settima

KidlatGottliebKalayaan

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

Jul

20

1969

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.

“Fantastic! You are a first class dilettante!”

– Kidlat's proud parents

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

May

30

National Creativity Day

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

Kidlat Tahimik test driving his moon buggy, closely followed by faithful crew member Gottlieb (Kidlat Gottlieb Kalayaan). DP: Kidlat Tahimik.

Kidlat, while on Earth, wonders if on the Moon a yoyo behaves any differently. Thanks to his brilliant crew of Bavarian toddlers, his parents' collective aspirations, and generous donations from the First World in the form of assorted junk, he launches the first Filipino space program to find out.

“If you don't eat too many Gummy Bears you could be my co-pilot.”

– Kidlat Tahimik, speaking to a budding crew member

Sinong lumikha ng yoyo? is a remarkable display of imaginative filmmaking. Together with Kidlat we ponder about practicalities, suddenly see connections that were obscured by too much thinking, and realise all the new possibilities we have in life. Part documentary, part animation, part fantasy, part sci-fi, Kidlat transports us to yet unexplored spaces!

Bakit Dilaw Ang Kulay ng Bahaghari? [Why Is Yellow the Middle of the Rainbow?] (Kidlat Tahimik, 1984/1994)

Jan

23

First Philippine Republic Day

Bakit Dilaw Ang Kulay ng Bahaghari? (1984/1994)

Young Kidlat Gottlieb Kalayaan in the midst of defacing political pamphlets of Ferdinand Marcos. DPs: Kidlat Tahimik & Roberto Yniguez.

“When you work with the cosmos, suddenly you get ideas for how to treat some visuals, like some images that had no intention of being in the film. That’s the freedom of the independent. Normally when you’re making a movie, it's almost pre-set, what elements will go in, so it will have “a unified structure”. But for me, I shoot so many things impulsively, that once I start editing a movie, suddenly there is an imperative for this obscure shot to come in here … or there. You keep juggling until you find on organic flow. You don't have a script, you just do it by feel. You're surprised that audiences like it.”

– Kidlat Tahimik, via