settima

drama

L'eclisse [The Eclipse] (Michelangelo Antonioni, 1962)

Jul

10

Mon

L'eclisse (1962)

Vittoria (Monica Vitti, bottom left) at the Borsa – the Rome Stock Exchange. A clock top-right indicates it's Monday, July 10, 12:31 pm.. DP: Gianni Di Venanzo.

“Everything's crashing here.”

– Vittoria's mother

Басейнът [Baseynat / The Swimming Pool] (Binka Zhelyazkova, 1977)

Jul

9

Басейнът (1977)

Bella (Yanina Kasheva) at the pool, holding a passport. DP: Ivaylo Trenchev.

A passport or ID*

 

باب الحديد [Bab el-Hadid / Cairo Station / The Iron Gate] (Youssef Chahine, 1958)

Jul

8

Bab el-Hadid (1958)

Abu-Sri (Farid Shawqi) with Hannumah (Hind Rostom) perched on top of a large wooden crate. DP: Alevise Orfanelli.

Luggage, a trunk, or a suitcase*

“My job allows me to read about strange incidents, but what I see here is often even stranger. And the strangest thing of all happened one day after midday prayer.”

– Madbouli, newspaper salesman

Among the hustle and bustle of Cairo's travellers, there are those making a living. The pitiful Qenawi (Youssef Chahine) peddles newspapers, unioniser Abu-Sri moves said travellers' luggage, and Hannumah (Hind Rostom), all hips and bosom and Abu-Sri's, sells cold drinks. Qenawi wants her.

 

The Naked Kiss (Samuel Fuller, 1964)

Jul

4

1961

The Naked Kiss (1964)

A desk calendar reading July 4, 1961, with dirty, crumpled dollar bills thrown on top of it. DP: Stanley Cortez.

“Nobody shoves dirty money in my mouth.”

– Candy

Lonesome (Pál Fejős, 1928)

Jul

3

Sat

Lonesome (1928)

An alarm clock informs us it's 7:15 while the calendar adds that it's the 3rd on a Saturday. Next to the alarm a crumpled up ladies' magazine. DP: Gilbert Warrenton.

“You've won a doll and a kiss. I'll give you the doll and your girl can give you the kiss!”

– Coney Island barker

Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)

Jul

1

Il mare (1962)

The actor (Umberto Orsini) looking out over the island. The claustrophobic framing of the hotel windows contrasts sharply with the openness of the sea. DP: Ennio Guarnieri.

My ideal vacation spot, country, city, town, or resort*

 

An island, in this case Capri (granted I've never been there), off-season, in a space and time lost in the mists. It'll occasionally rain and it's cold enough to dress up.

 

Florentina Hubaldo, CTE (Lav Diaz, 2012)

Jul

29

International Day of the Tropics

Florentina Hubaldo, CTE (2012)

A small river in the outskirts of the jungle. A young woman sits in the water cradling an older woman, like a Pietà. A man, in the same water, is slumped in a wooden chair. A third woman is standing there, looking at us, her head slightly tilted. DP: Lav Diaz.

A film set in a tropical location for the International Day of the Tropics

“We Malays, we Filipinos, are not governed by the concept of time. We are governed by the concept of space. We don't believe in time. If you live in the country, you see Filipinos hang out. They are not very productive. That is very Malay. It is all about space and nature. [...] In the Philippine archipelago, nature provided everything, until the concept of property came with the Spanish colonizers. Then the capitalist order took control. [...] The concept of time was introduced to us when the Spaniards came. We had to do oracion [pray] at six o'clock, and start work at seven. Before it was free, it was Malay.”

– Lav Diaz, via

Popiół i diament [Ashes and Diamonds] (Andrzej Wajda, 1958)

Jun

27

National Sunglasses Day

Popiół i diament (1958)

Maciek Chelmicki (Zbigniew Cybulski) wearing his sunglasses in a dark, almost German Expressionist space, embellished with meandros. DP: Jerzy Wójcik.

[The best] sunglasses in film for National Sunglasses Day (USA)

– Why do you always wear those dark glasses?

– A souvenir of unrequited love for my homeland.

According to IMDb, the sale of sunglasses in Poland went through the roof after this film was released and Cybulski became his country's very own James Dean.

Ikarie XB 1 [Icarus XB 1] (Jindřich Polák, 1963)

Jun

26

Ikarie XB 1 (1963)

An astronaut passing a perfectly symmetrical walkway, similar to the ones seen in Kubrick's 2001: A Space Odyssey (1968). DP: Jan Kališ.

Die glücklichen Minuten des Georg Hauser [The Happy Minutes of Georg Hauser] (Mansur Madavi, 1974)

Jun

25

National Day of Joy

Die glücklichen Minuten des Georg Hauser (1974)

In a moment of total bliss, Georg Hauser (Walter Bannert) wrecks a car (via). DP: Mansur Madavi.

A character who is happy on the National Day of Joy (USA)

“Grünes Licht für ehrgeizige, strebsame und arbeitswillige junge Menschen.”

Georg Hauser's life is a drag. He gets up to drive his car to the same office to do the same thing surrounded by the same people everyday, just to make money to do the same thing all over again. Then, his glasses break and the new pair makes him see things a bit differently.