<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/">
  <channel>
    <title>arcs &amp;mdash; settima</title>
    <link>https://write.underworld.fr/settima/tag:arcs</link>
    <description>@settima@zirk.us</description>
    <pubDate>Mon, 20 Apr 2026 13:12:17 +0200</pubDate>
    <item>
      <title>L&#39;inconnu de Shandigor; Les salauds vont en enfer</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-50dt</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;L&#39;inconnu de Shandigor; Les salauds vont en enfer/div&#xA;div class=&#34;month&#34;&#xA;Jan/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;24/div&#xA;div class=&#34;occasion&#34;&#xA;cuckoo clocks/div&#xA;div class=&#34;img&#34;&#xA;L&#39;inconnu de Shandigor (1967)/div&#xA;div class=&#34;img2&#34;&#xA;Les salauds vont en enfer (1955)/divdiv class=&#34;caption&#34;&#xA;Top to bottom: L&#39;inconnu de Shandigor (Jean-Louis Roy, 1967), Les salauds vont en enfer (Robert Hossein, 1955)./div&#xA;div class=&#34;txt&#34;&#xA;Watched on January 24 and 25 respectively.&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Arcs #CuckooClocks #clocks #JeanLouisRoy #RobertHossein/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
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<h4 id="l-inconnu-de-shandigor-les-salauds-vont-en-enfer-div" id="l-inconnu-de-shandigor-les-salauds-vont-en-enfer-div">L&#39;inconnu de Shandigor; Les salauds vont en enfer</div></h4>

<p><div class="month"></p>

<h2 id="jan-div" id="jan-div">Jan</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="24-div" id="24-div">24</div></h1>

<p><div class="occasion"></p>

<h2 id="cuckoo-clocks-div" id="cuckoo-clocks-div">cuckoo clocks</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/T1YRJzy9/cuckoo-250124-Inconnu-de-Shandigor-1967.png" alt="L&#39;inconnu de Shandigor (1967)"></div>
<div class="img2">
<img src="https://i.postimg.cc/26xkvk5y/cuckoo-250125-Salauds-vont-en-enfer-1955.png" alt="Les salauds vont en enfer (1955)"></div><div class="caption"></p>

<h6 id="top-to-bottom-l-inconnu-de-shandigor-jean-louis-roy-1967-les-salauds-vont-en-enfer-robert-hossein-1955-div" id="top-to-bottom-l-inconnu-de-shandigor-jean-louis-roy-1967-les-salauds-vont-en-enfer-robert-hossein-1955-div">Top to bottom: L&#39;inconnu de Shandigor (Jean-Louis Roy, 1967), Les salauds vont en enfer (Robert Hossein, 1955).</div></h6>

<p><div class="txt"></p>

<h5 id="watched-on-january-24-and-25-respectively" id="watched-on-january-24-and-25-respectively">Watched on January 24 and 25 respectively.</h5>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="arcs-cuckooclocks-clocks-jeanlouisroy-roberthossein-div" id="arcs-cuckooclocks-clocks-jeanlouisroy-roberthossein-div"><a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a> <a href="/settima/tag:CuckooClocks" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">CuckooClocks</span></a> <a href="/settima/tag:clocks" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">clocks</span></a> <a href="/settima/tag:JeanLouisRoy" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JeanLouisRoy</span></a> <a href="/settima/tag:RobertHossein" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">RobertHossein</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-50dt</guid>
      <pubDate>Fri, 24 Jan 2025 16:35:04 +0100</pubDate>
    </item>
    <item>
      <title>Rosso sangue; Happy End; The Hang Up</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-bt4f</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Rosso sangue; Happy End; The Hang Up/div&#xA;div class=&#34;month&#34;&#xA;Nov/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;2/div&#xA;div class=&#34;occasion&#34;&#xA;axe/div&#xA;div class=&#34;img&#34;&#xA;Rosso sangue (1981)/div&#xA;div class=&#34;img2&#34;&#xA;Happy End (1967)/div&#xA;div class=&#34;img3&#34;&#xA;The Hang Up (1969)/div&#xA;div class=&#34;caption&#34;&#xA;Top to bottom: Rosso sangue [Absurd] (Joe D’Amato, 1981), Happy End (Oldřich Lipský, 1967), The Hang Up (TonyVorno, 1969)./div&#xA;div class=&#34;txt&#34;&#xA;Watched on November 2, 4 and 7 respectively.\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Arcs #axes #VladimírMenšík #KatyaBerger #JoeDAmato #OldřichLipský #JohnHayes #TonyVorno/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="rosso-sangue-happy-end-the-hang-up-div" id="rosso-sangue-happy-end-the-hang-up-div">Rosso sangue; Happy End; The Hang Up</div></h4>

