view
A Midsummer Night's Dream (William Dieterle + Max Reinhardt, 1935)
Jun
10
Superman Week
Oberon (Victor Jory) – King of the Fairies – on his horse with Puck (Mickey Rooney) – a trickster sprite. While they ride of, Oberon's cape flows behind them through the trees, supported by the fae. A lot of the other-worldly fairy sparkle was accomplished by generous amounts of DuPont® cellophane and cinematographer Hal Mohr's contribution of trimming the trees with aluminium paint, cobwebs, and small metal particles. DP: Hal Mohr.
Capes, cloaks, and mantles are everywhere in Dieterle and Reinhardt's lavishly outfitted A Midsummer Night's Dream. The dreamlike #CostumeDesign by Max Rée and the uncredited Milo Anderson is as much as a personality as #Shakespeare's characters are.
“Now, until the break of day,
Through this house each fairy stray…”
Any reports of Kenneth Anger's presence as the Changeling Prince are greatly exaggerated.
view
May
9
Teacher Appreciation Day
Manuela (Hertha Thiele) in her Don Carlos costume with her beloved teacher, Frl. Von Bernburg (Dorothea Wieck). Note the similarity with Garbo vehicle Queen Christina (Rouben Mamoulian, 1933). DPs: Reimar Kuntze & Franz Weihmayr.
“What you call sin, I call the great spirit of love, which takes a thousand forms.”
– Fräulein Von Bernburg
view
憂國 [Yūkoku / Patriotism or the Rite of Love and Death] (Yukio Mishima, 1966)
May
1
Loyalty Day
Japanese author Yukio Mishima was, besides an aesthete, a fierce proponent of Japanese nationalism. In 憂國, based on his short 1960 story, Mishima plays palace guard Lt. Shinji Takeyama. Despite being one of the instigators of an ultra-nationalist coup, Takeyama decides he cannot overthrow the government as it would mean having to kill his friends and be disloyal to the Emperor. Returning home, he and his bride Reiko (Yoshiko Tsuruoka) perform #切腹 (#seppuku / #HaraKiri), as in line with Takeyama's #samurai heritage.
Yūkoku is a #SilentFilm that plays out like #Noh #theatre, with an extreme emphasis on the beauty and love of death and loyalty respectively.
After Mishima's own seppuku in 1970, his widow ordered all copies of Yūkoku to be destroyed. In 2005, in Mishima's house, a pristine copy was uncovered in a tea box.
view
Harvey (Henry Koster, 1950)
Apr
9
freebie: Easter Sunday
James Stewart is Elwood P. Dowd. An ordinary man with an extraordinary claim: his best friend is an invisible, six feet three and a half inches-tall #pooka – a mythological Celtic, shapeshifting creature – who in Mr Dowd's case resembles a rabbit called Harvey. Elwood's sister and niece, who also occasionally see the furry goblin, have their relative send to a sanatorium where the doctors and us viewers learn more about this curious case.
“Harvey and I sit in the bars… have a drink or two… play the juke box. And soon the faces of all the other people they turn toward mine and they smile. And they're saying, 'We don't know your name, mister, but you're a very nice fella'.”
– Elwood P. Dowd
Harvey, based on Mary Chase's #PulitzerPrizePlay with the same name, is guaranteed to bring a smile on your face, this humbug's scout's honour! Have a nice #Easter, CineMastodons!
view
Jagdszenen aus Niederbayern [Hunting Scenes from Bavaria / The Hunters and the Hunted] (Peter Fleischmann, 1969)
Apr
6
Sorry Charlie Day
The townspeople gather to prepare the communal harvest meal. A dead sow is laid out on an improvised table. DP: Alain Derobe.
A scandal, that's what it was! In the late 1960s, Peter Fleischmann picked the picturesque Catholic village of #Landshut as the backdrop for Jagdszenen aus #Niederbayern, the film adaptation of Martin Sperr's #TheatrePlay with the same name.
A young man named Abram – played by Sperr – returns to his family village. Soon the townspeople's thorns move from the in their eyes other disgraceful villagers to the much-needed mechanic.
“Ich habe ihn halb tot geschlagen, ich schwör's. Ich kann nichts dafür, dass eine Drecksau draus geworden ist.”
Where did he return from? He was in prison. What for? For being a homosexual. He's a Drecksau (a filthy pig), his mother says. The village whore can't turn him around. A sow is slaughtered in real time in celebration of a successful #harvest and plans for the town's future are forged.
While created when West Germany's #Paragrafen175 was in place [1872–1994], illegality of same-sex relations], the homosexual aspect wasn't the main cause of the outrage. Some of the Landshutter villagers who played alongside the professional actors felt they were depicted as being backwards. This isn't a movie about hunting, sigted some. Lifting the veil of the prevalence of, a #Fernweh in a sense, that Germany (hush) was another.
Catholic Mass is a theatrical re-enactment of the life and suffering of the son of God. When rites outstay their meaning, when invocations turn routine, the worshippers lose sight.
view
Les sorcières de Salem [The Witches of Salem / The Crucible] (Raymond Rouleau, 1957)
Mar
7
National Town Meeting Day
The townspeople meet in the barn to judge the accused. DP: Claude Renoir.
Raymond Rouleau's Les sorcières de Salem – with a screenplay by Marxist philosopher Jean-Paul #Sartre – is a very early film adaptation of Arthur Miller's 1953 #TheatrePlay The Crucible. An allegory of #McCarthyism, the play is a (partially dramatised) retelling of the #SalemWitchTrials, a dramatic episode in early US-American history. During several court and town meetings, 200 people were falsely accused of meddling with the Devil; 19 of them were eventually executed.
“If she is innocent! Why do you never wonder if Parris be innocent, or Abigail? Is the accuser always holy now? Were they born this morning as clean as God's fingers? I'll tell you what's walking Salem — vengeance is walking Salem. We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!”
– Arthur Miller, The Crucible (1953)
Miller himself was accused of un-American activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. Which doesn't mean that #WitchTrials are a thing of the past. As easily one can transplant Puritan religious mass hysteria to 1950s McCarthy anti-socialism, as easy is it applicable to the state of the world today.
view
Het kwade oog [Le mauvais oeil / The Evil Eye] (Charles Dekeukeleire, 1937)
Feb
4
Farmers Day
A farmer in the bottom of the screen holding a scythe against an imposing Flemish sky. DP: François Rents.
In the small East Flemish villages inhabited by non-actors, where the story takes place, one day, a vagrant shows up. The villagers say he has the evil eye. Mills burned and harvest cursed, they say. The man is cursed, by a deep sense of guilt, over something from the past that slowed down time.
De tweede politieagent: “Jean, hebt ge ze?” [het spel vertraagt]
– Herman Teirlinck, De vertraagde film (1922)
Het kwade oog occupies that small frozen moment between sound and silence. With an acute sense of what's possible in cinema, even more than in literature and theatre, Dekeukeleire applies what he had Eisenstein seen do to with his interpretation of Brecht's episches Theater (“epic theatre”).
view
The Spider (Kenneth MacKenna + William Cameron Menzies, 1931)
Jan
4
World Hypnotism Day
A masked Alexander (Howard Phillips) seated on a curule on stage. DP: James Wong Howe.