L'udienza [The Audience] (Marco Ferreri, 1972)
Feb
2
Aiche (Claudia Cardinale) washing Principe Donati's (Vittorio Gassman) feet. DP: Mario Vulpiani.
L'udienza [The Audience] (Marco Ferreri, 1972)
Feb
2
Aiche (Claudia Cardinale) washing Principe Donati's (Vittorio Gassman) feet. DP: Mario Vulpiani.
Beaubourg, centre d'art et de culture Georges Pompidou [Beaubourg] (Roberto Rossellini, 1977)
Jan
31
1977
Rossellini on site. DPs: Néstor Almendros, Jean Chiabaut & Emmanuel Machuel.
“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”Orlando (Sally Potter, 1992)
Jan
24
Billy Zane's birthday
Orlando (Tilda Swinton) and Shelmerdine (Billy Zane) in intimate embrace. DPs: Aleksey Rodionov & Andrew Speller.
A [favourite] Billy Zane film for his birthday (1966).
– Orlando
As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.
– How much did you win? – 500,000 in less than an hour. It's immoral, but no more than anything else. No more than poverty or ugliness.La baie des anges [Bay of Angels] (Jacques Demy, 1963)
Jan
9
Wheel of Fortune
Jean (Claude Mann) and Jackie (Jeanne Moreau) at a casino table. The tension is palpable. DP: Jean Rabier.
Good, or bad, fortune on the day Wheel of Fortune premiered in 1975.
“They pulled in just behind the fridge
He lays her down, he frowns
“Gee, my life's a funny thing
Am I still too young?”
He kissed her then and there
She took his ring, took his babies
It took him minutes, took her nowhere
Heaven knows, she'd have taken anything”Mauvais sang [Bad Blood / The Night Is Young] (Leos Carax, 1986)
Jan
8
David Bowie's birthday
(Alex) Denis Lavant in a scene set to David Bowie's Modern Love. DP: Jean-Yves Escoffier.
A [favourite] scene featuring a Bowie song for David Bowie's birthday (1947).
– David Bowie, Modern Love (from Let's Dance, 1983)
“Art and science encounter each other when they seek exactitude.”Escrime [Fencing] (Étienne-Jules Marey, 1890)
Jan
4
revolvers
Footage of Marey at work. Note the mobility of his invention. (via).
A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.
– Étienne-Jules Marey
However, where there is bloodshed, there can be art. Scientist Étienne-Jules Marey studied movement, and further adapted an existing revolver-style camera gun invented by astronomer Jules Janssen in 1874. The revolution in Marey's invention was not in the least in its mobility. Unlike Muybridge, whose locomotion experiments required a huge, cumbersome setup, Marey could strap on his “gun”, and shoot moving footage while following his target around. His chronophotograph Escrime can be considered Marey's first successfully captured moving footage.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Exuberant prostitutes, Jean Vigo (5th from the left), and people who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.
Confetti for New Year's Day.
– Jean Vigo in his manifesto Vers un cinéma social
X2000 (François Ozon, 1998)
Jan
1
2000
A young, naked man holding a drink observes two men asleep in a sleeping bag on the floor. On the wall behind them the text “2000” spelled out with tinsel garlands. DP: Pierre Stoeber.
“It was the morning of December 31, 1999 when I returned, at last, to judge the living and the dead. Though still, and perhaps always, I had my doubts.”The Book of Life (Hal Hartley, 1998)
Dec
31
1999
The “New York News” of December 31, 1999. The headline reads LAST DAY OF CENTURY BELIEVERS PRAY FOR END. DP: Jim Denault.
Les abysses [The Depths] (Nikos Papatakis, 1963)
Dec
2
sister's birthday
Michèle and Marie-Louise (real-life sisters Francine and Colette Bergé) as the real-life Papin sisters in their shared bedroom. DP: Jean-Michel Boussaguet.
Sisters for [OP's] sister's birthday.