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L'inconnu de Shandigor; Les salauds vont en enfer
Jan
24
cuckoo clocks
Top to bottom: L'inconnu de Shandigor (Jean-Louis Roy, 1967), Les salauds vont en enfer (Robert Hossein, 1955).
Watched on January 24 and 25 respectively.
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The Clock (Christian Marclay, 2010)
Dec
31
Hogmanay
Prof. Charles Rankin (Orson Welles) during the climax in The Stranger (1946). The clocktower strikes midnight. DP: Russell Metty.
Midnight: it's Hogmanay in Scotland.
“There's no clue to the identify of Franz Kindler; except one little thing. He has a hobby that almost amounts to a mania: clocks.”
– Mr. Wilson
The Clock takes place over – and lasts – 24 hours, with each moment either being shown in a film still or mentioned by characters during a scene. In total, there are over 12 000 scenes edited into Marclay's tour de force.
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Strategia del ragno [The Spider's Stratagem] (Bernardo Bertolucci, 1970)
Jun
15
Sat
A clock face. It's 9:54 on Saturday June 15. DPs: Franco Di Giacomo & Vittorio Storaro.
The two-page story this film is based on – Jorge Luis Borges' Tema del traidor y del héroe [Theme of the Traitor and Hero] (1944) – takes place on January 3 and August 2.
“Instead of leaving this morning, I'm still here. Among friends.”
– Athos Magnani
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剣 (小説) [Ken / The Sword] (Kenji Misumi, 1964)
Dec
29
Tick Tock Day
One of the kendōka kneeled on the floor in gruelling punishment faces a clock on the wall, while the other students continue their training. DP: Chikashi Makiura.
After World War II, the Japanese martial arts of #kendo was banished by the occupying forces in an attempt to “remove and exclude militaristic and ultra-nationalistic persons from life”. With that in mind, it makes complete sense that nationalist author and former kendo practitioner Yukio Mishima wrote a short story – Sword, originally published in literary magazine Shincho in 1963 – about the art.
– So what is your goal in life then?
– Satisfaction of the present. The sword, and nothing else.
Both the story and Kenji Misumi's 1964 film adaptation follow arrogant kendo student Jiro, played by sublime kabuki actor Raizō Ichikawa who also appears in an earlier Mishima adaptation, 炎上 [Enjō / The Temple of the Golden Pavilion / Conflagration] (1958).
