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KIPHO [Du musst zur KIPHO] (Julius Pinschewer, 1925)
Sep
25
1925
A very modern dressed woman with a small film camera. Superimposed but suggested she's filming it, a large teddybear – a bear is #Berlin's official mascot – to remind viewers that the Kino und Photoausstellung [“Film and Photo Fair”) takes place in the German capital. DP: Guido Seeber.
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Mit dem Motorrad über die Wolken [A Motorcycle Trip Among the Clouds] (Lothar Rübelt, 1926)
Jan
9
roadside picnic
A man and woman (Signorina Hansi) in 1920s motorcycle outfits enjoy a cheese-and-wine picnic at the Waldsee. DP: Franz Sochor.
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La perle [The Pearl] (Henri d'Ursel, 1929)
Dec
15
National Wear Your Pearls Day
A giddy Kissa Kouprine as the jewellery salesgirl. A pearl necklace jauntily dangles from her suspender. DP: Marc Bujard.
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The Unknown (Tod Browning, 1927)
Dec
3
Let's Hug Day
Target girl Nanon (Joan Crawford) hugs her circus partner, Alonzo (Lon Chaney) the knife thrower. Her tight embrace may reveal his secret. DP: Merritt B. Gerstad.
“Men! The beasts! God would show wisdom if he took the hands from all of them!”
– Nanon Zanzi
As mighty as Alonzo may be, the incomparable Lon Chaney owes much to armless violinist and knife thrower “Judge” Paul Desmuke. Story goes that Desmuke taught Chaney his knife act in two months. More probable is that some of the more impressive close-up scenes show the Judge's, not Chaney's, feet.
Like Alonzo, The Unknown has lost some flesh. Until 1968, only mangled bootlegs were available; a complete print was considered non-existent. Five years later, news broke about film reels of unknown origin labelled inconnu – [the] unknown, somewhere in the bowels of the Cinémathèque Française.
Some 14 minutes, outlining the Armless' background, are still missing. Do check your attic.
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Lonesome (Pál Fejős, 1928)
Nov
20
A Beautiful Day
Two hopelessly lonely hearts meet each other at Coney Island, spending the most wonderful day in each other's company. Pál Fejős' joyful Lonesome was made just when motion pictures became talkies, and new and more modern novelties were expected by the audience. Fejős delivers, with sound and musical inserts, and the occasional – almost shocking – burst of colour.
– Nice day, isn't it?
– Yes, isn't it!
– It's swell. It's perfect.
With light touches of Murnau's groundbreaking Sunrise: A Song of Two Humans (1927) and Jean Vigo's more experimental À propos de Nice (1930), Lonesome depicts the exuberance of youth with an optimism soon to be lost to the vices of history.
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Maciste all'inferno [Maciste in Hell] (Guido Brignone, 1925)
Oct
17
sinners
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Медвежья свадьба [Medvezhya svadba / The Bear's Wedding] (Konstantin Eggert + Vladimir Gardin, 1925)
Sep
28
In preparation of the bear's wedding, a cook – wearing not much more than an apron and a toque blanche – stirs a huge kettle over a roaring fire. DPs: Eduard Tisse & Pyotr Yermolov.
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Orlacs Hände [Die unheimlichen Hände des Doktor Orlac / The Hands of Orlac] (Robert Wiene, 1924)
Sep
25
Paul Orlac (Conrad Veidt) stretched out on a wooden bench in a tavern. A strange man sits on a second bench on the other side of the table. DPs: Hans Androschin & Günther Krampf.
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狂つた一頁 [Kurutta ippēji / A Page of Madness] (Teinosuke Kinugasa, 1926)
Sep
12
The servant's wife (Yoshie Nakagawa) eating. She looks up at someone offscreen, and smiles. DP: Kōhei Sugiyama.
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Moonland (William A. O'Connor, 1926)
Aug
15
Chant At The Moon Day
Mickey (Mickey McBan) and his dog looking up to the crescent moon from a perfectly round window with beaded curtains made of stars. Spot the Milky Way! DP: Edward Gheller.
A little boy and his dog are invited over by the Man in the Moon himself. The trip to the Moon is a big adventure for the drowsy duo and they meet peculiar flora, fauna and men along the way, lifted straight from the Great Moon Hoax.
“You and I may dream of gold or grocery bills — but when a child slaps Morpheus on the back and says 'Hello, old man' — well it's a different story.”
– opening title card
Post-McCay's serial Little Nemo in Slumberland (1905) and pre-Fleming & Cukor's The Wizard of Oz (1939), William A. O'Connor is heavily indebted to both. Which doesn't make his short Art Deco-styled science fiction fantasy any less magical.