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Sochaux, 11 juin 1968 [Sochaux June 11th 1968] (Bruno Muel, 1970)
Jun
11
1968
Several of the striking workers in a row. The composition echoes the famous propaganda image of Marx, Engels, Lenin etc. DP: Groupe Medvedkine de Sochaux.
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Zítra vstanu a opařím se čajem [Tomorrow I'll Wake Up and Scald Myself with Tea] (Jindřich Polák, 1977)
Jun
1
Time-traveling tourist Shirley White (Marie Rosůlková) dragging a bewildered Hitler (František Vicena) in front of her husband's photo camera. DP: Jan Kališ.
“Patrick, it's Hitler! Yes it is Hitler! Patrick, you must take a picture of me with him!”
– Shirley White, American time traveler
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Grands soirs & petits matins [May Days] (William Klein, 1978)
May
24
1968
Sorbonne students discussing the political situation with an elderly Parisian man. DPs: William Klein & Bernard Lutic.
“Soyez réalistes, demandez l'impossible”
– May 68 slogan
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Touha zvaná Anada [Desire Called Anad / Adrift] (Elmar Klos + Ján Kadár, 1968/1971)
May
20
Zuzka (Milena Dravić) holds a mirror to Anada's (Paula Pritchett) face. Zuzka's husband Jánoš (Rade Marković) looks on. DP: Vladimír Novotný.
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L'uomo più velenoso del cobra [The Man More Venomous Than the Cobra / Human Cobras] (Bitto Albertini, 1971)
May
19
Leslie (Erika Blanc) and Tony Garden (George Ardisson). DP: Emilio Foriscot.
“For a handful of coins!”
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The Trial of the Catonsville Nine (Gordon Davidson, 1972)
May
17
1968
Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.
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Le 15 mai (Claire Denis, 1971)
May
15
Thu
“Of course, it's the 15th of May.”
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Una libélula para cada muerto [A Dragonfly for Each Corpse] (León Klimovsky, 1975)
May
14
Martedi
Grimy looking Inspector Paolo Scaporella (Paul Naschy) in intense phone conversation. The wall calendar reads Maggio 29 Martedi. DP: Miguel Fernández Mila.
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The Kirlian Witness (Jonathan Sarno, 1978)
Apr
27
A ficus hooked up to a polygraph. DP: João Fernandes.
“Based on a true occult event”
– tagline
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Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
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