کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Nov
8
Hossain Sabzian as himself. He sits behind a low table holding various refreshments, presented by his host. DP: Ali Reza Zarrindast.
کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Nov
8
Hossain Sabzian as himself. He sits behind a low table holding various refreshments, presented by his host. DP: Ali Reza Zarrindast.
“When I get myself – cleaned up and straightened out, I'm going down and get a ship and I'm going to wind up in South Sea islands. That's where I wanna go!”On the Bowery (Lionel Rogosin, 1956)
Sep
14
National Sober Day
Finnish poster. DP: Richard Bagley.
Someone mentions getting sober.
“Prison is good for the good and bad for the wicked. It teaches the good a lesson but only makes the wicked worse.”کلوزآپ ، نمای نزدیک [Klūzāp, nemā-ye nazdīk / Close-Up] (Abbas Kiarostami, 1990)
Sep
8
Pardon Day
Hossain Sabzian riding passenger on a motorcycle holding a large potted rose-red dahlia. DP: Ali Reza Zarrindast.
کلوزآپ ، نمای نزدیک is visual narrative illustrating a crime. A cinephile, Hossain Sabzian, pretends to be filmmaker Mohsen Makhmalbaf and slowly extorts a family into believing to star in the director's next film.
– Hossain Sabzian
An article about the case intrigued director #Kiarostami so much that he decided to film the court case against Sabzian, and ask the accused, Makhmalbaf, and the Ahankhah family to reenact some of the events.
Glen or Glenda [aka Male or Female aka Glen or Glenda, Which Is It? aka I Led 2 Lives] (Edward D. Wood Jr., 1953)
“Give this man satin undies, a dress, a sweater and a skirt, or even the lounging outfit he has on, and he's the happiest individual in the world. He can work better, think better, he can play better, and he can be more of a credit to his community and his government because he is happy.” —Dr. Alton, narrator
In 1953, Christine Jorgensen – who had widely reported sex reassignment surgery the year before – was approached by schlocky Z movie producer George G. Weiss to be in an exploitation movie about her voyage. She kindly thanked for the offer. Who did bite was the producer's pick to be the director, novice movie maker and transvestite Edward D. Wood Jr.. Wood reworked the script.
The resulting effort – Glen or Glenda – is not only an utterly unique autobiographic docudrama; it's a lovingly composed pamphlet in support of (heterosexual) transvestism – both fetish and lifestyle, not to be confused with drag – and transsexualism to boot. Rarely sex-related outsider lifestyles were discussed this frankly; Kinsey's Sexual Behavior in the Human Male came out only five years prior and the volume about the human female in the year of this movie.
It's also pretty unique when it comes to the art of filmmaking. However contagiously enthusiastic, Wood didn't have the skill, weight, or budget to make movies. He'd pad story lines and plot holes with stock footage and long-winded dream sequences of the sexploitation kind. Like John Waters after him, Ed would cast friends and family – Dolores Fuller was his real-world girlfriend – and cinematic idols such as Bela Lugosi, who by 1953 was addicted to alcohol and prescription drugs.
Wood's life was wild and colourful. He once said that while serving in the US Marine Corps, he feared injury more than death, worried that the combat medic would discover the pink bra and panties under his uniform. It makes me wonder if the full colour promotional material for Psycho (1960) was #Hitchcock sending out a little wink to Ed.
Marion Crane (Janet Leigh) wearing pink undergarments on a lobby card for Psycho (1960). The movie itself is in black and white and the reveal of Marion wearing pink underwear came as a shock in early-60s prissy America. DP: John L. Russell.
#Bales2023FilmChallenge #EdwardDWoodJr #BelaLugosi #LyleTalbot #DoloresFuller #ConradBrooks #WilliamCThompson #fashion #angora #crossdressing #LGBT #fetishism #drag #docudrama #biography #USA #1950s
“Nice guys.” Canon City (Crane Wilbur, 1948)
Aug
1
Colorado Day
Counting the inmates. DP: John Alton.
They've been planning this for months, Canon City's Colorado Territorial Correctional Facility's toughest inmates. It's going to happen on December 30, and all men are ready to go.
