“We broke up on April's fools day, so I took it as a joke. I'm willing to humor her for a month.”

– He Zhiwu, Cop 223

A film set in April.

“We split up on April Fool's Day. So I decided to let the joke run for a month. Every day I buy a can of pineapple with a sell-by date of May 1. May loves pineapple, and May 1 is my birthday. If May hasn't changed her mind by the time I've bought thirty cans, then our love will also expire.”

– He Zhiwu, Cop 223

A film set in Canada on the date the Constitution Act, 1982 was enforced. The rights of the Indigenous peoples remain undefined up to today.

“I'm dead as a doornail Though very high strung I can make loud noises Though I have no lung”

Clerk Faustus Bidgood dreams of becoming the president of Newfoundland and lead the province to secede from Canada.

 

Newfoundland's first and only all-Newfoundland film. It took ten years to complete.

Siblings as main characters for Siblings Day (USA/Canada)

– “Nous sommes deux sœurs jumelles, nées sous le signe des gémeaux   – Mi fa sol la mi ré, ré mi fa sol sol sol ré do   – Aimant la ritournelle, les calembours et les bons mots   – Mi fa sol la mi ré, ré mi fa sol sol sol ré do”

– Delphine & Solange

“Moscow in flames, missiles headed toward New York. Film at eleven.”

– newscaster

A fool or jokester for April Fools' Day

 

As a child, Shri Krishna, the eighth avatar of Lord Vishnu, was a prankster. The Lord and his childhood friends would steal makhan and, if there was too much to eat all at once, would share it with the monkeys.

 

Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic

A laugh out loud scene for Something on a Stick Day (USA)

 

“Bonsoir. Je m'appelle Rosalie!”

Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!

 

Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.

 

Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.

 

Like Rosalie's irresistible gusto and her delightful ditties, the combination of Duhamel's physical comedy and (former #vaudeville-ian) Bosetti's Italian-flavoured slapstick, plus some of the best stop-motion trickery I've ever seen, is simply magical.