settima

drama

Götter der Pest [Gods of the Plague] (Rainer Werner Fassbinder, 1970)

Nov

12

1943

Götter der Pest (1970)

Pornography peddler Carla Aulaulu's (Carla Egerer) criminal record. She's born on November 12, 1943 in Kronstadt. DP: Dietrich Lohmann.

During one scene a perpetual calendar is visible. It's a 26th.

– Why do they call you The Gorilla? – Because I'm big and strong… and everyone has to have a name.

Bröllopsbesvär [Wedding: Swedish Style] (Åke Falck, 1964)

Nov

11

Bröllopsbesvär (1964)

Bride and groom, and resentfulness at front. DP: Rune Ericson.

A dysfunctional family*

 

On a wedding day, and night, a family's dirty secrets are laid bare.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

有りがたうさん [Arigatō-san / Mr. Thank You] (Hiroshi Shimizu, 1936)

Nov

6

Arigatō-san (1936)

Arigatō-san (Ken Uehara) courteously thanks someone who shares the road for giving way. DP: Isamu Aoki.

A movie that makes you want to travel*

“Arigatō! [Thank you!]”

– Mr Thank You to everyone – poultry included – he passes on his bus

Friendly and helpful, Arigatō-san (Ken Uehara) is there for his passengers and non-bus travellers alike. A sweet roadmovie from a Japan now lost to time.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Jules et Jim (François Truffaut, 1962)

Nov

4

sweaters

Jules et Jim (1962)

A movie with gorgeous sweater fashion*

“She's a strange breed.”

– Jim

Throwing in a little Movember for good measure.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)

Nov

4

1933

Na wylot (1972)

Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.

3. November 1918 [Third of November 1918] (Edwin Zbonek, 1965)

Nov

3

1918

3. November 1918 (1965)

A calendar page for November 3, 1918. It's a Sunday. DP: Rudolf Sandtner.

Takes place on November 2 and 3.

 

I pugni in tasca [Fists in the Pocket] (Marco Bellocchio, 1965)

Nov

3

I pugni in tasca (1965)

Alessandro (Lou Castel). DP: Alberto Marrama.

“I'm a volcano of ideas.”

– Alessandro

المخدوعون [Al-makhdu'un / The Dupes] (Tawfiq Saleh, 1972)

Nov

2

النَّكْبَة

Al-makhdu'un (1972)

The three men on top of the water truck (via). DP: Bahgat Heidar.

Starting over*

“A man with no country, will have no grave in the Earth, I forbid you to leave.”

– opening quote (via)

A few years after the start of the Nakba, three generations hope to make a new life for themselves. In the steel belly of a water truck, the men travel Palestine into Iraq, then crossing the desert towards the promised land, Kuwait.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Bübchen (Roland Klick, 1968)

Nov

1

autumn

Bübchen (1968)

Lobby card. Achim (Alexander Kekulé) at a dreary, autumn-y scrapyard surrounded by several serious looking men in trenchcoats. Bübchen is an endearing term for a little boy (via (spoilers)). DP: Robert van Ackeren.

A movie that feels like autumn*

 

A family of four share the same house and live their own lives. When the parents attend a company party, the neighbour's teenage daughter reluctantly babysits the children then promptly runs off with her secret boyfriend. Left to his own devices, the bored 10-year old Achim plays a game with his little sister

“Junge, du bist ja ganz woanders!”

I Initially nomintad the RAF critique Deutschland im Herbst (1978) for today's challenge, when I realised that Bübchen too is about Germany's youth's antics and the society that planted its seeds. Here again, a repressed community dutifully finds a way to bury the terror into the fabric of mundanity. You'll find it again in Michael Haneke's Das weiße Band (2009), now foretelling the German youth that came to embrace Nazism.

 

Eternal return, ad nauseam.

 

* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.

Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)

Oct

27

1962

Il caso Mattei (1972)

A group of well-dressed men, somewhere in a field, with Enrico Mattei (Gian Maria Volontè) in the centre. DP: Pasqualino De Santis.

“IF they want to kill me, let them do it.”

– Enrico Mattei