settima

theatre

The Tempest (Derek Jarman, 1979)

Jul

28

The Tempest (1979)

Sailors dancing in a room wildly decorated with guirlandes and flowers (via). DP: Peter Middleton.

Local nightlife: people dancing or at a show*

“Don't know why There's no sun up in the sky Stormy weather Since my man and I ain't together Keeps raining all of the time

Oh, yeah Life is bad Gloom and misery everywhere Stormy weather, stormy weather And I just can get my poor self together Oh, I'm weary all of the time The time, so weary all of the time

When he went away The blues walked in and met me Oh, yeah if he stays away Old rocking chair's gonna get me All I do is pray The Lord will let me Walk in the sun once more

Oh, I can't go on, can't go on, can't go on Everything I have is gone Stormy weather, stormy weather Since my man and I, me and my daddy ain't together Keeps raining all of the time Oh, oh, keeps raining all of the time Oh, yeah, yeah, yeah raining all of the time Stormy stormy Stormy weather Yeah”

– Elisabeth Welch, Stormy Weather (Harold Arlen & Ted Koehler, 1933)

A radiant Goddess (Elisabeth Welch) performs the torch song Stormy Weather. Enchanted sailors dance.

 

Лісова пісня. Мавка [Lisova pisnya. Mavka / A Story of the Forest: Mavka] (Yuri Ilyenko, 1981)

Jun

7

National Trails Day

Лісова пісня. Мавка (1981)

Mavka (Lyudmila Efimenko) and the Spirit of the Forest (Boris Khmelnitskiy). DP: Yuri Ilyenko.

A movie that takes place in nature for National Trails Day (USA)

 

Mavka, a forest nymph, falls in love with mortal Lukash, who in his turn is punished by the Spirit of the Forest for marrying another mortal instead. Curse upon curse, Lukash is turned into a wolf, and Mavka into a weeping willow.

 

The colours, mood and impact of the four seasons on mortal and sprite alike is there, not only made visible by Ilyenko's ethereal, spiralling camera, but somewhere blooming deep inside us, observing.

Jesus Christus Erlöser [Jesus Christ Saviour] (Peter Geyer, 1971/2008)

May

29

Ascension Day

Jesus Christus Erlöser (1971/2008)

Kinski speaking to (presumably) journalists as part of promoting his Jesus tour (via)

The birth, life, death or teachings of Jesus on Ascension Day

“Ich bin nicht der offizielle Kirchenjesus, ich bin nicht euer Superstar.”

– Klaus Kinski

It is November 20. The Jesus Christus Erlöser tour brings Klaus Kinski to Berlin's Deutschlandhalle. His monologue, spoken from Jesus the revolutionary's perspective, brings out the hecklers. It's 1971, the post-68 generation is not satisfied with words. It wants to debate, dissect, and devour their Saviour.

Летят журавли [Letyat zhuravli / The Cranes Are Flying] (Mikhail Kalatozov, 1957)

May

8

VE Day

Летят журавли (1957)

A young woman standing in what was a room in a building, looks out over the ruins of a city. A broken lampshade and a grandfather's clock whisper of other times. DP: Sergey Urusevskiy.

A non-battlefield war movie on VE Day. It had to be a Soviet film, on this date. Thank you, Russia.

“Time will pass. Towns and villages will be rebuilt. Our wounds will heal. But our fierce hatred of war will never diminish.”

– Stepan

When the cranes fly over Moscow, a young couple learns about the war. Now separated, one day, when it is over, if, they'll reunite

 

The hand-held cinematography, groundbreaking at the time, came from former war cameraman Sergey Urusevskiy.

Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)

Jan

31

freebie: high fashion

Die bitteren Tränen der Petra von Kant (1972)

Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.

A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.

– You have a good figure. You could use it to your advantage. Get in touch with me some time. – I'd love to.

With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.

Libahunt [Лесная легенда / Werewolf] (Leida Laius, 1968)

Jan

13

soup

Libahunt (1968)

A dinner table shown from above. Several people, we mainly see their hands and wooden spoons, eat from a hand-carved bowl. DP: Algimantas Mockus.

Libahunt [Лесная легенда / Werewolf] (Leida Laius, 1968)

Jan

13

wolf moon

Libahunt (1968)

Tiina (Ene Rämmeld) walking through the forest. DP: Algimantas Mockus.

Wolves for Wolf Moon, the first full moon after Yule.

 

In Livonia, which covers modern day Estonia, the 17th century was when the werewolf trials reigned.

“Better to be with wolves in the forest, than with people like you!”

Tiina, a young liberated woman taken in by a family of farmers after her mother was put on trial for witchcraft, is accused of hunting with the wolves as a werewolf by her half-sister with whom she shares a lover.

The Monkey Talks (Raoul Walsh, 1927)

Dec

14

Monkey Day

The Monkey Talks (1927)

Jocko (Jacques Lerner) in embrace with his Olivette (Olive Borden). Amazingly, Lerner does not wear a mask; it's all the work of makeup craftsman Jack Pierce. DP: L. William O'Connell.

A monkey for (unofficial) Monkey Day.

 

Rope (Alfred Hitchcock, 1948)

Jun

9

Rope (1948)

A man in a dark suit has his clenched hand on top of a stack of fancy gilded dinner plates. He's holding a piece of rope, just an ordinary household article. DPs: William V. Skall & Joseph A. Valentine.

“Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.”

– Mrs. Wilson

Suddenly, Last Summer (Joseph L. Mankiewicz, 1959)

Jun

7

Suddenly, Last Summer (1959)

Catherine (Elizabeth Taylor) and a man in white, seen from the back, eating alfresco near a beach. DP: Jack Hildyard.

“My son – Sebastian – and I constructed our days. Each day we would carve each day like a piece of sculpture, leaving behind us a trail of days like a gallery of sculpture until suddenly, last summer.”

– Mrs Vi Venable