“The city… as if it were unborn. Rising into the sky with fingers of metal, limbs without flesh, girders without stone. Signs hanging without support. Wires dipping and swaying without poles. A city unborn. Flesh dissolved in an acid of light. A city of the dead.”

– Dr. James Xavier

– You know, I take pictures, photographs, but I never really thought in black and white before I saw our rushes. Do you know what I mean? You can see the shape of things.   – Life is in colour, but black and white is more realistic.

“You need more than luck in Shanghai.”

– Elsa Bannister

Provocateur Boyd Rice and friends perform a Satanic rite on August 8, 1988; exactly 20 years minus one year minus one day after the Tate-LaBianca murders.

“The entire world is rotten and corrupt… to us they're dead people who refuse to lay down, they're cadavers”

– Boyd Rice speaking to Geraldo Rivera (via)

Please note that the linked article is written by an dimwitted ignoramus completely oblivious of Boyd Rice's, and Anton LaVey's, prankster background.

A continuity error later on in the movie makes it August 4.

“I'd become a sort of a reverse zombie. I was living in a world already dead, and I alone knowing it.”

– John Triton

“You'll go under like all the others.”

– Judith Denning

“Don't ask a dying man to lie his soul into Hell.”

– Lt. Sam Lubinsky

“You knew who I was when I came here today. But you were surprised to see me alive, weren't you? But I'm not alive, Mrs. Philips. Sure, I can stand here and talk to you. I can breathe and I can move. But I'm not alive. Because I did take that poison, and nothing can save me.”

– Frank Bigelow

The Life Magazine displayed at the San Francisco newspaper stand where Frank Bigelow stops is the issue of September 12, 1949, with Yugoslavia's leader Marshal Josip Broz Tito on the cover.

“Truffaut said that in 'Singing in the Rain', Debbie Reynolds jumps over a couch and holds in her skirt as she does it, and this movement gives her away. Now the movement that Sandra just made and I just caught, she gives herself away. Now in each movement, she gives herself a little more away, to me.”

– David Holzman