<p><div class="month"></p>

<h2 id="nov-div" id="nov-div">Nov</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="2-div" id="2-div">2</div></h1>

<p><div class="occasion"></p>

<h2 id="axe-div" id="axe-div">axe</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/MT2PdF7x/battleaxe-Rosso-sangue-1981.jpg" alt="Rosso sangue (1981)"></div>
<div class="img2">
<img src="https://i.postimg.cc/cHRDjBh3/battleaxe-Happy-End-1967.png" alt="Happy End (1967)"></div>
<div class="img3">
<img src="https://i.postimg.cc/Kv2KP82p/battleaxe-Hang-Up-1969.png" alt="The Hang Up (1969)"></div>
<div class="caption"></p>

<h6 id="top-to-bottom-rosso-sangue-absurd-joe-d-amato-1981-happy-end-oldřich-lipský-1967-the-hang-up-tonyvorno-1969-div" id="top-to-bottom-rosso-sangue-absurd-joe-d-amato-1981-happy-end-oldřich-lipský-1967-the-hang-up-tonyvorno-1969-div">Top to bottom: <em>Rosso sangue</em> [<em>Absurd</em>] (Joe D’Amato, 1981), <em>Happy End</em> (Oldřich Lipský, 1967), The Hang Up (TonyVorno, 1969).</div></h6>

<p><div class="txt"></p>

<h5 id="watched-on-november-2-4-and-7-respectively" id="watched-on-november-2-4-and-7-respectively">Watched on November 2, 4 and 7 respectively.</h5>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="arcs-axes-vladimírmenšík-katyaberger-joedamato-oldřichlipský-johnhayes-tonyvorno-div" id="arcs-axes-vladimírmenšík-katyaberger-joedamato-oldřichlipský-johnhayes-tonyvorno-div"><a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a> <a href="/settima/tag:axes" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">axes</span></a> <a href="/settima/tag:Vladim%C3%ADrMen%C5%A1%C3%ADk" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">VladimírMenšík</span></a> <a href="/settima/tag:KatyaBerger" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">KatyaBerger</span></a> <a href="/settima/tag:JoeDAmato" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JoeDAmato</span></a> <a href="/settima/tag:Old%C5%99ichLipsk%C3%BD" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">OldřichLipský</span></a> <a href="/settima/tag:JohnHayes" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JohnHayes</span></a> <a href="/settima/tag:TonyVorno" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">TonyVorno</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-bt4f</guid>
      <pubDate>Sat, 02 Nov 2024 17:53:22 +0100</pubDate>
    </item>
    <item>
      <title>Plein soleil; Die Konsequenz</title>
      <link>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n7p6</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Plein soleil; Die Konsequenz/div&#xA;div class=&#34;month&#34;&#xA;Jun/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;15/div&#xA;div class=&#34;occasion&#34;&#xA;passports/div&#xA;div class=&#34;img&#34;&#xA;Plein soleil (1960)/div&#xA;div class=&#34;img2&#34;&#xA;Die Konsequenz (1977)/div&#xA;div class=&#34;caption&#34;&#xA;Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977)./div&#xA;div class=&#34;txt&#34;&#xA;Watched on June 15 and 17 respectively.\&#xA;&#xA;  &#34;I might not look it, but I&#39;ve got lots of imagination.&#34;&#xA;  ### – Alain Delon as Tom Ripley in Plein soleil (1960)\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #arcs #passports #AlainDelon #JürgenProchnow/div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="plein-soleil-die-konsequenz-div" id="plein-soleil-die-konsequenz-div">Plein soleil; Die Konsequenz</div></h4>

