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कालिया मर्दन [Kaliya Mardan / The Childhood of Krishna] (Dhundiraj Govind Phalke, 1919)
Apr
1
April Fools' Day
Shri Krishna (Mandakini Phalke, the director's seven-year old daughter), playing his flute with a twinkle in his eye. DP: Dhundiraj Govind Phalke.
Kaliya Mardan is one of the handful films from India's early cinematic output that has survived. Do check your attic
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1. April 2000 [April 1, 2000] (Wolfgang Liebeneiner, 1952)
Apr
1
2000
The President of the Global Union (Hilde Krahl) stepping out of her spaceship. DPs: Sepp Ketterer, Karl Löb & Fritz Arno Wagner.
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Rosalie et son phonographe [Rosalie and Her Phonograph] (Romeo Bosetti, 1911)
Mar
28
Something-on-a-Stick Day
“Bonsoir. Je m'appelle Rosalie!”
Rosalie (the wonderful Sarah Duhamel) buys herself a phonograph and is delighted by the wonders it brings. Quick, the whole household should know!
Not only the obvious moments (no spoilers here), but the small, seemingly improvised bits is what makes Rosalie stand out above American productions of the time – with the exception of Roscoe Arbuckle's; his water bucket pun in His Wife's Mistakes (1916) still has me in stitches.
Duhamel makes great use of her physique, and doesn't shy away from looking inelegant, boorish even. Her hips are for pushing things and men out of her way, and her mighty paws easily toss any unwieldy piece of furniture out of the window.
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The Gruesome Twosome (Herschell Gordon Lewis, 1967)
Mar
27
1967
The March 27, 1967 newspaper headlining CAMPUS PUZZLED! and GIRLS VANISH and FATE STILL A MYSTERY. It's Monday. DP: Roy Collodi.
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Mr. Freedom (William Klein, 1968)
Mar
23
freebie: liberty
Freebie: “Give me liberty or give me death!” (Patrick Henry, March 23, 1775)
“F-R-double-E-D, D-O-M spells Freedom! We fight for freedom, for one and for all! It's you-and-me-dom, and ten foot tall! Freedom, freedom, and oh-can-you-see-dom, we'll always beat 'em with star-spangled freedom!”
– Mr. Freedom singing his theme song
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The Bed Sitting Room (Richard Lester, 1969)
Mar
22
National Goof-off Day
The BBC (Frank Thornton) bringing you the news (still via). DP: David Watkin.
“I am the BBC as you can see, and here was the last news.”
– The BBC
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La Chinoise, ou plutôt à la Chinoise: un film en train de se faire [La chinoise] (Jean-Luc Godard, 1967)
Mar
19
Howard University Protest
Yvonne (Juliet Berto) holed up behind piles of Mao's Little Red Book, wielding a machine gun. DP: Raoul Coutard.
“One must confront vague ideas with clear images”
– slogan on a wall
Five Maoist students theorise, then practice a radical overthrow via terrorism.
Loosely based on Dostoyevsky's Бѣсы [The Possessed] (1871–72).
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Baron Prášil [The Fabulous Baron Munchausen] (Karel Zeman, 1962)
Mar
14
Under the Skin – 2013
A weird of quirky sci-fi film on the date Under the Skin (2013) was released in the UK.
“I cast my hat out into the universe, let it greet those who are on their way from Earth. From this day forward, the Moon is no longer a dream.”
– Cyrano de Bergerac
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L'homme à la valise [The Man with the Suitcase] (Chantal Akerman, 1983)
Mar
11
close quarters
Henri (Jeffrey Kime) and the woman (Chantal Akerman) at a claustrophobically small table, each eating their breakfast. The woman has a baguette, a bowl of coffee, and a cigarette. Henri takes up most of the table with a serving tray holding a whole box of Pelletier toast, a plastic milk bottle, and a coffee pot. He's also manspreading. DP: Maurice Perrimond.
Close quarters: US premiere of 10 Cloverfield Lane (2016).
A filmmaker (Akerman) reluctantly hosts a guest (the always imposing Jeffrey Kime) in her already cramped quarters. His increasingly expanding presence in volume, sight and sound are insufferable for the quiet cineast.
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Io la conoscevo bene [I Knew Her Well] (Antonio Pietrangeli, 1965)
Mar
5
Crispus Attucks – 1770
Adriana (Stefania Sandrelli) seen through her apartment window. Rome is reflected in her face. DP: Armando Nannuzzi.
A wasteful act: Crispus Attucks, (arguably) the first American victim in the American Revolution, dies on March 5th, 1770.
“She's always happy. She desires nothing, envies no one, is curious about nothing. You can't surprise her. She doesn't notice the humiliations, though they happen to her every day. It all rolls off her back like some waterproof material. Zero ambition. No moral code. Not even a whore's love of money.”
– The Writer
An ambitious but aimless girl – she wants to be loved, and to be a model, a proto-Edie – mills about her day.
Sublimely shot, we see Adriana through glass panes, in reflections, in an off-focal plane, in other people's words.