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Touha zvaná Anada [Desire Called Anad / Adrift] (Elmar Klos + Ján Kadár, 1968/1971)
May
20
Zuzka (Milena Dravić) holds a mirror to Anada's (Paula Pritchett) face. Zuzka's husband Jánoš (Rade Marković) looks on. DP: Vladimír Novotný.
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L'uomo più velenoso del cobra [The Man More Venomous Than the Cobra / Human Cobras] (Bitto Albertini, 1971)
May
19
Leslie (Erika Blanc) and Tony Garden (George Ardisson). DP: Emilio Foriscot.
“For a handful of coins!”
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The Trial of the Catonsville Nine (Gordon Davidson, 1972)
May
17
1968
Director Gordon Davidson and the defense attorney (David Spielberg) on set. DP: Haskell Wexler.
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Le 15 mai (Claire Denis, 1971)
May
15
Thu
“Of course, it's the 15th of May.”
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Una libélula para cada muerto [A Dragonfly for Each Corpse] (León Klimovsky, 1975)
May
14
Martedi
Grimy looking Inspector Paolo Scaporella (Paul Naschy) in intense phone conversation. The wall calendar reads Maggio 29 Martedi. DP: Miguel Fernández Mila.
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The Kirlian Witness (Jonathan Sarno, 1978)
Apr
27
A ficus hooked up to a polygraph. DP: João Fernandes.
“Based on a true occult event”
– tagline
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Una farfalla con le ali insanguinate [The Bloodstained Butterfly] (Duccio Tessari, 1971)
Apr
26
Fri
Sarah Marchi (Wendy D'Olive) with Giorgio (Helmut Berger) in the background, just out of focus behind her. DP: Carlo Carlini.
“Because, in the way I see it, the killer could only be one of two types. Either a person who was seized by a sudden impulse and in all probability has no police record, or else, a sex maniac.”
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The Kentucky Fried Movie (John Landis, 1977)
Apr
9
11:42 A.M.
Scratched-up film stock showing an arid landscape with ISLE OF LUCY APRIL 9, 11:42 A.M. in bold red letters superimposed over it. DP: Stephen M. Katz.
“Moscow in flames, missiles headed toward New York. Film at eleven.”
– newscaster
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Supermarkt [Die Stadt, Jane Love / Supermarket] (Roland Klick, 1974)
Mar
30
Willi Hansen (Charly Wierzejewski) in a phone booth. Filmed from the outside in, his face is partially obscured by neon lights. DP: Jost Vacano.
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Sisters [Blood Sisters] (Brian De Palma, 1972)
Mar
27
Danielle and Dominique Blanchion (Margot Kidder) – one beaming one gloomy – wearing bathing suits. In the background, Emil Breton (William Finley) in a therapy pool – fully clothed – with a woman and small child. DP: Gregory Sandor.
“Did you know that the germs can come through the wires? I never call and I never answer. It's a good way to get sick. Very, very sick… That's how I got so sick! SOMEONE CALLED ME ON THE TELEPHONE!”
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