<p><div class="month"></p>

<h2 id="jun-div" id="jun-div">Jun</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="15-div" id="15-div">15</div></h1>

<p><div class="occasion"></p>

<h2 id="passports-div" id="passports-div">passports</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/qBSMyw1d/passport-Purple-Noon-aka-Plein-soleil-1960-720p-BRrip-sujaidr-pimprg-0001.png" alt="Plein soleil (1960)"></div>
<div class="img2">
<img src="https://i.postimg.cc/8PvkHvYf/passport-The-Consequence-1977-1080p-Blu-Ray-x264-AAC-YTS-MX-0001.png" alt="Die Konsequenz (1977)"></div>
<div class="caption"></p>

<h6 id="top-to-bottom-plein-soleil-rené-clément-1960-die-konsequenz-wolfgang-petersen-1977-div" id="top-to-bottom-plein-soleil-rené-clément-1960-die-konsequenz-wolfgang-petersen-1977-div">Top to bottom: Plein soleil (René Clément, 1960), Die Konsequenz (Wolfgang Petersen, 1977).</div></h6>

<p><div class="txt"></p>

<h5 id="watched-on-june-15-and-17-respectively" id="watched-on-june-15-and-17-respectively">Watched on June 15 and 17 respectively.</h5>

<blockquote><p>“I might not look it, but I&#39;ve got lots of imagination.”</p>

<h3 id="alain-delon-as-tom-ripley-in-plein-soleil-1960" id="alain-delon-as-tom-ripley-in-plein-soleil-1960">– Alain Delon as Tom Ripley in Plein soleil (1960)</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="arcs-passports-alaindelon-jürgenprochnow-div" id="arcs-passports-alaindelon-jürgenprochnow-div"><a href="/settima/tag:arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">arcs</span></a> <a href="/settima/tag:passports" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">passports</span></a> <a href="/settima/tag:AlainDelon" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlainDelon</span></a> <a href="/settima/tag:J%C3%BCrgenProchnow" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JürgenProchnow</span></a></div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-n7p6</guid>
      <pubDate>Mon, 17 Jun 2024 16:03:55 +0200</pubDate>
    </item>
    <item>
      <title>Nóz w wodzie; The Lady from Shanghai</title>
      <link>https://write.underworld.fr/settima/rigging</link>
      <description>&lt;![CDATA[section class=&#34;boxinfo&#34; markdown=&#34;1&#34;&#xA;div class=&#34;title&#34;&#xA;Nóz w wodzie; The Lady from Shanghai/div&#xA;div class=&#34;month&#34;&#xA;Apr/div&#xA;div class=&#34;dont-fill&#34;&#xA;/div&#xA;div class=&#34;daynr&#34;&#xA;23/div&#xA;div class=&#34;occasion&#34;&#xA;rigging/div&#xA;div class=&#34;img&#34;&#xA;Nóz w wodzie (1962)/div&#xA;div class=&#34;img2&#34;&#xA;The Lady from Shanghai (1947)/div&#xA;div class=&#34;caption&#34;&#xA;Top to bottom: Nóz w wodzie [Knife in the Water] (Roman Polanski, 1962), The Lady from Shanghai (Orson Welles, 1947)./div&#xA;div class=&#34;txt&#34;&#xA;Watched on April 23 and 26 respectively.\&#xA;&#xA;  &#34;Coil the bow-line into a sun shape.&#34;&#xA;  ### – Leon Niemczyk as Andrzej in Nóz w wodzie\&#xA;&#xA;/div&#xA;div class=&#34;tags&#34;&#xA;##### #Arcs #rigging #ZygmuntMalanowicz #LeonNiemczyk #EverettSloane #OrsonWelles /div&#xA;/section ]]&gt;</description>
      <content:encoded><![CDATA[<p><section class="boxinfo">
<div class="title"></p>

<h4 id="nóz-w-wodzie-the-lady-from-shanghai-div" id="nóz-w-wodzie-the-lady-from-shanghai-div">Nóz w wodzie; The Lady from Shanghai</div></h4>

