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LGBT

Die bitteren Tränen der Petra von Kant [The Bitter Tears of Petra von Kant] (Rainer Werner Fassbinder, 1972)

Jan

31

freebie: high fashion

Die bitteren Tränen der Petra von Kant (1972)

Fashion designer Petra von Kant (Margit Carstensen) – pouting in her emerald-green dress – is kneeled on a large, sheepskin carpet in front of a huge Baroque painting (Nicolas Poussin's Midas und Bacchus, ca. 1624). In front of her a small bottle of gin and a phone. DP: Michael Ballhaus.

A freebie for someone's birthday, with bonus points for high fashion. Petra von Kant is a fashion designer who, during a particularly icy birthday party, tells the world that her new lover is a woman. Then, one day, said lover returns home to her husband.

– You have a good figure. You could use it to your advantage. Get in touch with me some time. – I'd love to.

With its exuberant costumes and set design, a Greek chorus of mannequins, and Sirk-ish larger- than-life melodrama, Fassbinder's Die bitteren Tränen der Petra von Kant delves deep into the absurdities of love and fancy.

Orlando (Sally Potter, 1992)

Jan

24

Billy Zane's birthday

Orlando (1992)

Orlando (Tilda Swinton) and Shelmerdine (Billy Zane) in intimate embrace. DPs: Aleksey Rodionov & Andrew Speller.

A [favourite] Billy Zane film for his birthday (1966).

“This future of yours Shelmerdine, when it's gonna begin? Today? Or, is it always tomorrow?”

– Orlando

As ordered by Queen Elizabeth I (Quentin Crisp), nobleman Orlando remains young and traverses exotic scenery, civilisations, time, and gender.

Times Square (Allan Moyle, 1980)

Jan

10

1967

Times Square (1980)

A bus on Times Square with a large (expensive) ad asking people to be on the lookout for a Pamela Pearl, born January 10, 1967. DP: James A. Contner.

“Yes, it's story time on WJAD in the heart of Times Square, New York, New York. The city so nice, they named it twice.”

– Johnny LaGuardia, on the air

Il mare [The Sea] (Giuseppe Patroni Griffi, 1962)

Dec

1

Il mare (1962)

The actor (Umberto Orsini) and the boy (Dino Mele) in a restaurant. It's out of season and deserted. DP: Ennio Guarnieri.

Dog Day Afternoon (Sidney Lumet, 1975)

Aug

22

1972

Dog Day Afternoon (1975)

Sal (John Cazale) and Sonny (Al Pacino) in the bank, holding out with their increasingly impatient hostages. DP: Victor J. Kemper.

“Sal? Ready to go?”

– Sonny

Vergogna, schifosi!… [Dirty Angels] (Mauro Severino, 1969)

Aug

14

fruit

Vergogna, schifosi!… (1969)

A group of people in skimpy swimwear sits on space-agey white plastic seating – Archizoom's radical Superonda (1967) – while decadently eating luxurious tropical fruit from a round table that futuristically descends from the ceiling via a steel pole. DP: Angelo Lotti.

“Matto, caldo, soldi, morto… girotondo…”

黒蜥蜴 [Kurotokage / Kuro tokage / Black Lizard] (Kinji Fukasaku, 1968)

Aug

4

黒蜥蜴 (1968)

The Black Lizard (Akihiro Miwa) in embrace with Detective Akechi (Isao Kimura). DP: Hiroshi Dōwaki.

She-Man: A Story of Fixation (Bob Clark, 1967)

Aug

4

She-Man: A Story of Fixation (1967)

Lt. Albert Rose, now Rose Albert (Leslie Marlowe), strikes a dramatic pose. DP: Gerhard Maser.

Simone Barbès ou la vertu (Marie-Claude Treilhou, 1980)

Jun

19

pâté

Simone Barbès ou la vertu (1980)

Two female porn theatre ushers (Ingrid Bourgoin and Martine Simonet) looking bored. They sit under two large eye-shaped neon lights. Between them a small table with various half-consumed items, including part of a baguette with pâté. DP: Jean-Yves Escoffier.

– Ah, regarde, c'est Tati ! – Tati qui? – Tati, comme Mon Oncle.

Die Konsequenz [The Consequence] (Wolfgang Petersen, 1977)

Jun

17

prison grub

Die Konsequenz (1977)

Thomas (Ernst Hannawald), the warden's son, and convicted homosexual Martin (Jürgen Prochnow) sharing a mug, a meal, a cell. DP: Jörg-Michael Baldenius.

“I think it's really rotten of them to lock you up like this for making love to a boy.”

– Thomas Manzoni