“Twenty-three years of living with nothing but gutter hypes and junkies!”The Trip Back (Ralph Weisinger, 1970)
Jan
11
Florrie Fisher telling the kids about her highs and lows in the gutter. DPs: Donald Shapiro & Ralph Weisinger.
– Florrie Fisher
“Twenty-three years of living with nothing but gutter hypes and junkies!”The Trip Back (Ralph Weisinger, 1970)
Jan
11
Florrie Fisher telling the kids about her highs and lows in the gutter. DPs: Donald Shapiro & Ralph Weisinger.
– Florrie Fisher
“Art and science encounter each other when they seek exactitude.”Escrime [Fencing] (Étienne-Jules Marey, 1890)
Jan
4
revolvers
Footage of Marey at work. Note the mobility of his invention. (via).
A revolver to commemorate Samuel Colt's sale of 1 000 revolvers to butcher Captain Samuel Walker in 1847.
– Étienne-Jules Marey
However, where there is bloodshed, there can be art. Scientist Étienne-Jules Marey studied movement, and further adapted an existing revolver-style camera gun invented by astronomer Jules Janssen in 1874. The revolution in Marey's invention was not in the least in its mobility. Unlike Muybridge, whose locomotion experiments required a huge, cumbersome setup, Marey could strap on his “gun”, and shoot moving footage while following his target around. His chronophotograph Escrime can be considered Marey's first successfully captured moving footage.
“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)
Jan
1
New Year's Day
Exuberant prostitutes, Jean Vigo (5th from the left), and people who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.
Confetti for New Year's Day.
– Jean Vigo in his manifesto Vers un cinéma social
Cali: de película (Luis Ospina, 1973)
Dec
26
Feria de Cali
A child hands a man in indigenous garb a small liquor bottle during the cabalgata, the parade of horseback riders. The man's horse is painted to resemble a zebra. DP: Carlos Mayolo.
A parade for Feria de Cali, Columbia.
Hanoi, martes 13 [Hanoi, Tuesday 13th] (Santiago Álvarez, 1968)
Dec
13
Tue
A collage image of President Lyndon B. Johnson. His face is a hole and footage of a military burial service can be seen. DP: Iván Nápoles.
“If that's Americanism, it's very hyphenated.”December 7th (John Ford + Gregg Toland, 1943)
Dec
7
1941
A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.
– narrator
“Heavy boots of lead
Fills his victims full of dread
Running as fast as they can
Iron Man lives again”Black Sabbath – Live in Paris (Jacques Bourton, 1970)
Dec
6
Metal & Beer Fest
Tony Iommi.
A heavy soundtrack for the Decibel Magazine Metal & Beer Fest: Denver.
– Black Sabbath, Iron Man (1970)
Despite its title, Live in Paris was filmed in Théâtre 140 in Brussels by Yorkshire Television and is Sabbath's first recorded live concert.
Sioux Ghost Dance (William K.L. Dickson + William Heise 1894)
Dec
1
Hornbill Festival
A Sioux troupe – these particular people were part of Buffalo Bill’s Wild West show – perform a Ghost Dance in #ThomasEdison's Black Maria studio in New Jersey. DP: William Heise.
Indigenous dance for Hornbill Festival, Nagaland.
“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”Mingus: Charlie Mingus 1968 [Mingus / Mingus In Greenwich Village] (Thomas Reichman, 1968)
Nov
22
1968
Charles Mingus and Carolyn sharing an intimate father/daughter moment in their studio. DPs: Lee Osborne & Michael Wadleigh.
– Charles Mingus