<p><div class="month"></p>

<h2 id="apr-div" id="apr-div">Apr</div></h2>

<p><div class="dont-fill">
</div>
<div class="daynr"></p>

<h1 id="23-div" id="23-div">23</div></h1>

<p><div class="occasion"></p>

<h2 id="rigging-div" id="rigging-div">rigging</div></h2>

<p><div class="img">
<img src="https://i.postimg.cc/QxHkm0Pn/rigging-Knife-In-The-Water-1962-1080p-Blu-Ray-x264-YTS-LT-mp4-068571.png" alt="Nóz w wodzie (1962)"></div>
<div class="img2">
<img src="https://i.postimg.cc/t46dQ793/rigging-The-Lady-From-Shanghai-1947-1080p-Blu-Ray-x264-AAC-YTS-MX-0007.png" alt="The Lady from Shanghai (1947)"></div>
<div class="caption"></p>

<h6 id="top-to-bottom-nóz-w-wodzie-knife-in-the-water-roman-polanski-1962-the-lady-from-shanghai-orson-welles-1947-div" id="top-to-bottom-nóz-w-wodzie-knife-in-the-water-roman-polanski-1962-the-lady-from-shanghai-orson-welles-1947-div">Top to bottom: <em>Nóz w wodzie</em> [<em>Knife in the Water</em>] (Roman Polanski, 1962), <em>The Lady from Shanghai</em> (Orson Welles, 1947).</div></h6>

<p><div class="txt"></p>

<h5 id="watched-on-april-23-and-26-respectively" id="watched-on-april-23-and-26-respectively">Watched on April 23 and 26 respectively.</h5>

<blockquote><p>“Coil the bow-line into a sun shape.”</p>

<h3 id="leon-niemczyk-as-andrzej-in-nóz-w-wodzie" id="leon-niemczyk-as-andrzej-in-nóz-w-wodzie">– Leon Niemczyk as Andrzej in Nóz w wodzie</h3>
</blockquote>

<h5 id="div" id="div"></div></h5>

<p><div class="tags"></p>

<h5 id="arcs-rigging-zygmuntmalanowicz-leonniemczyk-everettsloane-orsonwelles-div" id="arcs-rigging-zygmuntmalanowicz-leonniemczyk-everettsloane-orsonwelles-div"><a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a> <a href="/settima/tag:rigging" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">rigging</span></a> <a href="/settima/tag:ZygmuntMalanowicz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ZygmuntMalanowicz</span></a> <a href="/settima/tag:LeonNiemczyk" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LeonNiemczyk</span></a> <a href="/settima/tag:EverettSloane" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">EverettSloane</span></a> <a href="/settima/tag:OrsonWelles" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">OrsonWelles</span></a> </div></h5>

<p></section></p>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/rigging</guid>
      <pubDate>Fri, 26 Apr 2024 20:12:19 +0200</pubDate>
    </item>
    <item>
      <title>Whistle on grass</title>
      <link>https://write.underworld.fr/settima/whistle-on-grass</link>
      <description>&lt;![CDATA[Whistle on grass&#xA;L&#39;amore (1948)&#xA;Nóz w wodzie (1962)&#xA;&#xA;April 22 &amp; 23, 2024&#xA;    ##### &#34;It&#39;s nice. Listen. It&#39;s like heaven. Just like heaven.&#34; – Anna Magnani as Nannina in &#34;L&#39;amore&#34;&#xA;    L&#39;amore (Roberto Rossellini, 1948)&#xA;  Nóz w wodzie [Knife in the Water] (Roman Polanski, 1962)&#xA;  #Arcs #AnnaMagnani #FedericoFellini #ZygmuntMalanowicz #JolantaUmecka #grass #whistle #todo]]&gt;</description>
      <content:encoded><![CDATA[<h3 id="whistle-on-grass" id="whistle-on-grass">Whistle on grass</h3>

