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La vérité [The Truth] (Henri-Georges Clouzot, 1960)
Oct
15
1959
Gilbert (Sami Frey) and Dominique (Brigitte Bardot). DP: Armand Thirard.
The day of the court case. Numerous other dates are mentioned, all in flashbacks.
– The Paris Court of Appeals, meeting on October 15, 1959, pursuant to the charges against Dominique Marceau.
– With a girl like that, truth may be the best defense for once.
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狂った一頁 [Kurutta ichipėji / A Page of Madness] (Teinosuke Kinugasa, 1926)
Oct
14
silent cinema
A masked inmate (Eiko Minami) dances. The shot of the dancer is superimposed over a shot of her cel's bars, putting the viewer in the position of the husband witnessing – or is he hallucinating – an inescapable nightmare (via). DP: Kōhei Sugiyama.
A [favourite] silent horror film*
Incomplete and, despite the generally accepted popular Occidental opinion, not a horror film. Oh, to have seen this narrated by Musei Tokugawa…
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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駅 [Eki / Station] (Yasuo Furuhata, 1981)
Oct
12
Eiji Mikami (Ken Takakura) and Kiriko (Chieko Baishō) watching TV in her quiet bar. She sings along with her favourite song. DP: Daisaku Kimura.
Set 278 days before the start of the Tokyo Olympics.
“One can meet only god at such hour.”
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Le passager de la pluie [Rider on the Rain] (René Clément, 1970)
Oct
10
Mélancolie 'Mellie' Mau (Marlène Jobert) and Col. Harry Dobbs (Charles Bronson), dancing. DP: Andréas Winding.
– You expect me to eat that?
– Americans live on ketchup and milk. I'm a whiz at geography.
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Days of Heaven (Terrence Malick, 1978)
Oct
7
1916
The Amarillo Dispatch reports on President Wilson's October 7 visit to the town of Panhandle. DP: Néstor Almendros.
– Here he is!
– There he goes!
– That's the president of the whole country.
– Ohh!
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Il demonio [The Demon] (Brunello Rondi, 1963)
Oct
6
exorcism
While several men hold her down, Purif (Daliah Lavi) sticks out her tongue to the crucifix held up to her. DP: Carlo Bellero.
[A favourite] exorcism film*
“Blood of Christ. Demon. A curse upon this man. A curse that he will never forget me. Blood of my body. Until the grave. A curse that he will never forget me.”
– Purificazione
When a rejected young woman puts a curse on her heart's desire, the locals see nothing less than witchcraft. It is decided that Purif must be possessed, and exorcised.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
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Grey Gardens (Albert + David Maysles, Ellen Hovde + Muffie Meyer, 1975)
Oct
5
1973
Washed out felt-tip penned well-wishes read: OCTOBER 5th – 1973 “GREY GARDENS” AT 78 IT IS TRUE – YOU CAN LIVE TO BE 80 TOO. DPs: Albert & David Maysles.
“Thank you for your card and your ice-cream, I love you very much!”
– Edith 'Big Edie' Bouvier Beale, saying goodbye to her birthday party guests
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Spectres of the Spectrum (Craig Baldwin, 1999)
Oct
4
A scene from the TV series Science in Action (1950—1966) showing Chuck Yeager, the first man to break the sound barrier. DP: Bill Daniel.
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The Sniper (Edward Dmytryk, 1952)
Oct
4
Man's hands, one bandaged, holding a rifle. DP: Burnett Guffey.
“I'm gonna be happy for a change.”
– Edward Miller
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Soy leyenda (Mario Gómez Martín, 1967)
Oct
3
zombies
Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.
(A favourite) zombie movie*
Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.
“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”
– Richard Matheson, I Am Legend (1954)
Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.
In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.
* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.
