“Our past doesn't belong to us.”La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)
Mar
17
-2.webp)
A woman cries. Captions read “on March 17th,”. DP: Néstor Almendros.
“Our past doesn't belong to us.”La Chambre verte [The Green Room / The Vanishing Fiancée] (François Truffaut, 1978)
Mar
17
-2.webp)
A woman cries. Captions read “on March 17th,”. DP: Néstor Almendros.
“She's a strange breed.” Jules et Jim (François Truffaut, 1962)
Nov
4
sweaters

Catherine (Jeanne Moreau) in a raggedy, moth-eaten sweater and oversized newsboy cap, wears a moustache and smokes a cigar (via). DP: Raoul Coutard.
A movie with gorgeous sweater fashion*
– Jim
Throwing in a little Movember for good measure.
* the Bales 2025 Film Challenge for November is, again, not date-based, but follows a sloppy schmaltzy all-American Thanksgiving-y narrative. Trying to make it work my way.
“I'm glad that you came home. Do you understand? This is your home. You're no longer a wild boy, even if you're not yet a man.”L'enfant sauvage [The Wild Child] (François Truffaut, 1970)
Nov
14
Young Readers Day

Victor, the Wild Boy of Aveyron (Jean-Pierre Cargol), reads letters from a board under supervision of Dr. Jean Itard (Truffaut). DP: Néstor Almendros.
One of the most elaborately recorded “feral child” cases is that of the Wild Boy of Aveyron. In the year 1800, after few fruitless attempts to bound him to civilisation, a young boy left the forests of Saint-Sernin-sur-Rance and settled in. The child's primal appearance and lack of speech labeled him an idiot. However, in the era of Enlightenment, the question of nurture versus nature was a pressing one. Studies on Victor began.
– Dr. Itard
Truffaut explores L'enfant sauvage right when the idea of the noble savage seemed to lock on with counterculture. With #Truffaut as Victor's tutor Itard in front of the camera, directly guiding amateur child actor (and “gipsy”) Cargol, the film not only reimagines Victor's fate, but reenacts Western presumed enlightenment over The Other.