<p><img src="https://i.postimg.cc/yNVhXkjP/whistle-on-grass-L-amore-1948-mp4-frame063242.png" alt="L&#39;amore (1948)">
<img src="https://i.postimg.cc/7Z3Kwvb5/whistle-on-grass-Knife-In-The-Water-1962-1080p-Blu-Ray-x264-YTS-LT-0008.png" alt="Nóz w wodzie (1962)"></p>

<h3 id="april-22-23-2024" id="april-22-23-2024">April 22 &amp; 23, 2024</h3>

<blockquote><h5 id="it-s-nice-listen-it-s-like-heaven-just-like-heaven-anna-magnani-as-nannina-in-l-amore" id="it-s-nice-listen-it-s-like-heaven-just-like-heaven-anna-magnani-as-nannina-in-l-amore"><em>“It&#39;s nice. Listen. It&#39;s like heaven. Just like heaven.”</em> <em>– Anna Magnani as Nannina in “L&#39;amore”</em></h5>

<p><em>L&#39;amore</em> (Roberto Rossellini, 1948)
<em>Nóz w wodzie</em> [<em>Knife in the Water</em>] (Roman Polanski, 1962)</p>

<p><a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a> <a href="/settima/tag:AnnaMagnani" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AnnaMagnani</span></a> <a href="/settima/tag:FedericoFellini" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FedericoFellini</span></a> <a href="/settima/tag:ZygmuntMalanowicz" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">ZygmuntMalanowicz</span></a> <a href="/settima/tag:JolantaUmecka" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JolantaUmecka</span></a> <a href="/settima/tag:grass" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">grass</span></a> <a href="/settima/tag:whistle" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">whistle</span></a> <a href="/settima/tag:todo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">todo</span></a></p></blockquote>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/whistle-on-grass</guid>
      <pubDate>Tue, 23 Apr 2024 21:19:50 +0200</pubDate>
    </item>
    <item>
      <title>Eclipse</title>
      <link>https://write.underworld.fr/settima/eclipse</link>
      <description>&lt;![CDATA[Eclipse&#xA;Slnko v sieti (1963)&#xA;L&#39;éclipse du soleil en pleine lune (1907)&#xA;Werckmeister harmóniák (2000)&#xA;L’Eclisse (1962)&#xA;That Cloud Never Left (2019)&#xA;Wunder der Schöpfung (1920/25)&#xA;&#xA;April 8, 2024&#xA;    ##### &#34;Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don&#39;t know. We don&#39;t know, for a total eclipse has come upon us.&#34; –Lars Rudolph as János Valuska in &#34;Werckmeister harmóniák&#34;&#xA;    Slnko v sieti [The Sun in a Net] (Štefan Uher, 1963)&#xA;  L&#39;éclipse du soleil en pleine lune [The Eclipse: The Courtship of the Sun and Moon] (Georges Méliès, 1907)&#xA;  Werckmeister harmóniák [Werckmeister Harmonies] (Béla Tarr, 2000)&#xA;  L’Eclisse (Michelangelo Antonioni, 1962)&#xA;  That Cloud Never Left (Yashaswini Raghunandan, 2019)&#xA;  Wunder der Schöpfung [Our Heavenly Bodies] (Hanns Walter Kornblum, 1920/25)&#xA;  #Arcs #MariánBielik #JanaBeláková #LarsRudolph #MonicaVitti #AlainDelon #eclipse #todo]]&gt;</description>
      <content:encoded><![CDATA[<h3 id="eclipse" id="eclipse">Eclipse</h3>

<p><img src="https://i.postimg.cc/mDs7MY2L/eclipse-Slnko-v-sieti-1963.png" alt="Slnko v sieti (1963)">
<img src="https://i.postimg.cc/50ypj5PX/eclipse-clipse-du-soleil-en-pleine-lune-1907.gif" alt="L&#39;éclipse du soleil en pleine lune (1907)">
<img src="https://i.postimg.cc/SN6PBrH4/eclipse-Werckmeister-harm-ni-k-2000.png" alt="Werckmeister harmóniák (2000)">
<img src="https://i.postimg.cc/QMmhjDPX/eclipse-Eclisse-1962.png" alt="L’Eclisse (1962)">
<img src="https://i.postimg.cc/dtZC3NJM/eclipse-That-Cloud-Never-Left-2019.webp" alt="That Cloud Never Left (2019)">
<img src="https://i.postimg.cc/vZzW9PS0/eclipse-Wonder-der-Sch-pfung-1920.png" alt="Wunder der Schöpfung (1920/25)"></p>

