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Symbiopsychotaxiplasm: Take One (William Greaves, 1968)
Feb
1
Filmmaking
Don Fellows – testing as “Freddy” – and Patricia Ree Gilbert – testing as “Alice” –, the director (William Greaves), and a camera assistant holding up a light meter. Everyone is eyeing everyone and it's not clear who is playing what part. DPs: Stevan Larner & Terence Macartney-Filgate.
A film about filmmaking, or Hollywood, to celebrate the opening of Edison's Black Maria in 1893.
“You and I are going to be filming the actors. The two of us, see, are going to be filming the actors – continuously – and you will be filming me and the actors. I'm going to be filming the actors and Terry is going to be in charge of filming the whole thing. You see?”
– William Greaves – Director
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The Man Who Laughs (Paul Leni, 1928)
Jan
29
1690
A hand-painted carnival banner reading “URSUS ye Philosopher presents THE LAUGHING MAN. Don't fail to see GWYNPLAINE who was deserted at ye age of ten on ye night of ye 29th of January 1690 by ye Villainous Comprachicos on ye coast of Cornwall. This little boy has grown up and is now known as THE LAUGHING MAN”. DP: Gilbert Warrenton.
“What a lucky clown you are! You don't have to wipe off your laugh.”
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The Phantom of the Opera (Rupert Julian, Lon Chaney, Ernst Laemmle + Edward Sedgwick, 1925)
Jan
28
Gaslights
An enormous gaslit chandelier dangles over the Paris Opéra audience's heads. DPs: Milton Bridenbecker, Virgil Miller & Charles Van Enger.
Gaslights for the first recorded public street lighting powered by gas, demonstrated in Pall Mall, London, on 28 January, 1807. The introduction of gaslight had a major influence on theatre and opera, including the new Paris Opera (1875), which was lit by no less than 960 gas jets. Thanks to the brilliant light, stage actors could tone down their mannerisms and stage makeup.
“Feast your eyes. Glut your soul on my accursed ugliness.”
– The Phantom
However, in the dark dungeons under the Opéra lives a pitiful creature, doomed to dwell in darkness. His makeup, provided by The Man of a Thousand Faces, Lon Chaney, was both grotesque and eerily real .
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Shaft (Gordon Parks, 1971)
Jan
27
John Shaft (Richard Roundtree). Can you dig it, baby? DP: Urs Furrer.
“Play straight, baby.”
– John Shaft
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Blue Velvet (David Lynch, 1986)
Jan
19
lights
Ben (Dean Stockwell) miming Roy Orbison's In Dreams with a work light for a microphone. DP: Frederick Elmes.
“A candy-colored clown they call the sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
'Go to sleep, everything is alright'”
– Roy Orbison, In Dreams (1963)
David Lynch at his finest Anger, and Stockwell at his peak. The work light was improvised when Lynch noticed Stockwell handling it between shoots.
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All My Life (Bruce Baillie, 1966)
Jan
18
roses
Roses for the end of the Wars of the Roses (note: January 18 is when Henry VII married Elizabeth of York in 1486; the wars would continue until June 16 the following year).
“All my life, hold me close to your heart
But all else above
Hold my love, darling, just hold my love”
– Ella Fitzgerald, All My Life (Sidney D. Mitchell & Sammy Stept), 1936
In one continuous shot, the camera tracks a fence and rose bushes while Ella Fitzgerald's 1936 debut song All My Life is playing.
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Egged On (Charles R. Bowers, Harold L. Muller + Ted Sears, 1926)
Jan
17
inventions
An invention for Benjamin Franklin's birthday. Inventor Charley (Charles R. Bowers) comes up with an ingenious method to make eggs break-proof for transport by rubberizing them.
“… as we enjoy great advantages from the inventions of others, we should be glad of an opportunity to serve others by any invention of ours; and this we should do freely and generously.”
– Benjamin Franklin in his autobiography
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The Cameraman (Edward Sedgwick + Buster Keaton, 1928)
Jan
14
National Dress Up Your Pet Day
Buster (Buster Keaton) with Josephine the monkey on his shoulder. DPs: Reggie Lanning & Elgin Lessley.
– Now, see! You kill-a de monk!
– Pay him for that baboon… or I'll run you in!
After cameraman Buster accidentally knocks over a monkey, he has no choice but to take the sailor-suited simian along on his movie shoots.
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The Professionals (Richard Brooks, 1966)
Jan
12
1812
The sheriff jolts something down next to a wall calendar that reads January 12, 1812. Just visible through a window, Jake (Woody Strode) approaches. DP: Conrad L. Hall.
“Right now, I don't know if it's me or the dynamite that doin' all that sweatin'.”
– Jake Sharp
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The Trip Back (Ralph Weisinger, 1970)
Jan
11
Florrie Fisher telling the kids about her highs and lows in the gutter. DPs: Donald Shapiro & Ralph Weisinger.
“Twenty-three years of living with nothing but gutter hypes and junkies!”
– Florrie Fisher