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    <title>MusiqueConcrète &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:MusiqueConcrète</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 14:30:56 +0200</pubDate>
    <item>
      <title>Orphée [Orpheus] (Jean Cocteau, 1950)</title>
      <link>https://write.underworld.fr/settima/orphee-1950</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Orphée [Orpheus] (Jean Cocteau, 1950)/div&#xA;div class=&#34;month&#34;&#xA;Apr/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;27/div&#xA;div class=&#34;occasion&#34;&#xA;Morse Code Day/div&#xA;div class=&#34;img&#34;&#xA;Orphée (1950)/div&#xA;div class=&#34;caption&#34;&#xA;Orphée (Jean Marais) in the black car, hearing poetry in Morse. DP: Nicolas Hayer./div&#xA;div class=&#34;txt&#34;&#xA;##### #Cocteau&#39;s Orpheus – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by #MorseCode. When back in this world, #Orphée obsesses over the lines of radical poetry he heard and returns to the car&#39;s radio to retrieve them.\&#xA;&#xA;  &#34;Sleeping or dreaming, the dreamer must accept his dreams.&#34;&#xA;  ### – The Princess\&#xA;&#xA;##### Morse code and other industrial sounds serve as a soundscape for Cocteau&#39;s characters. They swerve in and out of it, sometimes fully aware of them (#Orpheus himself is attuned to the #poetry to be found in emergency radio broadcasts), by times passing through like a mirage. /div&#xA;div class=&#34;tags&#34;&#xA;##### #Bales2023FilmChallenge #MorseCodeDay #JeanCocteau #JeanMarais #JulietteGréco #GeorgesAuric #Nicolas Hayer #SamuelMorse #MusiqueConcrète #SoundDesign #soundscapes #mythology #GreekMythology #LGBT #France #1950s ★★★★☆/div&#xA;/section ]]&gt;</description>
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<h4 id="orphée-orpheus-jean-cocteau-1950-div" id="orphée-orpheus-jean-cocteau-1950-div">Orphée [Orpheus] (Jean Cocteau, 1950)</div></h4>

<p><div class="month"></p>

<h2 id="apr-div" id="apr-div">Apr</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="27-div" id="27-div">27</div></h1>

<p><div class="occasion"></p>

<h2 id="morse-code-day-div" id="morse-code-day-div">Morse Code Day</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/nVPbccdx/0427_Morsecode.png" alt="Orphée (1950)"></div>
<div class="caption"></p>

<h6 id="orphée-jean-marais-in-the-black-car-hearing-poetry-in-morse-dp-nicolas-hayer-div" id="orphée-jean-marais-in-the-black-car-hearing-poetry-in-morse-dp-nicolas-hayer-div">Orphée (Jean Marais) in the black car, hearing poetry in Morse. DP: Nicolas Hayer.</div></h6>

<p><div class="txt"></p>

<h5 id="cocteau-s-orpheus-here-the-mythological-poet-and-musician-is-personified-by-jean-marais-accompanies-a-fallen-young-poet-transported-to-the-underworld-by-car-the-car-radio-plays-fragments-of-poetry-interrupted-by-morsecode-when-back-in-this-world-orphée-obsesses-over-the-lines-of-radical-poetry-he-heard-and-returns-to-the-car-s-radio-to-retrieve-them" id="cocteau-s-orpheus-here-the-mythological-poet-and-musician-is-personified-by-jean-marais-accompanies-a-fallen-young-poet-transported-to-the-underworld-by-car-the-car-radio-plays-fragments-of-poetry-interrupted-by-morsecode-when-back-in-this-world-orphée-obsesses-over-the-lines-of-radical-poetry-he-heard-and-returns-to-the-car-s-radio-to-retrieve-them"><a href="/settima/tag:Cocteau" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Cocteau</span></a>&#39;s Orpheus – here the mythological poet and musician is personified by Jean Marais – accompanies a fallen young poet transported to the Underworld by car. The car radio plays fragments of poetry, interrupted by <a href="/settima/tag:MorseCode" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MorseCode</span></a>. When back in this world, <a href="/settima/tag:Orph%C3%A9e" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Orphée</span></a> obsesses over the lines of radical poetry he heard and returns to the car&#39;s radio to retrieve them.</h5>

<blockquote><p>“Sleeping or dreaming, <a href="https://write.underworld.fr/settima/fireworks-1947" rel="nofollow">the dreamer</a> must accept his dreams.”</p>

<h3 id="the-princess" id="the-princess">– The Princess</h3>
</blockquote>

<h5 id="morse-code-and-other-industrial-sounds-serve-as-a-soundscape-for-cocteau-s-characters-they-swerve-in-and-out-of-it-sometimes-fully-aware-of-them-orpheus-himself-is-attuned-to-the-poetry-to-be-found-in-emergency-radio-broadcasts-by-times-passing-through-like-a-mirage-div" id="morse-code-and-other-industrial-sounds-serve-as-a-soundscape-for-cocteau-s-characters-they-swerve-in-and-out-of-it-sometimes-fully-aware-of-them-orpheus-himself-is-attuned-to-the-poetry-to-be-found-in-emergency-radio-broadcasts-by-times-passing-through-like-a-mirage-div">Morse code and other industrial sounds serve as a soundscape for Cocteau&#39;s characters. They swerve in and out of it, sometimes fully aware of them (<a href="/settima/tag:Orpheus" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Orpheus</span></a> himself is attuned to the <a href="/settima/tag:poetry" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">poetry</span></a> to be found in emergency radio broadcasts), by times passing through like a mirage. </div></h5>

<p><div class="tags"></p>

<h5 id="bales2023filmchallenge-morsecodeday-jeancocteau-jeanmarais-juliettegréco-georgesauric-nicolas-hayer-samuelmorse-musiqueconcrète-sounddesign-soundscapes-mythology-greekmythology-lgbt-france-1950s-div" id="bales2023filmchallenge-morsecodeday-jeancocteau-jeanmarais-juliettegréco-georgesauric-nicolas-hayer-samuelmorse-musiqueconcrète-sounddesign-soundscapes-mythology-greekmythology-lgbt-france-1950s-div"><a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a> <a href="/settima/tag:MorseCodeDay" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MorseCodeDay</span></a> <a href="/settima/tag:JeanCocteau" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanCocteau</span></a> <a href="/settima/tag:JeanMarais" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanMarais</span></a> <a href="/settima/tag:JulietteGr%C3%A9co" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JulietteGréco</span></a> <a href="/settima/tag:GeorgesAuric" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GeorgesAuric</span></a> <a href="/settima/tag:Nicolas" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Nicolas</span></a> Hayer <a href="/settima/tag:SamuelMorse" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SamuelMorse</span></a> <a href="/settima/tag:MusiqueConcr%C3%A8te" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MusiqueConcrète</span></a> <a href="/settima/tag:SoundDesign" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">SoundDesign</span></a> <a href="/settima/tag:soundscapes" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">soundscapes</span></a> <a href="/settima/tag:mythology" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">mythology</span></a> <a href="/settima/tag:GreekMythology" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">GreekMythology</span></a> <a href="/settima/tag:LGBT" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LGBT</span></a> <a href="/settima/tag:France" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">France</span></a> <a href="/settima/tag:1950s" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">1950s</span></a> ★★★★☆</div></h5>

<p></section></p>
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      <guid>https://write.underworld.fr/settima/orphee-1950</guid>
      <pubDate>Thu, 27 Apr 2023 00:52:53 +0200</pubDate>
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