<h3 id="april-8-2024" id="april-8-2024">April 8, 2024</h3>

<blockquote><h5 id="everything-that-lives-is-still-are-the-hills-going-to-march-off-will-heaven-fall-upon-us-will-the-earth-open-under-us-we-don-t-know-we-don-t-know-for-a-total-eclipse-has-come-upon-us-lars-rudolph-as-jános-valuska-in-werckmeister-harmóniák" id="everything-that-lives-is-still-are-the-hills-going-to-march-off-will-heaven-fall-upon-us-will-the-earth-open-under-us-we-don-t-know-we-don-t-know-for-a-total-eclipse-has-come-upon-us-lars-rudolph-as-jános-valuska-in-werckmeister-harmóniák"><em>“Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don&#39;t know. We don&#39;t know, for a total eclipse has come upon us.”</em> <em>–Lars Rudolph as János Valuska in “Werckmeister harmóniák”</em></h5>

<p><em>Slnko v sieti</em> [<em>The Sun in a Net</em>] (Štefan Uher, 1963)
<em>L&#39;éclipse du soleil en pleine lune</em> [<em>The Eclipse: The Courtship of the Sun and Moon</em>] (Georges Méliès, 1907)
<em>Werckmeister harmóniák</em> [<em>Werckmeister Harmonies</em>] (Béla Tarr, 2000)
<em>L’Eclisse</em> (Michelangelo Antonioni, 1962)
<em>That Cloud Never Left</em> (Yashaswini Raghunandan, 2019)
<em>Wunder der Schöpfung</em> [<em>Our Heavenly Bodies</em>] (Hanns Walter Kornblum, 1920/25)</p>

<p><a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a> <a href="/settima/tag:Mari%C3%A1nBielik" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MariánBielik</span></a> <a href="/settima/tag:JanaBel%C3%A1kov%C3%A1" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">JanaBeláková</span></a> <a href="/settima/tag:LarsRudolph" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">LarsRudolph</span></a> <a href="/settima/tag:MonicaVitti" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">MonicaVitti</span></a> <a href="/settima/tag:AlainDelon" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">AlainDelon</span></a> <a href="/settima/tag:eclipse" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">eclipse</span></a> <a href="/settima/tag:todo" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">todo</span></a></p></blockquote>
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      <guid>https://write.underworld.fr/settima/eclipse</guid>
      <pubDate>Mon, 08 Apr 2024 16:45:23 +0200</pubDate>
    </item>
    <item>
      <title>Who, why, and what</title>
      <link>https://write.underworld.fr/settima/find-me-at-a-rel-me-href-social-horrorhub-club-at12pt9atsettima-a</link>
      <description>&lt;![CDATA[Who, why, and what&#xA;&#xA;  This film blog, which is part of the fediverse, compliments my Mastodon musings and to a degree my Letterboxd logs. It consists of three parts:&#xA;    The oldest is the Bales 2023 Film Challenge. This was a 2023 fediverse (and Twitter/X) challenge where the participants had to post about a film based on the daily theme. 2023 wasn&#39;t the kindest year, and at one point I had to skip a title. And then more. And more. And in 2024 I&#39;m still catching up. Read about it on Letterboxd. Note that blog posts are timestamped on their corresponding daily challenge; you may have to scroll all the way back a year, or follow the #Bales2023FilmChallenge, #Bales2024FilmChallenge (December only) and #Bales2025FilmChallenge tags.&#xA;    Then there is the Film du jour. This too once was a Letterboxd list until a blogger, backed by LB, blatantly copied my list and ran off with my gold medal. That list is now private and the titles – auto-posted on Mastodon on the day they take place – can be found here under the tag #FilmDuJour. The titles repeat yearly, with more and more ingredients added. It&#39;s like the soup of the day, but in celluloid form. Delicious!&#xA;    Talking about food. Over time I announced my film-watching-during-dinner on Mastodon with the hashtag #FilmDinner. Initially just with a nice/interesting still, but then I decided to post a screenshot of a food-related moment in said movie.&#xA;    The most recent addition is #Arcs, journaling those odd moments where I watch two or more films in a row with very similar scenes or setups. That happens, more often than anticipated.&#xA;    ---&#xA;  \&#xA;  ##### Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for &#34;fair use&#34; for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.]]&gt;</description>
      <content:encoded><![CDATA[<h3 id="who-why-and-what" id="who-why-and-what">Who, why, and what</h3>

