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Psychic Confession (Danny Korem, 1982)
Oct
23
James Hydrick spins a one dollar bill – balanced on top of a pin, locked into an airtight, glass box – with the power of his own mind.
“My whole idea behind this in the first place was to see how dumb America was. How dumb the world is.”
– James Hydrick
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玉羅剎 [Yu luo cha / The Jade Raksha] (Meng-Hua Ho, 1968)
Jul
20
peanuts
Leng Chiu-han's hand (Pei-Pei Cheng) holds up a roasted peanut in the shell. On the table several more peanuts, empty shells, wine cups, and chopsticks. DP: Kuo-Hsiang Lin.
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The Kentucky Fried Movie (John Landis, 1977)
Apr
9
11:42 A.M.
Scratched-up film stock showing an arid landscape with ISLE OF LUCY APRIL 9, 11:42 A.M. in bold red letters superimposed over it. DP: Stephen M. Katz.
“Moscow in flames, missiles headed toward New York. Film at eleven.”
– newscaster
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破戒 [Po jie / Broken Oath] (Chang-hwa Jeong, 1977)
Feb
24
noodles
A large man at an eatery gulps down bowl after bowl of delicious noodles. He's at number seven with bowl eight ready to go. DPs: Tieh Wang & Yung-Lung Wang.
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The Kentucky Fried Movie (John Landis, 1977)
Feb
9
popcorn
A white guy munches popcorn in a seemingly empty movie theatre while an usher, standing right behind him, lights a cigarette. DP: Stephen M. Katz.
“The popcorn you are eating has been pissed in. Film at eleven.”
– newscaster
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
– So what is your goal in life then?
– Satisfaction of the present. The sword, and nothing else.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
6
rice
Young people eating. An older woman in kimono scoops rice from an electric rice cooker. When read from right to left, this scene – as are numerous others in Chikashi Makiura's photographed 剣 (小説) – are split into tradition and modernity. DP: Chikashi Makiura.
“We come to life, we die… It's a perpetual renewal. How boring.”
– Mibu
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盘丝洞 [Pan si dong / The Cave of the Silken Web] (Dan Duyu, 1927)
Jul
14
Pandemonium Day
One of the many demons accompanied by the sisters, having a vision in a cup. DP: Ganting Dan.
“Today is our Queen's wedding day, let us drink it up!”
Note that some of the reels are still missing, and the English translation I found is subjective at best, so have a translation app at the ready. Nevertheless, take a moment to dim the lights, and accompany Tang Sanzang, the Monkey King, and Pigsy on their pilgrimage. Even if only for a little while.
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少林三十六房 [Shao Lin san shi liu fang / The 36th Chamber of Shaolin] (Chia-Liang Liu, 1978)
Jul
8
rice
Monk San Te (Chia-Hui Liu aka Gordon Liu) carefully handles a large ladle with watery rice. His sceptical sifu (Hung Wei) looks on. DPs: Yueh-Tai Huang & Arthur Wong.