“You're a foreigner and you're lost.”L'immortelle (Alain Robbe-Grillet, 1963)
Jun
23
Sat

A man's hand holds a crumbled up diary page for Saturday June 23. There are no calendar entries. DP: Maurice Barry.
“You're a foreigner and you're lost.”L'immortelle (Alain Robbe-Grillet, 1963)
Jun
23
Sat

A man's hand holds a crumbled up diary page for Saturday June 23. There are no calendar entries. DP: Maurice Barry.
“Sicily! The night had a thousand eyes. All sorts of smells shrieked at once. An unfurled coil of wire brought our car, swathed in moonlight as if surrounded by mosquito netting, to a halt. It was hot. Impatient, the drivers broke off singing the most beautiful love song, striking the car with a monkey wrench and insulting Christ and his mother with a blind faith in their efficacy. In front of us: Etna, the great actor who bursts onto the stage two or three times each century, whose tragic extravagances I had arrived to film. An entire side of the mountain was a blazing spectacle. The conflagration reached up to the reddened corners of the sky. From a distance of twenty kilometers, the rumbling at times seemed to be a triumphal reception heard from afar, as if a thousand hands were applauding in an immense ovation.”La montagne infidèle [The Infidel Mountain] (Jean Epstein, 1923)
Jun
22
1923
.jpg)
Unrestored film stock showing extensive damage to both the celluloid and the depicted structure. In 2024, the reels were rediscovered in Spain and restored by the Filmoteca de Catalunya (via). DP: Paul Guichard.
Filmmaker Jean Epstein and his cameraman Paul Guichard made their way to the Etna on June 22, 1923. This was merely five days after the eruption started.
– Jean Epstein, Le Cinématographe vu de l’Etna (1926) (via)
Un posto ideale per uccidere [An Ideal Place to Kill / Oasis of Fear] (Umberto Lenzi, 1971)
Jun
19
champagne
.png)
A white hand places a champagne filled coupe on a tiled floor, right in front of a tabby cat. Said Highness is also enjoying a full plate of carefully prepared seafood. DP: Alfio Contini.
“I don't give a damn. But I have the jewels and I need the money.”Le doulos [The Informer] (Jean-Pierre Melville, 1962)
Jun
12
.png)
Belmondo and a white woman in a Cheongsam – both looking straight at us – awkwardly sit at a small round table in some sort of nightclub-ish establishment. There are cigarettes, an empty glass, and an ice bucket in front of her. DP: Nicolas Hayer.
– Silien
Le temps des loups [The Heist] (Sergio Gobbi, 1970)
Jun
12
1938

Dillinger (Robert Hossein) followed by Stella (Virna Lisi). DP: Daniel Diot.
Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)
Jun
11
1968

Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.
“Soyez réalistes, demandez l'impossible”Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968

Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
– May 68 slogan
Les yeux cernés [Marked Eyes] (Robert Hossein, 1964)
May
22
dishes
.png)
Dirty plates on what looks like a professional kitchen's counter. A bobbed woman in black moves cutlery out of the frame. DP: Jean Boffety.
“Hélène Picard, born in Lyon, May 20, 1943. A child in care, she is reported as a runaway, a thief and unstable.”La Femme Bourreau [A Woman Kills] (Jean-Denis Bonan, 1968)
May
20
1943

A dark-haired woman lounging on a bed. DP: Gérard de Battista.