<blockquote><p>This film blog, which is part of the fediverse, compliments my <a href="https://zirk.us/@settima" rel="nofollow">Mastodon musings</a> and to a degree my <a href="https://letterboxd.com/settima" rel="nofollow">Letterboxd logs</a>. It consists of three parts:</p>

<p>The oldest is the <em>Bales 2023 Film Challenge</em>. This was a 2023 fediverse (and <a href="https://xcancel.com/search?q=%23Bales2025FilmChallenge" rel="nofollow">Twitter/X</a>) challenge where the participants had to post about a film based on the daily theme. 2023 wasn&#39;t the kindest year, and at one point I had to skip a title. And then more. And more. And in 2024 I&#39;m still catching up. Read about it on <a href="https://letterboxd.com/settima/list/bales2023filmchallenge" rel="nofollow">Letterboxd</a>. Note that blog posts are timestamped on their corresponding daily challenge; you may have to scroll all the way back a year, or follow the <a href="/settima/tag:Bales2023FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2023FilmChallenge</span></a>, <a href="/settima/tag:Bales2024FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2024FilmChallenge</span></a> (December only) and <a href="/settima/tag:Bales2025FilmChallenge" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Bales2025FilmChallenge</span></a> tags.</p>

<p>Then there is the <em>Film du jour</em>. This too once was a Letterboxd list until a blogger, backed by LB, blatantly copied my list and ran off with my gold medal. That list is now private and the titles – auto-posted on Mastodon on the day they take place – can be found here under the tag <a href="/settima/tag:FilmDuJour" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDuJour</span></a>. The titles repeat yearly, with more and more ingredients added. It&#39;s like the soup of the day, but in celluloid form. Delicious!</p>

<p>Talking about food. Over time I announced my film-watching-during-dinner on Mastodon with the hashtag <a href="/settima/tag:FilmDinner" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">FilmDinner</span></a>. Initially just with a nice/interesting still, but then I decided to post a screenshot of a food-related moment in said movie.</p>

<p>The most recent addition is <a href="/settima/tag:Arcs" class="hashtag" rel="nofollow"><span>#</span><span class="p-category">Arcs</span></a>, journaling those odd moments where I watch two or more films in a row with very similar scenes or setups. That happens, more often than anticipated.</p>

<hr>

<p></p>

<h5 id="copyright-disclaimer-under-section-107-of-the-copyright-act-1976-allowance-is-made-for-fair-use-for-purposes-such-as-criticism-comment-news-reporting-teaching-scholarship-and-research-fair-use-is-a-use-permitted-by-copyright-statute-that-might-otherwise-be-infringing-non-profit-educational-or-personal-use-tips-the-balance-in-favor-of-fair-use" id="copyright-disclaimer-under-section-107-of-the-copyright-act-1976-allowance-is-made-for-fair-use-for-purposes-such-as-criticism-comment-news-reporting-teaching-scholarship-and-research-fair-use-is-a-use-permitted-by-copyright-statute-that-might-otherwise-be-infringing-non-profit-educational-or-personal-use-tips-the-balance-in-favor-of-fair-use">Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.</h5>
</blockquote>
]]></content:encoded>
      <guid>https://write.underworld.fr/settima/find-me-at-a-rel-me-href-social-horrorhub-club-at12pt9atsettima-a</guid>
      <pubDate>Sun, 01 Jan 2023 02:43:45 +0100</pubDate>
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