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La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)
Jul
12
1920
Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.
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Horoskop [Horoscope] (Boro Drašković, 1969)
Jul
11
The impromptu café awaiting tourists, for now occupied by lounging men. DP: Ognjen Miličević.
Someone at a coffee shop or café*
There's not much next to the railroad tracks. A group of young men spend their summer days there, waiting for the train bringing tourists to the Adriatic coast. Suddenly, the place comes to life with waiters frantically unfolding parasols. And there's a pretty blonde, she stays, and brings her newspaper stand along. The men place a bet…
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Soy Cuba [I Am Cuba] (Mikhail Kalatozov, 1964)
Jul
10
The rich and beautiful spend a lazy day at a grand rooftop pool. DP: Sergey Urusevskiy.
Someone in poolside vacation clothing*
“I am Cuba. Why are you running away? You came here to have fun? Go ahead, have fun! Is this a happy picture? Don't avert your eyes. Look! I am Cuba. For you, I am the casino, the bar, the hotels. But the hands of these children and old people, are also me.”
– the voice of Cuba
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L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)
Jul
10
Mon
Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.
“Everything's crashing here.”
– Vittoria's mother
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Басейнът [Baseynat / The Swimming Pool] (Binka Zhelyazkova, 1977)
Jul
9
Bella (Yanina Kasheva) at the pool, holding a passport. DP: Ivaylo Trenchev.
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باب الحديد [Bab el-Hadid / Cairo Station / The Iron Gate] (Youssef Chahine, 1958)
Jul
8
Abu-Sri (Farid Shawqi) with Hannumah (Hind Rostom) perched on top of a large wooden crate. DP: Alevise Orfanelli.
Luggage, a trunk, or a suitcase*
“My job allows me to read about strange incidents, but what I see here is often even stranger. And the strangest thing of all happened one day after midday prayer.”
– Madbouli, newspaper salesman
Among the hustle and bustle of Cairo's travellers, there are those making a living. The pitiful Qenawi (Youssef Chahine) peddles newspapers, unioniser Abu-Sri moves said travellers' luggage, and Hannumah (Hind Rostom), all hips and bosom and Abu-Sri's, sells cold drinks. Qenawi wants her.
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The Naked Kiss (Samuel Fuller, 1964)
Jul
4
1961
A desk calendar reading July 4, 1961, with dirty, crumpled dollar bills thrown on top of it. DP: Stanley Cortez.
“Nobody shoves dirty money in my mouth.”
– Candy
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Lonesome (Pál Fejős, 1928)
Jul
3
Sat
“You've won a doll and a kiss. I'll give you the doll and your girl can give you the kiss!”
– Coney Island barker
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Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)
Jul
1
The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.
My ideal vacation spot, country, city, town, or resort*
An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.
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Florentina Hubaldo, CTE (Lav Diaz, 2012)
Jul
29
International Day of the Tropics
A small river in the outskirts of the jungle. A young woman sits in the water cradling an older woman, like a Pietà. A man, in the same water, is slumped in a wooden chair. A third woman is standing there, looking at us, her head slightly tilted. DP: Lav Diaz.
“We Malays, we Filipinos, are not governed by the concept of time. We are governed by the concept of space. We don't believe in time. If you live in the country, you see Filipinos hang out. They are not very productive. That is very Malay. It is all about space and nature. [...] In the Philippine archipelago, nature provided everything, until the concept of property came with the Spanish colonizers. Then the capitalist order took control. [...] The concept of time was introduced to us when the Spaniards came. We had to do oracion [pray] at six o'clock, and start work at seven. Before it was free, it was Malay.”
– Lav Diaz, via
