settima

StudentFilm

Soy leyenda (Mario Gómez Martín, 1967)

Oct

3

zombies

Soy leyenda (1967)

Robert Neville (Moisés Menéndez) looking out over an empty rooftop. DP: Jesús Ocaña.

(A favourite) zombie movie*

 

Now, settima. Of all the zombie movies in the world you had to pick a vampire story? Why yes. Yes I did.

“Again he shook his head. The world's gone mad, he thought. The dead walk about and I think nothing of it. The return of corpses has become trivial in import. How quickly one accepts the incredible if only one sees it enough!”

– Richard Matheson, I Am Legend (1954)

Just like my actual favourite zombie film, that one from 1968, Soy leyenda is based on Richard Matheson's post-apocalyptic horror novel I Am Legend (1954). The story describes a world where the living have become undead vampire-like creatures. A lone man tries to rationalise that new world through reason and science, and legend.

 

In the man's mind, the undead become the familiar, the vampire. In our mind, watching this, we believe to see the foreshadowing of the popculture zombie. The abandoned well-known landscapes, the ceaseless repetition of what the old life had instilled, the normalcy of the grotesque. Oh how familiar they have become.

 

* the Bales 2025 Film Challenge for October is horror-themed as opposed to date-based, and is all about favourites. Expect non-horror and films I believe to be relevant instead.

Summer in the City (Wim Wenders, 1970)

Sep

26

Paul Newman – 2006

Summer in the City (1970)

Hanns and Wenders playing billiards. DP: Robby Müller.

Billiards, or Paul Newman (1925 – 2006).

“There's too much on my mind There's too much on my mind And I can't sleep at night thinking about it I'm thinking all the time There's too much on my mind It seems there's more to life than just to live it”

– The Kinks, Too Much On My Mind (from Face To Face, 1966)

Hanns (Hanns Zischler) plays billiards with Wim Wenders.

Le 15 mai (Claire Denis, 1971)

May

15

Thu

Le 15 mai (1971)

Claudia Morin in her silver dress showing up in Philippe Rouleau's office. The perpetual calendar behind her – Enzo Mari's Formosa from 1963 – tells us it is May 15. DP: Dominique Le Rigoleur.

“Of course, it's the 15th of May.”

Have I Told You Lately That I Love You? (Stuart Hamisch, 1958)

Feb

24

technology

Have I Told You Lately That I Love You? (1958)

Straight after dinner, the child returns to his teevee while his mother stands silently in the doorway.

A film about technology on what would've been Steve Jobs' 70th birthday

“The most precious thing that we all have with us, is time.”

– Steve Jobs

A nuclear family goes about their machine-driven day while slowly forgetting to communicate.

Swirlee (James Lorinz, 1989)

Jul

23

National Vanilla Ice Cream Day

Swirlee (1989)

Newspaper clipping. Mr Softy's roommate (David Caruso) and Mr Softy (James Lorinz), a man with a softee for/as a head, pose for a picture.

Dark Star (John Carpenter, 1974)

Jun

23

space lunch

Dark Star (1974)

The men enjoying a joyless lunch, consisting of something semi-liquid in a squeeze packet. DP: Douglas Knapp.

“Today over lunch I tried to improve morale and build a sense of camaraderie among the men by holding a humorous, round-robin discussion of the early days of the mission. My overtures were brutally rejected. These men do not want a happy ship. They are deeply sick and try to compensate by making me feel miserable.”

– Sgt. Pinback's video diary

Dark Star (John Carpenter, 1974)

Jun

17

International Surfing Day

Dark Star (1974)

Lt. Doolittle (Brian Narelle) dreaming of catching that wave. DP: Douglas Knapp.

On the other end of outer space, far far away from existentialist odysseys and crypto-fascist space operas, there's a little stoner cosmos where a small, dilapidated starship manned by long-haired freaks drifts about.

“You know, I wish I had my board with me… even if I could just wax it once in a while.”

– Lt. Doolittle

Dark Star started out as a highly ambitious, underfunded student film that, in a blessed pre-Lucas, pre-blockbuster universe, got recognised for its #counterculture glory. In the early 70s, when #surfing was not yet mainstream and a handful of restless pioneers continued west despite the lack of mainland, a cross-pollination between beach blond daredevils and stoner culture happened.

 

Carpenter's laidback space odyssey fully embraces the beach bum spirit; it's meandering, incoherent, and whatever the superlative of no-budget may be. With at its core: #boredom, the most honest form of cinema.