Fascinating about Canon City is the usage of some of the actual locations, ánd people, involved in the 1947 #prison break.
Also striking, unfortunately, is the unevenness of the affair. John Alton's cinematography, while wonderful, wanders between noir and stuck camera shutter. And that voice-over… well, lets not mention that at all.
Canon City (Crane Wilbur, 1948)
Jul
31
grub
A close-up of two prisoners' hands. One is handling grub with a spoon from a stainless steel soup bowl. DP: John Alton.
“And wherever he went, he took with him his music, his poetry, his language and his children… thus within a century of Culloden, the English and the Scottish lowlanders had made secure forever their religion, their commerce, their culture, their ruling dynasty.”Culloden [The Battle of Culloden] (Peter Watkins, 1964)
Jul
27
Bagpipe Appreciation Day
John Hunt Leigh in Culloden, pìobaireachd “ceòl mór” (litt. piping “great music”). DP: Dick Bush.
Great Highland #bagpipes, or a' phìob mhòr as they're called in Scottish Gaelic, are traditionally played on the battlefield. Peter Watkins' Culloden moves the senseless bloodshed from 1960s Vietnam to the Scottish Highlands of 1746.
– narrator
The most clearly it's seen in the men's eyes. That stare we recognise all too well from the many images that reached the west in the 60s, ever before and after.
“Werdet stolz auf eure Homosexualität! Raus aus den Toiletten, rein in die Strassen! Freiheit für die Schwulen!”Nicht der Homosexuelle ist pervers, sondern die Situation, in der er lebt [It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives] (Rosa von Praunheim, 1971)
Jul
6
National Daniel Day
A gay couple kissing on the street in front of a black-tiled Berlin bar. A third gay man nearby looks away. DP: Robert van Ackeren.
Daniel (Bernd Feuerhelm) is a young man in #WestBerlin exploring his homosexuality. Initially he opts for a spießbürgerlich, petit-bourgeois, almost heterosexual affair. He then probes further, swings by Berlin's public toilets and pools. Only when he encounters a leftwing gay commune he finds that pride, not conformity, is his way of living his life.
Von Praunheim's Nicht der Homosexuelle ist pervers is a plea for rebellion and visibility. For revolt and love. A wakeup call for gays and straights alike. Such a stir this film pamphlet made it became the blueprint for West-Germany's gay liberation movement.
“It's spontaneous combustion!” Get Rollin' (J. Terrance Mitchell, 1980)
Jun
22
Positive Media Day
Young Black men jammin' to resident DJ “Big Bob” Clayton's grooves with Maurice Gatewood taking centre stage. Later in the 80s, the Empire Roller Disco would become a meeting point for gay Black and Latinx men who would hold rollerdance competitions. DP: Joseph Friedman.
The groove is driving and the characters jammin' in J. Terrance Mitchell's Get Rollin' (1980). We follow entrepreneur Vinzerrelli (Vinnie Vinzerrelli) who aims to become “the Muhammad Ali of #RollerBoogie” and to enter the Guinness Book of World Records as the first roller skater to make a million dollars. In his tow, smooth-as-silk Pat the Cat (Pat Richardson), who calls it a day to become a star roller derby player in “London, England”. Pat's wife and suddenly-ex-boss are less charmed by the idea. Those skates are expensive, and steam-cleaning those customised tees cost a dime, too. But Pat, he's determined. He's the Cowboy on Skates, rollin' his and everyone's blues away.
– Vinzerrelli
And in her own quiet way, there's soft-spoken physical therapist Inez from Alabama, who can be seen swerving around like a Disco Queen if not teaching a mangled man in Central Park how to rollerskate with flair and self-esteem.
A movie awash with so much groove and good vibes, so much love for Black life on #Brooklyn's Empire Roller Disco rink, it can not do other than put a huge grin on your face.
আকালের সন্ধানে [Akaler Sandhane / In Search of Famine] (Mrinal Sen, 1981)
May
29
चाय
The Bollywood stars arrive at the temple. In the foreground one of the actresses, cupping a beaker with her hands. DP: K.K. Mahajan.