view
Ciao Manhattan (John Palmer + David Weisman, 1972)
Nov
21
1971
spoiler warning: click to toggle image

spoiler warning: click to read
A newspaper, partially obscured blares “[…], Andy's Star of '65, Is Dead at 28”. The article mentions she (Edie/Susan) died “a week ago today”, making the newspaper's date November 21. DPs: John Palmer & Kjell Rostad.
“It's sort of like a mockery, in a way, of reality, because they think everything is smiles and sweetness and flowers, when there is something bitter to taste. And to pretend there isn't is foolish.”
– Susan
view
20 de noviembre de 1936 ¿Te acuerdas de esta fecha, compañero? [20th of November] (1937)
Nov
20
1936
Soldiers in silhouette. Disclaimer: I am not 100% sure this still is from the correct film. DP: anonymous.
A documentary made by the Confederación Nacional del Trabajo in honour of anarchist Buenaventura Durruti, who was murdered on November 20, 1936.
“Fascism is not to be debated, it is to be destroyed.”
– Buenaventura Durruti
view
Na wylot [Through and Through] (Grzegorz Królikiewicz, 1972)
Nov
4
1933
Maria (Anna Nieborowska) and Jan (Franciszek Trzeciak) in court. The film is based on the 1933 Jan and Maria Malisz’s Case. DP: Bogdan Dziworski.
view
Il caso Mattei [The Mattei Affair] (Francesco Rosi, 1972)
Oct
27
1962
A group of well-dressed men, somewhere in a field, with Enrico Mattei (Gian Maria Volontè) in the centre. DP: Pasqualino De Santis.
“IF they want to kill me, let them do it.”
– Enrico Mattei
view
1943-1997 ['43 – '97] (Ettore Scola, 1997)
Oct
16
1943
The boy (Francesco Cencioni) on the run in a locked down town. DP: Carlo Tafani.
view
Lola Montès (Max Ophüls, 1955)
Aug
14
Bavaria
Celebrating Oktoberfest [in September/October] and the Bavarian royals [rip]: a royal character or family*
“The painter takes his time. He doesn't like her dress. He doesn't like her gloves. One day he asks her if she dares pose for him – all in pink. She dares! And the king, enraptured by her pose, offers her a palace!”
– circus master
Maria Dolores Porriz y Montez, Countess von Landsfeld, Lola Montès for short, now a circus attraction, once the mistress to Ludwig I, King of Bavaria. While her fellow circus performers play Lola's former lovers, the ringmaster tells her story.
view
Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] (Werner Herzog, 1972)
Jun
20
World Productivity Day
Don Lope de Aguirre (Kinski), his eyes focussed. DP: Thomas Mauch.
“I am the great traitor. There must be no other. Anyone who even thinks about deserting this mission will be cut up into 198 pieces. Those pieces will be stamped on until what is left can be used only to paint walls. Whoever takes one grain of corn or one drop of water… more than his ration, will be locked up for 155 years. If I, Aguirre, want the birds to drop dead from the trees… then the birds will drop dead from the trees. I am the wrath of God. The earth I pass will see me and tremble. But whoever follows me and the river, will win untold riches. But whoever deserts…””
– Don Lope de Aguirre
Conquistador Don Lope de Aguirre drives his men deep into the Peruvian jungle, to El Dorado
view
Angst [Fear] (Gerald Kargl, 1983)
May
23
National Title Track Day
1: K. Out. Out. DP: Zbigniew Rybczynski.
“The fear in her eyes and the knife in the chest. That's my last memory of my mother. That's why I had to go to prison for four years, even though she survived.”
– opening lines
What stabs you harder in the chest than Klaus Schulze's synth-driven killing spree?
view
Ich bin meine eigene Frau [I Am My Own Woman] (Rosa von Praunheim, 1992)
May
16
Honor Our LGBT Elders Day
Ichgola Androgyn, Jens Taschner, and Charlotte von Mahlsdorf as Charlotte von Mahlsdorf. DP: Lorenz Haarmann.
“Ich bin meine eigene Frau” (“I am my own woman/wife”)
– Charlotte von Mahlsdorf, in response to her mother's request to settle and get married
view
Παραγγελιά! [Parangelia! / Request for a Song] (Pavlos Tasios, 1980)
May
13
Top Gun Day
A man dances the Zeibekiko, with another close to him. DPs: Sakis Maniatis & Kostas Papagiannakis.
The Ζεϊμπέκικο (Zeibekiko) is a Greek dance, improvised by one man, alone. It's a dance that shows the performer's manliness, both his pride and his sorrows. Out of respect for the dancer, the others sit down, watch, and relate to him.
When the police enters the establishment – and this is 1973, the colonels ruled the naton – and interrupt the dancer, his older brother steps in.