A Nikolas or Nicholas for Christmas Eve.

 

The tale of legendary highwayman Nikola Šuhaj from Koločava.

“Sloane! Be lucky!”

– Paul Gregory

Something short for winter solstice.

“He's growing! Look! See how he's growing! I have seen the Lord! The Lord! The Lord!”

– Schugger-Leo

On the eve of World War 2, little Oskar – just three years old – decides he doesn't want to grow anymore.

“Écoute les orgues Elles jouent pour toi Il est terrible, cet air-là J'espère que tu aimes C'est assez beau, non ? C'est le requiem pour un con”

– Serge Gainsbourg, Requiem pour un con (1968)

Set on a river*

Jean: Are you bored? Juliette: Oh, no. Jean: Don't worry. There'll be places to see. Juliette: Riverbanks.

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Having tea*

“A geisha’s lie is not a real lie. It’s a cornerstone of our profession.”

– Miyoharu

 

* the Bales 2025 Film Challenge for December has a few dateless themes. This is one of them.

Perumthitta Tharavad: based on a folk tale.

“I regard [Govindan] Aravindan as one of the most poetic filmmakers in the world. He is a poet who writes in the language of cinema and silence. Watching his films is like a meditative experience.”

– Shivendra Singh Dungarpur, Film Heritage Foundation (source)

Set during the Hindu rice harvest festival Onam, Kummatty tells the story of the seasons through the eyes of a mischievous boy. After teasing the temple guard – possibly Thamma – she warns the boy and his friends about the arrival of Kummatti (here unfortunately translated as the bogeyman but actually the name of a performer of a mask dance called Kummatti Kali). As faith wants it, Kummatti does arrive and accompanies the children in song and dance while the seasons change, rice is ready for harvest, and characters shift. To a certain extent, there's an interesting parallel with Frank Perry's Ladybug Ladybug (1963).

Saint Lucy's Day: wearing a garland. Today's and yesterday's theme are virtually interchangeable.

“Kneel before her son. I've had a dream. She's the incarnation of the Goddess, Kali.”

– Kalikinkar Roy

Doyamoyee's father-in-law, and worshipper of Kali, has a dream. The young woman is the goddess' avatar. Locals come to visit the house, and Doyamoyee too starts believing in her divinity.