Jocko (Jacques Lerner) in embrace with his Olivette (Olive Borden). Amazingly, Lerner does not wear a mask; it's all the work of makeup craftsman Jack Pierce. DP: L. William O'Connell.
A man in a dark suit has his clenched hand on top of a stack of fancy gilded dinner plates. He's holding a piece of rope, just an ordinary household article. DPs: William V. Skall & Joseph A. Valentine.
“Mr. Cadell got a bad leg in the war for his courage. And you've got your sleeve in the celery, Mr. Phillip.”
Suddenly, Last Summer (Joseph L. Mankiewicz, 1959)
Jun
7
Catherine (Elizabeth Taylor) and a man in white, seen from the back, eating alfresco near a beach. DP: Jack Hildyard.
“My son – Sebastian – and I constructed our days. Each day we would carve each day like a piece of sculpture, leaving behind us a trail of days like a gallery of sculpture until suddenly, last summer.”
Sadie Thompson (Joan Crawford) looking for canned tamales in the pantry of the island's only convenience store. DP: Oliver T. Marsh.
“We seem to hear the winds of reform whistling down the chimney. Whereas the low hussy frolics off to buy her supper. Where do you keep your canned tamales, partner?”
Nannina (Anna Magnani) in “Il miracolo”, ascending a staircase while eating her alms. DP of this segment: Aldo Tonti; DPs “Una voce umana”: Robert Juillard & Otello Martelli.
Two man sit against a white plastered, adobe wall. As one plays the setar, the other accepts a glass of chaii (black tea) from a square hole in the wall. DP: Fereydon Ghovanlou.
楢山節考 [Narayama-bushi kō / The Ballad of Narayama] (Keisuke Kinoshita, 1958)
Dec
11
International Mountain Day
Tatsuhei (Teiji Takahashi) with his mother Orin (Kinuyo Tanaka) in a bamboo carrier on his back. She's combing his hair. Around them the mountain range. DP: Hiroshi Kusuda.
A starving community has come to the agreement that the elders approaching the age of seventy are to be carried up Narayama mountain to die. The day prior to the mountain's festival, sixty-nine year old Orin prepares to leave, carried by her son Tatsuhei.
“This winter… I'm going to the mountain. My mother went to the mountain, as did the mother-in-law of our home. So I have to go too.”
– Orin
In Keisuke Kinoshita's highly stylised 楢山節考, the arguably cruel (and most likely fictional) practice – of 姥捨て [ubasute, abandoning an old woman] – is superbly abstracted. Narration, dramatic lighting, colour filters and very obviously a soundstage underline that what we're watching is not a film, but a kabuki play.
Board and planchette at the ready for a little game of Ouija. DPs: Ray June (23mm) & Robert H. Planck (70mm).
It's just a little game. But then you wonder if Ouija, the Wonderful Talking Board is actually just that. Two neat little ladies playing that quirky 1891 novelty game in Roland West's The Bat Whispers summon the aforementioned bat, black-clad fiend and Batman predecessor.
– Get the Ouija board.
– It's got the Bible on top of it, keeping it quiet.
Who is he? What does he want? And how can he be stopped? Do you know the answer?
