settima

documentary

À propos de Nice – point de vue documenté [À propos de Nice] (Boris Kaufman + Jean Vigo, 1930)

Jan

1

New Year's Day

À propos de Nice - point de vue documenté (1930)

Exuberant prostitutes, Jean Vigo (5th from the left), and people who appear to be men in drag, dance on a landing with confetti all around them. In the moving footage they can be seen high-kicking with increased vulgarity, the camera posed below them. DP: Boris Kaufman.

Confetti for New Year's Day.

“In this film, by showing certain basic aspects of a city, a way of life is put on trial… the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution.”

– Jean Vigo in his manifesto Vers un cinéma social

Cali: de película (Luis Ospina, 1973)

Dec

26

Feria de Cali

Cali: de película (1973)

A child hands a man in indigenous garb a small liquor bottle during the cabalgata, the parade of horseback riders. The man's horse is painted to resemble a zebra. DP: Carlos Mayolo.

A parade for Feria de Cali, Columbia.

Hanoi, martes 13 [Hanoi, Tuesday 13th] (Santiago Álvarez, 1968)

Dec

13

Tue

Hanoi, martes 13 (1968)

A collage image of President Lyndon B. Johnson. His face is a hole and footage of a military burial service can be seen. DP: Iván Nápoles.

December 7th (John Ford + Gregg Toland, 1943)

Dec

7

1941

December 7th (1943)

A Japanese person paints over the Japanese characters on their store's sign. AZUMA PHONE and SUS[HI obscured] can stay. DP: Gregg Toland.

“If that's Americanism, it's very hyphenated.”

– narrator

Black Sabbath – Live in Paris (Jacques Bourton, 1970)

Dec

6

Metal & Beer Fest

Black Sabbath - Live in Paris (1970)

Tony Iommi.

A heavy soundtrack for the Decibel Magazine Metal & Beer Fest: Denver.

“Heavy boots of lead Fills his victims full of dread Running as fast as they can Iron Man lives again”

– Black Sabbath, Iron Man (1970)

Despite its title, Live in Paris was filmed in Théâtre 140 in Brussels by Yorkshire Television and is Sabbath's first recorded live concert.

Sioux Ghost Dance (William K.L. Dickson + William Heise 1894)

Dec

1

Hornbill Festival

Sioux Ghost Dance (1894)

A Sioux troupe – these particular people were part of Buffalo Bill’s Wild West show – perform a Ghost Dance in #ThomasEdison's Black Maria studio in New Jersey. DP: William Heise.

Indigenous dance for Hornbill Festival, Nagaland.

Mingus: Charlie Mingus 1968 [Mingus / Mingus In Greenwich Village] (Thomas Reichman, 1968)

Nov

22

1968

Mingus: Charlie Mingus 1968 (1968)

Charles Mingus and Carolyn sharing an intimate father/daughter moment in their studio. DPs: Lee Osborne & Michael Wadleigh.

“I pledge allegiance to the flag–the white flag. I pledge allegiance to the flag of America. When they say “black” or “negro,” it means you’re not an American. I pledge allegiance to your flag. Not that I have to, but just for the hell of it I pledge allegiance. I pledge allegiance to the flag of the United States of America. The white flag, with no stripes, no stars. It is a prestige badge worn by a profitable minority.”

– Charles Mingus

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)

Nov

20

1936

20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? (1937)

Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.

A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.

“Fascism is not to be debated, it is to be destroyed.”

– Buenaventura Durruti

The White Rose [The White Rose: Jay DeFeo’s Painting Removed by Angelic Hosts] (Bruce Conner, 1967)

Nov

9

1965

The White Rose (1967)

we are not what we seem

– words inscribed in the bottom of DeFeo's painter's stool