settima

comedy

Happy End (Oldřich Lipský, 1967)

Sep

1

1889

Happy End (1967)

Butcher Bedřich Frydrych (Oldřich Lipský), born September 1, 1889 in Trumberk. DP: Vladimír Novotný.

Mon oncle (Jacques Tati, 1958) / Koolhaas Houselife (Ila Bêka + Louise Lemoine, 2008)

Aug

29

grey

Mon oncle (1958)
Koolhaas Houselife (2008)

A delivery man in front of the gates of Villa Arpel (via), and custodian Guadalupe Acedo working the lift in Maison à Bordeaux. DP of Mon Oncle: Jean Bourgoin.

[A favourite] colour: grey*

 

Approaching the 60s, Mr Hulot finally switches from black-and-white to colour. Suddenly, we see that his suit is a beigeish grey and so is the Arpels' house, that modernist masterpiece designed by Tati. The beloved luddite struggles with hypermodern people and their hypermodern constructs, much alike the future Hulot from Playtime (1967).

– A house like yours must be such a job! – Oh, a leaf! Ah, yes it's a chore. – Admit it, you love it.

In similar absurd fashion, Guadalupe Acedo, cleaning lady, works her way through Rem Koolhaas' Maison à Bordeaux (1998) in Bêka and Lemoine's Koolhaas Houselife (2008). Too steep are the stairs, too leaky everything else. Levelheaded, she does her thing; a small beacon of romantic practicality in a world of absurd efficiency.

 

Domenica d'agosto [Sunday in August] (Luciano Emmer, 1950)

Aug

7

1949

Domenica d'agosto (1950)

A little boy runs down a Roman street. Superimposed a calendar page: SUNDAY AUGUST 7 S. GAETANO THE SUN RISES AT 5:15 SUNSET AT 19:42 – CRESCENT MOON. “S. Gaetano” refers to Saint Cajetan, who's feast day is on August 7. DPs: Leonida Barboni, Ubaldo Marelli & Domenico Scala.

黒蜥蜴 [Kurotokage / Kuro tokage / Black Lizard] (Kinji Fukasaku, 1968)

Aug

4

黒蜥蜴 (1968)

The Black Lizard (Akihiro Miwa) in embrace with Detective Akechi (Isao Kimura). DP: Hiroshi Dōwaki.

Il sorpasso [The Easy Life] (Dino Risi, 1962)

Jul

26

a boys' night out

Il sorpasso (1962)

Bruno (Gassman) and Roberto (Trintignant) driving along Italy in their sports car (via). DP: Alfio Contini.

A boys' night out: men having fun on their own*

“Bruno, I've spent the best two days of my life with you… I mean it!”

– Roberto Mariani

Serious law student Roberto (Jean-Louis Trintignant) goes on an accidental road trip with bon vivant Bruno (Vittorio Gassman).

 

Sedmikrásky [Daisies] (Věra Chytilová, 1966)

Jul

25

a girls' night out

Sedmikrásky (1966)

Marie I and Marie II (Jitka Cerhová and Ivana Karbanová respectively) having a heck of a time. DP: Jaroslav Kučera.

A girls' night out: women having fun on their own[???]*

Marie II: “But I'm happy.” Marie I: “I'm so happy, too.”

Two young women called Marie pull destructive, anarchist pranks.

 

簪​ [Kanzashi / Ornamental Hairpin] (Hiroshi Shimizu, 1941)

Jul

24

relaxation

簪 (1941)

Men relaxing at a roten-buro, an outdoor onsen. DP: Suketarō Inokai.

Someone goes to a spa, beach, or retreat*

“There’s something almost poetic about finding a hairpin in the bath. It’s like the sole of my foot has been pierced by poetry.”

– Nanmura, via

Relaxing at an onsen, a soldier steps on the titular kanzashi. Now injured with too much time on his hands, he and his fellow nosy patrons go out looking for its owner.

 

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? [Who Invented the Yoyo? Who Invented the Moon Buggy?] (Kidlat Tahimik, 1979)

Jul

20

1969

Sinong lumikha ng yoyo? Sinong lumikha ng moon buggy? (1979)

A Bavarian onion dome with the date July 20, 1969 superimposed over it. DP: Kidlat Tahimik.

“Fantastic! You are a first class dilettante!”

– Kidlat's proud parents

Ansiktet [The Face / The Magician] (Ingmar Bergman, 1958)

Jul

14

Ansiktet (1958)

Granny Vogler (Naima Wifstrand) telling a sobbing Sara (Bibi Andersson) that yes, she may indeed be a witch. DP: Gunnar Fischer.

“I see what I see, and I know what I know. But nobody believes me.”

– Granny Vogler

La mort d'un bûcheron [The Death of a Lumberjack] (Gilles Carle, 1973)

Jul

12

1920

La mort d'un bûcheron (1973)

Blanche Bellefeuille (Denise Filiatrault) in front of a wall covered in catholic knickknacks. Through a door, nightclub entrepreneur Armand St. Amour (Willie Lamothe) can be seen asleep, his beloved cowboy boots carefully placed next to his improvised bed. DP: René Verzier.