The Trial of the Catonsville Nine (Gordon Davidson, 1972)
May
17
1968
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Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.
“Murder's nothing. It's just a simple experience. Murder and rape? Do you know what beauty there is in evil?”
Compulsion (Richard Fleischer, 1959)
May
16
Straus (Bradford Dillman) with Steiner (Dean Stockwell) behind the wheel. They're beaming. DP: William C. Mellor.
“Subject, Sandy Fremont. The last positive sighting of the child was on her way home from a school orchestra rehearsal. This was on Tuesday May 14th at approximately 6:30 in the evening.”
The Appointment (Lindsey C. Vickers, 1982)
May
14
Tue
A schoolgirl with long brown hair seen from the back. She's taking the popular shortcut through the fields. DP: Brian West.
The Searchers (John Ford, 1956)
May
12
1852
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A little girl finds comfort in a rag doll. She's sitting against a wooden grave marker. Another scene reveals the date. DP: Winton C. Hoch.
“8th of May. What a lovely day!”
Le Horla [The Horla] (Jean-Daniel Pollet, 1966)
May
08
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A reel-to-reel tape recorder. DP: Jean-Jacques Rochut.
and subsequent days.
– voice on tape
“What mystery, what beauty.”
Stromboli (Terra di Dio) [Stromboli] (Roberto Rossellini, 1950)
May
8
birthdays
Roberto Rossellini and Ingrid Bergman on set on Sardinia. In the background the house Bergman's character moves into with her husband. DP: Otello Martelli.
May 8 is both director Rossellini and Bergman's character Karen's #birthday.
– Karen
“It's a weird, crazy idea, but that's the reason it intrigues me.”
Beyond a Reasonable Doubt (Fritz Lang, 1956)
May
7
Susan Spencer (Joan Fontaine) lighting Tom Garrett's (Dana Andrews) cigarette. DP: William E. Snyder.
– Tom Garrett
Maratón [The Marathon] (Ivo Novák, 1968)
May
5
1945
Karla (Jana Brejchová) and Ruda (Jaromír Hanzlík). DP: Václav Hanuš.
– You haven't forgotten us again, have you, Marion? – You know perfectly well I'm Julia Ross!
My Name Is Julia Ross (Joseph H. Lewis, 1945)
May
5
Nina Foch as Julia Ross… or is she… Julia's lying on a made bed, looking over her shoulder at two middle-aged men and an elderly woman standing in the doorway to her room. DP: Burnett Guffey.
“With nothing to do, no news and in terrible solitude, we were 100 unfortunates awaiting our fate. I had no illusions about my own. If I could only escape, run away…”
Un condamné à mort s'est échappé ou Le vent souffle où il veut [A Man Escaped] (Robert Bresson, 1956)
May
2
A hand with dirty nails writing on a scrap of paper with a pencil stump. It starts “Mai 2 Ma chère maman, Je suis à la pris[…]“. DP: Léonce-Henri Burel.
– Fontaine