Le boucher [The Butcher] (Claude Chabrol, 1970)
Oct
3
Popaul (Jean Yanne) and Hélène (Stéphane Audran) in the former's butcher shop. DP: Jean Rabier.
Maléfices [Sorcery / Where the Truth Lies] (Henri Decoin, 1962)
Sep
10
Myriam Heller (Juliette Gréco) sharing a bed with Nyète, her cheetah. DP: Marcel Grignon.
Nuits rouges [L'homme sans visage / Shadowman] (Georges Franju, 1974)
Sep
6
A faceless man in black wearing a red balaclava (Jacques Champreux) holds his right wrist, which is bleeding profusely. DP: Guido Bertoni.
La horse [Horse] (Pierre Granier-Deferre, 1970)
Aug
28
1923
Francis Grutti's (Armando Francioli) ID, handled by someone wielding a large stamp. His birthday is August 28, 1923. DP: Walter Wottitz.
La horse [Horse] (Pierre Granier-Deferre, 1970)
Aug
23
baguette
Auguste Maroilleur (Jean Gabin) at the head of a long table, covered in Good Things (wine, butter, coffee, and fresh milk). He cuts a baguette with his pocketknife. DP: Walter Wottitz.
“Marge, my love, my angel.”
Plein soleil [Purple Noon] (René Clément, 1960)
Aug
20
1959
A contract for Marge, a sailboat, dated August 20, 1959. DP: Henri Decaë.
Al filo del hacha [Edge of the Axe] (José Ramón Larraz, 1988)
Aug
16
1978
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A computer screen with the admission date of Lillian Nebbs (Christina Marie Lane) in the psychiatric ward on August 16, 1978. Diagnosis: Psycho Amnesia [sic]. There are small pop magazine stickers on the display's bezel. DP: Tote Trenas.
“Matto, caldo, soldi, morto… girotondo…”
Vergogna, schifosi!… [Dirty Angels] (Mauro Severino, 1969)
Aug
14
fruit
A group of people in skimpy swimwear sits on space-agey white plastic seating – Archizoom's radical Superonda (1967) – while decadently eating luxurious tropical fruit from a round table that futuristically descends from the ceiling via a steel pole. DP: Angelo Lotti.
“I'll tell you what though, Mac. There'll be no more games from now on.”
Figures in a Landscape (Joseph Losey, 1970)
Jul
17
MacConnachie (Robert Shaw, standing and peering upwards) and Ansell (Malcolm McDowell, squatting and facing away) in a barren landscape. Both have their hands tied behind their back. DPs: Henri Alekan, Peter Suschitzky & Guy Tabary.
– Ansell
“Why bother having money when you can spend other people's?”
Plein soleil [Purple Noon] (René Clément, 1960)
Jun
15
croissants
Tom Ripley (Alain Delon) going though his passport over breakfast. Multiple passport photos, a fountain pen, and a magnifying glass take precedence over his fresh croissants. DP: Henri Decaë.
– Philippe Greenleaf