform whistling down the chimney. Whereas the low hussy frolics off to buy her supper. Where do you keep your canned tamales, partner?”
Every Day's a Holiday (A. Edward Sutherland, 1937)
Nov
21
National Entrepreneurs Day
Lobbycard. Peaches O'Day (Mae West, dressed by Schiaparelli) hands her business card to yet another sucker. They're on the Brooklyn Bridge, which can be seen in the background. DP: Karl Struss.
In my book, entrepreneur is just a fancy talk for conman. A famous one, the one who may've tried to sell you the Brooklyn Bridge, was George C. Parker. He'd peddle the famous landmark to any hapless rube, immigrant, or sucker who then would promptly erect a little tollbooth to make a fast buck from any hapless rube, immigrant, or sucker.
“Selling the Brooklyn Bridge again, huh?”
– Police captain Jim McCarey
Like Parker, Mae West's Peaches O'Day bamboozles it her way. And boy, does she have a bridge to sell you!
Board and planchette at the ready for a little game of Ouija. DPs: Ray June (23mm) & Robert H. Planck (70mm).
It's just a little game. But then you wonder if Ouija, the Wonderful Talking Board is actually just that. Two neat little ladies playing that quirky 1891 novelty game in Roland West's The Bat Whispers summon the aforementioned bat, black-clad fiend and Batman predecessor.
– Get the Ouija board.
– It's got the Bible on top of it, keeping it quiet.
Who is he? What does he want? And how can he be stopped? Do you know the answer?
Vampyr, ou l'étrange aventure de David Gray (Carl Theodor Dreyer, 1932)
Sep
25
World Dream Day
Allan Grey (Julian West) sees himself in a coffin in a dream. DPs: Rudolph Maté & Louis Née.
“This is the tale of the strange adventures of the young Allan Gray, who immersed himself in the study of devil worship and vampires. Preoccupied with superstitions of centuries past, he became a dreamer for whom the line between the real and the supernatural became blurred. His aimless wanderings led him late one evening to a secluded inn by the river in a village called Courtempierre.”
Eva (Hedy Lamarr), swimming nude in a lake. DPs: Hans Androschin, Gerhard Huttula & Jan Stallich.
Eva (Hedy Lamarr) hangs her clothes over her horse's back, then – cut through a wonderfully voyeuristic moment – goes swimming in a lake. The foal, still carrying Eva's outfit, wanders off to find a stallion.
Ekstase is full of not so subtle, beautifully framed innuendo. #Horses are a recurring theme and make me wonder if it inspired the mustangs sequence in John Huston's The Misfits (1961), another story of doomed passion.
The great Garbo was known for her beauty, her coolness, her tragedy, for a lot but her laughter. So typecast she became that the tagline for Ninotchka (1939) – Garbo laughs! – is a #joke in itself.
Penned by the great Billy Wilder, the Ernst Lubitsch directed comedy unexpectedly temporarily revived #Garbo's career, who by the time 1938 came around had become box office poison. And the joke? Well…
A man comes into a restaurant. He sits down at the table and he says, “Waiter, bring me a cup of coffee without cream.” Five minutes later, the waiter comes back and says, “I'm sorry, sir, we have no cream. Can it be without milk?”
